Music Cognition Literature

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This revision was by author mbattaglia1 and made on 2012-12-27 20:22:58 UTC.
The original revision id was 394791884.
The revision comment was:

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Original Wikitext content:

This page attempts to organize the music cognition literature in a way that's (hopefully) relevant to xenharmonics.

=Psychoacoustic= 

=Non-Psychoacoustic= 
* [[@http://openscholar.purchase.edu/meagan_curtis/publications/memory-and-musical-expectation-tones-cultural-context|Curtis, Meagan E., and Jamshed J. Bharucha. "Memory and musical expectation for tones in cultural context." Music Perception. 26.4 (2009): 365-375.]] (Free full text)
** Mike's Summary:
*** The main argument of this paper is "A culturally familiar musical context leads people to mistakenly believe that tones that are missing from that context were actually present. Tones that typically co-occur in a mode form a Gestalt representation, such that fragments of the mode can cause the missing tones to be cognitively filled in."
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http://www.academia.edu/225094/Memory_and_musical_expectation_for_tones_in_cultural_context

Original HTML content:

<html><head><title>Music Cognition Literature</title></head><body>This page attempts to organize the music cognition literature in a way that's (hopefully) relevant to xenharmonics.<br />
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<!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Psychoacoustic"></a><!-- ws:end:WikiTextHeadingRule:0 -->Psychoacoustic</h1>
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<!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Non-Psychoacoustic"></a><!-- ws:end:WikiTextHeadingRule:2 -->Non-Psychoacoustic</h1>
 <ul><li><a class="wiki_link_ext" href="http://openscholar.purchase.edu/meagan_curtis/publications/memory-and-musical-expectation-tones-cultural-context" rel="nofollow" target="_blank">Curtis, Meagan E., and Jamshed J. Bharucha. &quot;Memory and musical expectation for tones in cultural context.&quot; Music Perception. 26.4 (2009): 365-375.</a> (Free full text)<ul><li>Mike's Summary:<ul><li>The main argument of this paper is &quot;A culturally familiar musical context leads people to mistakenly believe that tones that are missing from that context were actually present. Tones that typically co-occur in a mode form a Gestalt representation, such that fragments of the mode can cause the missing tones to be cognitively filled in.&quot;<br />
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