21edo
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Original Wikitext content:
=21 equal divisions of the octave= Twenty one equal divisions of the octave provides the sonic fingerprint of the augmented and 7-edo family, while also giving a some higher harmony possibilities and fun intervals like the apotome, and the medium magic diesis. The system can be treated as three intertwining 7-edo or "equi-heptatonic" scales, or as seven 3-edo ''augmented'' triads. Some other cool things about 21-edo: it has an 11-limit minor third/wide sixth, 7-limit neutral third and sixth, a 7/4 harmonic seventh or grave minor seventh 1280/729 approximation (whichever you please). The harmonic occurs at 968.826 cents while the 21-tone 7/4 approximation is 971.4286 cents, or 2.6 cents off. Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets). 0. 1/1 C 1. 57.143 cents C^ Dvv 2. 114.286 cents C^^ Dv 3. 171.429 cents D 4. 228.571 cents D^ Evv 5. 285.714 cents D^^ Ev 6. 342.857 cents E 7. 400.000 cents E^ Fvv 8. 457.143 cents E^^ Fv 9. 514.286 cents F 10. 571.429 cents F^ Gvv 11. 628.571 cents F^^ Gv 12. 685.714 cents G 13. 742.857 cents G^ Avv 14. 800.000 cents G^^ Av 15. 857.143 cents A 16. 914.286 cents A^ Bvv 17. 971.429 cents A^^ Bv 18. 1028.571 cents B 19. 1085.714 cents B^ Cvv 20. 1142.857 cents B^^ Cv 21. 2/1 C Some 21-tone scales: 21-edo Narrow (minor) whole tone 21-edo Undecimal minor 21-edo Septimal neutral major 21-edo Quasi-equal major 21-edo Undecimal minor 21-edo Septimal neutral major 21-edo Quasi-equal major [[image:http://www.ronsword.com/images/ron1.jpg width="254" height="188"]][[image:http://www.swordguitars.com/21tetsm.JPG width="363" height="191"]] **//21-edo Icosihenaphonic Acoustic Guitar (Ron Sword)//** ==Commas== 21 EDO tempers out the following commas. (Note: This assumes the val < 21 33 49 59 73 78 |.) ||~ Comma ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 || || 2187/2048 || | -11 7 > || 113.69 || Apotome || || || 128/125 || | 7 0 -3 > || 41.06 || Diesis || Augmented Comma || || 9931568/9752117 || | -25 7 6 > || 31.57 |||| Ampersand's Comma || || 9193891/9143623 || | 32 -7 -9 > || 9.49 |||| Escapade Comma || || 1029/1000 || | -3 1 -3 3 > || 49.49 || Keega || || || 36/35 || | 2 2 -1 -1 > || 48.77 |||| Septimal Quarter Tone || || 9859966/9733137 || | -10 7 8 -7 > || 22.41 || Blackjackisma || || || 1029/1024 || | -10 1 0 3 > || 8.43 || Gamelisma || || || 225/224 || | -5 2 2 -1 > || 7.71 || Septimal Kleisma || Marvel Comma || || 16875/16807 || | 0 3 4 -5 > || 6.99 || Mirkwai || || || 2401/2400 || | -5 -1 -2 4 > || 0.72 || Breedsma || || || 394839/394762 || | 47 -7 -7 -7 > || 0.34 || Akjaysma || 5\7 Octave Comma || || 99/98 || | -1 2 0 -2 1 > || 17.58 || Mothwellsma || || || 176/175 || | 4 0 -2 -1 1 > || 9.86 || Valinorsma || || || 4000/3993 || | 5 -1 3 0 -3 > || 3.03 || Wizardharry || || ==**Progressions / Chords / Pitch Space Divisions:**== 2 octaves into 7 parts = 6 6 6 6 6 6 3 octaves into 7 parts = 9 9 9 9 9 9 4 octaves into 7 parts = 12 12 12 12 12 12 12 5 octaves into 7 parts = 15 15 15 15 15 15 15 6 octaves into 7 parts = 18 18 18 18 18 18 18 7 octaves into 7 parts = 21 21 21 21 21 21 21 = octaves 8 octaves into 7 parts = 24 24 24 24 24 24 24 9 octaves into 7 parts = 27 27 27 27 27 27 27 10 octaves into 7 parts = 30 30 30 30 30 30 30 2 octaves into 3 parts = 14 14 14 3 octaves into 3 parts = 21 21 21 = octave 4 octaves into 3 parts = 28 28 28 5 octaves into 3 parts = 35 35 35 6 octaves into 3 parts = 42 42 42 = 2 octaves 7 octaves into 3 parts = 49 49 49 8 octaves into 3 parts = 56 56 56 9 octaves into 3 parts = 63 63 63 = 3 octaves 10 octaves into 3 parts = 70 70 70 =**Books / Literature:**= Sword, Ron. "Icosihenaphonic Scales for Guitar". IAAA Press. 1st ed: July 2009. =**Compositions/Listening:**= [[@http://www.ronsword.com/sounds/21_improv.mp3|Short Clip of 21-edo Acoustic]] by Ron Sword [[@http://www.ronsword.com/sounds/Ron_Sword_21_Tone_improv.mp3|Open tuning Drone Improvisation in 21-edo]] by Ron Sword
