Interval quality
The quality of an interval describes its relative size compared to similar intervals. Commonly used qualities include major, minor, perfect, augmented, and diminished.
The relative quality of an interval is defined with relation to the scale in which it is used in context, while its absolute quality is defined with relation to a fixed scale independent of the context in which it is used, usually the diatonic scale.
The concept of quality can also be expanded to chords. Chord qualities are related to the qualities of the component intervals that define the chord.
Relative interval quality
In any scale, each interval class consists of the set of all intervals that span a given number of steps. For example, all intervals that span two steps of a scale are thirds or 2-steps (the latter form being often used to avoid confusion with absolute interval quality). Scales with a higher density of notes compared to the diatonic scale typically have smaller 2-steps; as a result, the 2-steps may fall outside of the usual range for diatonic thirds (i.e. between 240 ¢ and 480 ¢).
In an equal scale, each interval class contains a single perfect interval; in other words, each interval is perfect. Therefore, both intervals 5\8 and 5\13 are perfect sixths (or perfect 5-steps) within their respective edo taken as a scale, even though they have significantly different sizes.
In moment of symmetry (MOS) scales, each interval class contains two intervals except for the unison class, which only contains the unison class. The two interval classes that correspond to the |bright and dark generators contain only perfect intervals except for one, which corresponds to the "wolf" interval, which is qualified as either augmented or diminished depending on its size relative to the perfect generator, or sometimes imperfect when considering the general case. The other interval classes contain major and minor intervals.
Scales with higher interval variety require additional qualities. Although there are no standard labels yet, large, medium and small can be used for variety-3 interval classes.
The harmonic series taken a scale theoretically contains infinitely many interval qualities for each interval class. For that reason, relative quality is rarely used in that context and other tools are used to describe the variety of intervals found in just intonation taken as a whole, such as absolute interval quality.