Ed6

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Revision as of 20:59, 24 October 2016 by Wikispaces>JosephRuhf (**Imported revision 596767008 - Original comment: **)
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IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author JosephRuhf and made on 2016-10-24 20:59:20 UTC.
The original revision id was 596767008.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

=Division of the sixth harmonic into n equal parts= 

The sixth harmonic is particularly wide as far as equivalences go.<span class="commentBody"> There are (at absolute most) ~4.3 hexataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hexatave equivalence, </span>this fact shapes one's musical approach dramatically. Even so, the hexatave is one of the three particularly interesting composite harmonics whereof there are enough within the human hearing range to fill three periods of keyboard (the 10th, and to a lesser extent, the 12th share this property). Following this, the quintessential reason for using a hexatave based tuning is that it will split the difference between octave and tritave based tunings, which is a potentially very desirable thing for a tuning to do given the importance of these harmonics in the musics of much of the world (see [[44ed6]] and [[49ed6]]). However, this is not to say of ed6s not supporting this important 13&18 temperament that they can be dismissed out of hand as entirely worthless, for to do that would shut off all non-patent musical approaches to this equivalence. In fact, taking the nth root of 6 is itself an approach to finding temperaments like squares, tritonic, and sensi. This approach can of course be used indiscriminately.

4ed6 [[Squares|squares]] generator (with octaves)
5ed6 [[Tritonic|tritonic]] generator (with octaves)
6ed6 compare 7ed8
7ed6 [[Sensi|sensi]] generator (with octaves)
8ed6 [[Würschmidt|würschmidt]] generator (with octaves)
9ed6 compare 7ed4
10ed6 [[Myna|myna]] generator (with octaves)
11ed6 compare 17ed16
12ed6 compare 14ed8
13ed6 compare [[5edo]] and [[8edt]]
14ed6
15ed6
16ed6 [[Hemiwuerschmidt|hemiwuerschimdt]] generator (with octaves)
17ed6 [[Minortonic family|Minortonic]] generator (with octaves)
18ed6 compare [[7edo]] and [[11edt]]
19ed6 [[Porcupine]] generator (with octaves)
20ed6
21ed6 [[Progression|progression]] generator (with octaves)
22ed6 compare 17ed4
23ed6 compare [[9edo]] and [[14edt]]
24ed6 [[Twothirdtonic|twothirdtonic]] generator (with octaves)
25ed6
26ed6 compare [[10edo]] and [[16edt]]
27ed6
28ed6
29ed6
30ed6
31ed6 compare [[12edo]] and [[19edt]]
32ed6
33ed6
34ed6
35ed6 [[Octacot|octacot]] generator (with octaves)
36ed6 compare [[14edo]] and [[22edt]]
37ed6
38ed6
39ed6 compare [[15edo]] and [[24edt]]
40ed6 [[Valentine|valentine]] generator (with octaves)
41ed6 compare [[16edo]] and [[25edt]]
42ed6
43ed6
[[44ed6]] compare [[17edo]] and [[27edt]]
45ed6
46ed6
47ed6
48ed6 compare 56ed8
[[49ed6]] compare [[19edo]] and [[30edt]]
50ed6
51ed6
52ed6 compare [[20edo]] and [[32edt]]
53ed6
54ed6 compare [[21edo]] and [[33edt]]
55ed6
56ed6
57ed6 compare [[22edo]] and [[35edt]]
58ed6
59ed6
60ed6
61ed6
62ed6 compare [[24edo]] and [[38edt]]
63ed6
64ed6
65ed6 (compare [[25edo]] and [[40edt]])
66ed6 compare 51ed4
67ed6 compare [[26edo]] and [[41edt]]
68ed6
69ed6
70ed6 compare [[27edo]] and [[43edt]]
71ed6 compare 55ed4
72ed6 compare [[28edo]] and [[44edt]]
73ed6
74ed6
75ed6 compare [[29edo]] and [[46edo]]

Original HTML content:

