John Moriarty
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Original Wikitext content:
**John Lank Moriarty** (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania. He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]]. Some of my crazy ramblings: <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">With a Tonic C, then, the “diatonic” notes are:</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">C Db D Eb E F F# Gb G Ab A Bb B</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Let’s name those notes diatonic to C as follows:</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Where one sized generic intervals (unisons and octaves) and their chroma shifts are named</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, perfect, or augmented</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -o, and -u, respectively</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">And then two sized generic intervals and their chroma shifts are named</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, minor, major, or augmented </span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -a, -i, and -u, respectively</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Ionian- Do Ri Mi Fa Si Li Ti Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Mixolydian- Do Ri Mi Fa Si Li Ta Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Dorian- Do Ri Ma Fa Si Li Ta Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean- Do Ri Ma Fa Si La Ta Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Phrygian- Do Ra Ma Fa Si La Ta Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Minor- Do Ri Ma Fa Si La Ti Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Melodic major- Do Ri Mi Fa Si La Ta Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Major- Do Ri Mi Fa Si La Ti Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Double Harmonic- Do Ra Mi Fa Si La Ti Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian aug2- Do Ru Mi Fi Si Li Ti Do</span> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean dim6- Do Ra Ma Fa Sa La Te</span>
Original HTML content:
<html><head><title>John Moriarty</title></head><body><strong>John Lank Moriarty</strong> (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.<br /> <br /> He releases most of his tuning-related material on his <a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow">youtube page</a> and his <a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow">soundcloud page</a>.<br /> <br /> <br /> Some of my crazy ramblings:<br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">With a Tonic C, then, the “diatonic” notes are:</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">C Db D Eb E F F# Gb G Ab A Bb B</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Let’s name those notes diatonic to C as follows:</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Where one sized generic intervals (unisons and octaves) and their chroma shifts are named</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, perfect, or augmented</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -o, and -u, respectively</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">And then two sized generic intervals and their chroma shifts are named</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">diminished, minor, major, or augmented </span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">and have the endings </span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">-e, -a, -i, and -u, respectively</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Ionian- Do Ri Mi Fa Si Li Ti Do</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Mixolydian- Do Ri Mi Fa Si Li Ta Do</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Dorian- Do Ri Ma Fa Si Li Ta Do</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean- Do Ri Ma Fa Si La Ta Do</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Phrygian- Do Ra Ma Fa Si La Ta Do</span><br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Minor- Do Ri Ma Fa Si La Ti Do</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Melodic major- Do Ri Mi Fa Si La Ta Do</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Harmonic Major- Do Ri Mi Fa Si La Ti Do</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Double Harmonic- Do Ra Mi Fa Si La Ti Do</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Lydian aug2- Do Ru Mi Fi Si Li Ti Do</span><br /> <br /> <span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;">Aolean dim6- Do Ra Ma Fa Sa La Te</span></body></html>