Half-diminished seventh chord

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Revision as of 03:24, 10 September 2024 by Bcmills (talk | contribs) (add starling essentially-tempered chord; fix odd limit of archytas chord)
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A half-diminished seventh chord is a tetrad comprising a root, a minor third, a diminished fifth, and a minor seventh.

In temperaments

In meantone (including 12edo), on which traditional tonal harmony is built, the interval of a diminished fifth tempers together 36/25~64/45~1024/729, and the minor seventh tempers together 9/5~16/9, giving a chord with an intervallic odd limit of 25:

  • (Meantone) 1/1 ‒ 6/5 ‒ 36/25 ‒ 9/5, with steps 6/5, 6/5, 5/4

In starling temperament, which tempers out 126/125, the ~36/25 diminished fifth is equated with ~10/7, reducing the chord to the 7-odd-limit as an essentially tempered chord:

  • (Starling) 1/1 ‒ 6/5 ‒ 10/7 ‒ 9/5, with steps 6/5, 6/5, 5/4

In archytas temperament, which tempers out 64/63, a ~16/9 minor seventh is equated with ~7/4, a ~64/45 diminished fifth is equated with ~7/5, and the ~35/24 ratio between ~7/4 and ~6/5 is equated with a ~3/2 perfect fifth, yielding another 7-odd-limit essentially tempered chord:

  • (Archytas) 1/1 ‒ 6/5 ‒ 7/5 ‒ 7/4, with steps 6/5, 7/6, 5/4

Alternately, if we take the ~9/5 minor seventh instead, archytas gives a 9-odd-limit essentially just chord, tempering together 5:6:7:9 with 45:54:64:81:

  • (Archytas) 1/1 ‒ 6/5 ‒ 7/5 ‒ 9/5, with steps 6/5, 7/6, 9/7

In just intonation

In the 7-limit:

In the 5-limit:

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