<html><head><title>ed6</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h1&gt; --><h1 id="toc0"><a name="Division of the sixth harmonic into n equal parts"></a><!-- ws:end:WikiTextHeadingRule:0 -->Division of the sixth harmonic into n equal parts</h1>
 <br />
The sixth harmonic is particularly wide as far as equivalences go.<span class="commentBody"> There are (at absolute most) ~4.3 hexataves within the human hearing range; imagine if that were the case with octaves. If one does indeed deal with hexatave equivalence, </span>this fact shapes one's musical approach dramatically. Even so, the hexatave is one of the three particularly interesting composite harmonics whereof there are enough within the human hearing range to fill three periods of keyboard (the 10th, and to a lesser extent, the 12th share this property). Following this, the quintessential reason for using a hexatave based tuning is that it will split the difference between octave and tritave based tunings, which is a potentially very desirable thing for a tuning to do given the importance of these harmonics in the musics of much of the world (see <a class="wiki_link" href="/44ed6">44ed6</a> and <a class="wiki_link" href="/49ed6">49ed6</a>). However, this is not to say of ed6s not supporting this important 13&amp;18 temperament that they can be dismissed out of hand as entirely worthless, for to do that would shut off all non-patent musical approaches to this equivalence. In fact, taking the nth root of 6 is itself an approach to finding temperaments like squares, tritonic, and sensi. This approach can of course be used indiscriminately.<br />
<br />
4ed6 <a class="wiki_link" href="/Squares">squares</a> generator (with octaves)<br />
5ed6 <a class="wiki_link" href="/Tritonic">tritonic</a> generator (with octaves)<br />
6ed6 compare 7ed8<br />
7ed6 <a class="wiki_link" href="/Sensi">sensi</a> generator (with octaves)<br />
8ed6 <a class="wiki_link" href="/W%C3%BCrschmidt">würschmidt</a> generator (with octaves)<br />
9ed6 compare 7ed4<br />
10ed6 <a class="wiki_link" href="/Myna">myna</a> generator (with octaves)<br />
11ed6 compare 17ed16<br />
12ed6 compare 14ed8<br />
13ed6 compare <a class="wiki_link" href="/5edo">5edo</a> and <a class="wiki_link" href="/8edt">8edt</a><br />
14ed6<br />
15ed6<br />
16ed6 <a class="wiki_link" href="/Hemiwuerschmidt">hemiwuerschimdt</a> generator (with octaves)<br />
17ed6 <a class="wiki_link" href="/Minortonic%20family">Minortonic</a> generator (with octaves)<br />
18ed6 compare <a class="wiki_link" href="/7edo">7edo</a> and <a class="wiki_link" href="/11edt">11edt</a><br />
19ed6 <a class="wiki_link" href="/Porcupine">Porcupine</a> generator (with octaves)<br />
20ed6<br />
21ed6 <a class="wiki_link" href="/Progression">progression</a> generator (with octaves)<br />
22ed6 compare 17ed4<br />
23ed6 compare <a class="wiki_link" href="/9edo">9edo</a> and <a class="wiki_link" href="/14edt">14edt</a><br />
24ed6 <a class="wiki_link" href="/Twothirdtonic">twothirdtonic</a> generator (with octaves)<br />
25ed6<br />
26ed6 compare <a class="wiki_link" href="/10edo">10edo</a> and <a class="wiki_link" href="/16edt">16edt</a><br />
27ed6<br />
28ed6<br />
29ed6<br />
30ed6<br />
31ed6 compare <a class="wiki_link" href="/12edo">12edo</a> and <a class="wiki_link" href="/19edt">19edt</a><br />
32ed6<br />
33ed6<br />
34ed6<br />
35ed6 <a class="wiki_link" href="/Octacot">octacot</a> generator (with octaves)<br />
36ed6 compare <a class="wiki_link" href="/14edo">14edo</a> and <a class="wiki_link" href="/22edt">22edt</a><br />
37ed6<br />
38ed6<br />
39ed6 compare <a class="wiki_link" href="/15edo">15edo</a> and <a class="wiki_link" href="/24edt">24edt</a><br />
40ed6 <a class="wiki_link" href="/Valentine">valentine</a> generator (with octaves)<br />
41ed6 compare <a class="wiki_link" href="/16edo">16edo</a> and <a class="wiki_link" href="/25edt">25edt</a><br />
42ed6<br />
43ed6<br />
<a class="wiki_link" href="/44ed6">44ed6</a> compare <a class="wiki_link" href="/17edo">17edo</a> and <a class="wiki_link" href="/27edt">27edt</a><br />
45ed6<br />
46ed6<br />
47ed6<br />
48ed6 compare 56ed8<br />
<a class="wiki_link" href="/49ed6">49ed6</a> compare <a class="wiki_link" href="/19edo">19edo</a> and <a class="wiki_link" href="/30edt">30edt</a><br />
50ed6<br />
51ed6<br />
52ed6 compare <a class="wiki_link" href="/20edo">20edo</a> and <a class="wiki_link" href="/32edt">32edt</a><br />
53ed6<br />
54ed6 compare <a class="wiki_link" href="/21edo">21edo</a> and <a class="wiki_link" href="/33edt">33edt</a><br />
55ed6<br />
56ed6<br />
57ed6 compare <a class="wiki_link" href="/22edo">22edo</a> and <a class="wiki_link" href="/35edt">35edt</a><br />
58ed6<br />
59ed6<br />
60ed6<br />
61ed6<br />
62ed6 compare <a class="wiki_link" href="/24edo">24edo</a> and <a class="wiki_link" href="/38edt">38edt</a><br />
63ed6<br />
64ed6<br />
65ed6 (compare <a class="wiki_link" href="/25edo">25edo</a> and <a class="wiki_link" href="/40edt">40edt</a>)<br />
66ed6 compare 51ed4<br />
67ed6 compare <a class="wiki_link" href="/26edo">26edo</a> and <a class="wiki_link" href="/41edt">41edt</a><br />
68ed6<br />
69ed6<br />
70ed6 compare <a class="wiki_link" href="/27edo">27edo</a> and <a class="wiki_link" href="/43edt">43edt</a><br />
71ed6 compare 55ed4<br />
72ed6 compare <a class="wiki_link" href="/28edo">28edo</a> and <a class="wiki_link" href="/44edt">44edt</a><br />
73ed6<br />
74ed6<br />
75ed6 compare <a class="wiki_link" href="/29edo">29edo</a> and <a class="wiki_link" href="/46edo">46edo</a></body></html>