32edo
32edo divides the octave into 32 equal parts of precisely 37.5 cents each. While even advocates of less-common EDOs can struggle to find something about it worth noting, it does provide an excellent tuning for Petr Pařízek's sixix temperament, which tempers out the 5-limit sixix comma, 3125/2916, using its 9\32 generator of size 337.5 cents. Pařízek's preferred generator for sixix is (128/15)^(1/11), which is 337.430 cents and which gives equal error to fifths and major thirds, so 32edo does sixix about as well as sixix can be done. It also can be used (with the 9\32 generator) to tune mohavila, an 11-limit temperament which does not temper out sixix.
It also tempers out 2048/2025 in the 5-limit, and 50/49 with 64/63 in the 7-limit, which means it supports pajara temperament, with a very sharp fifth of 712.5 cents which could be experimented with by those with a penchant for fifths even sharper than the fifth of 27edo; this fifth is in fact very close to the minimax tuning of the pajara extension pajaro, using the 32f val. In the 11-limit it provides the optimal patent val for the 15&32 temperament, tempering out 55/54, 64/63 and 245/242.
Intervals
Script error: No such module "primes_in_edo".
Degree | Cents | Ups and Downs Notation | 13-limit Ratios | Other | ||
---|---|---|---|---|---|---|
0 | 0.0 | P1 | perfect unison | D | 1/1 | |
1 | 37.5 | ^1, m2 | up unison, minor 2nd | ^D, Eb | 49/48, 50/49, 45/44 | 46/45, 52/51, 51/50 |
2 | 75.0 | ^m2 | upminor 2nd | ^Eb | 22/21, 25/24 | 24/23, 23/22 |
3 | 112.5 | v~2 | downmid 2nd | ^^Eb, vvD# | 16/15 | 49/46 |
4 | 150.0 | ^~2 | upmid 2nd | vD# | 12/11, 49/45 | 25/23 |
5 | 187.5 | vM2 | downmajor 2nd | D# | 10/9, 39/35 | 19/17 |
6 | 225.0 | M2 | major 2nd | E | 8/7, 25/22 | 57/50 |
7 | 262.5 | m3 | minor 3rd | F | 7/6, 64/55 | 57/49 |
8 | 300.0 | ^m3 | upminor 3rd | Gb | 6/5, 32/27 | 19/16 |
9 | 337.5 | v~3 | downmid 3rd | ^Gb | 11/9, 39/32, 63/52 | 17/14, 28/23 |
10 | 375.0 | ^~3 | upmid 3rd | vvF# | 5/4, 26/21, 56/45, 96/77 | 36/29 |
11 | 412.5 | vM3 | downmajor 3rd | vF# | 14/11, 33/26, 80/63 | 19/15 |
12 | 450.0 | M3 | major 3rd | F# | 13/10, 35/27, 64/49 | 22/17, 57/44 |
13 | 487.5 | P4 | perfect 4th | G | 4/3, 33/25, 160/121 | 45/34, 85/64 |
14 | 525.0 | ^4 | up 4th | Ab | 27/20, 110/81 | 19/14, 23/17 |
15 | 562.5 | v~4 | downmid 4th | ^Ab | 18/13, 11/8 | |
16 | 600.0 | ^~4,v~5 | upmid 4th, downmid 5th | vvG#, ^^Ab | 7/5, 10/7, 99/70, 140/99 | 17/12, 12/17 |
17 | 637.5 | ^~5 | upmid 5th | vG# | 13/9, 16/11 | |
18 | 675.0 | v5 | down fifth | G# | 40/27, 81/55 | 28/19, 34/23 |
19 | 712.5 | P5 | perfect 5th | A | 3/2, 50/33, 121/80 | 68/45, 128/85 |
20 | 750.0 | m6 | minor 6th | Bb | 20/13, 54/35, 49/32 | 17/11, 88/57 |
21 | 787.5 | ^m6 | upminor 6th | ^Bb | 11/7, 52/33, 63/40 | 30/19 |
22 | 825.0 | v~6 | downmid 6th | ^^Bb | 8/5, 21/13, 45/28, 77/48 | 29/18 |
23 | 862.5 | ^~6 | upmid 6th | vA# | 18/11, 64/39, 104/63 | 28/17, 23/14 |
24 | 900.0 | vM6 | downmajor 6th | A# | 5/3, 27/16 | 32/19 |
25 | 937.5 | M6 | major 6th | B | 12/7, 55/32 | 98/57 |
26 | 975.0 | m7 | minor 7th | C | 7/4, 44/25 | 100/57 |
27 | 1012.5 | ^m7 | upminor 7th | Db | 9/5, 70/39 | 34/19 |
28 | 1050.0 | v~7 | downmid 7th | ^Db | 11/6, 90/49 | 46/25 |
29 | 1087.5 | ^~7 | upmid 7th | vvC# | 15/8 | 92/49 |
30 | 1125.0 | vM7 | downmajor 7th | vC# | 21/11, 48/25 | 23/12, 44/23 |
31 | 1162.5 | M7 | major 7th | C# | 96/49, 49/25, 88/45 | 45/23, 51/26, 100/51 |
32 | 1200.0 | P8 | 8ve | D | 2/1 |
Z function
Below is a plot of the Zeta function, showing how its peak (ie most negative) value is shifted above 32, corresponding to a zeta tuning with octaves flattened to 1197.375 cents. This will improve the fifth, at the expense of the third.
Music
- Zinnia Riplet (32-EDO) by Stephen Weigel (featured in Possible Worlds Vol. 4 of Spectropol Records)
- Admin's Hot Tub by Stephen Weigel
- Sixix by Petr Pařízek
- 32 32 32 Nothing Less Will Do by Chris Vaisvil