Original HTML content:
<html><head><title>21edo</title></head><body><!-- ws:start:WikiTextHeadingRule:0:<h1> --><h1 id="toc0"><a name="x21 equal divisions of the octave"></a><!-- ws:end:WikiTextHeadingRule:0 -->21 equal divisions of the octave</h1>
<br />
Twenty one equal divisions of the octave provides the sonic fingerprint of the augmented and 7-edo family, while also giving a some higher harmony possibilities and fun intervals like the apotome, and the medium magic diesis. The system can be treated as three intertwining 7-edo or "equi-heptatonic" scales, or as seven 3-edo ''augmented'' triads. Some other cool things about 21-edo: it has an 11-limit minor third/wide sixth, 7-limit neutral third and sixth, a 7/4 harmonic seventh or grave minor seventh 1280/729 approximation (whichever you please). The harmonic occurs at 968.826 cents while the 21-tone 7/4 approximation is 971.4286 cents, or 2.6 cents off.<br />
<br />
Twenty-one has a period of 1/3 of the octave as opposed to 1/4 found in diminished families like 12-tet and 16-tet. Some sources claim that cultures in North and South Africa ( Zambezi / Angola / Chopi, etc), as well as ancient traditional Chinese music used 7-edo (or slight alterations within the pitch sets).<br />
<br />
0. 1/1 C<br />
1. 57.143 cents C^ Dvv<br />
2. 114.286 cents C^^ Dv<br />
3. 171.429 cents D<br />
4. 228.571 cents D^ Evv<br />
5. 285.714 cents D^^ Ev<br />
6. 342.857 cents E<br />
7. 400.000 cents E^ Fvv<br />
8. 457.143 cents E^^ Fv<br />
9. 514.286 cents F<br />
10. 571.429 cents F^ Gvv<br />
11. 628.571 cents F^^ Gv<br />
12. 685.714 cents G<br />
13. 742.857 cents G^ Avv<br />
14. 800.000 cents G^^ Av<br />
15. 857.143 cents A<br />
16. 914.286 cents A^ Bvv<br />
17. 971.429 cents A^^ Bv<br />
18. 1028.571 cents B<br />
19. 1085.714 cents B^ Cvv<br />
20. 1142.857 cents B^^ Cv<br />
21. 2/1 C<br />
<br />
Some 21-tone scales:<br />
<br />
21-edo Narrow (minor) whole tone<br />
21-edo Undecimal minor<br />
21-edo Septimal neutral major<br />
21-edo Quasi-equal major<br />
21-edo Undecimal minor<br />
21-edo Septimal neutral major<br />
21-edo Quasi-equal major<br />
<!-- ws:start:WikiTextRemoteImageRule:198:<img src="http://www.ronsword.com/images/ron1.jpg" alt="" title="" style="height: 188px; width: 254px;" /> --><img src="http://www.ronsword.com/images/ron1.jpg" alt="external image ron1.jpg" title="external image ron1.jpg" style="height: 188px; width: 254px;" /><!-- ws:end:WikiTextRemoteImageRule:198 --><!-- ws:start:WikiTextRemoteImageRule:199:<img src="http://www.swordguitars.com/21tetsm.JPG" alt="" title="" style="height: 191px; width: 363px;" /> --><img src="http://www.swordguitars.com/21tetsm.JPG" alt="external image 21tetsm.JPG" title="external image 21tetsm.JPG" style="height: 191px; width: 363px;" /><!-- ws:end:WikiTextRemoteImageRule:199 --><br />
<strong><em>21-edo Icosihenaphonic Acoustic Guitar (Ron Sword)</em></strong><br />
<br />
<!-- ws:start:WikiTextHeadingRule:2:<h2> --><h2 id="toc1"><a name="x21 equal divisions of the octave-Commas"></a><!-- ws:end:WikiTextHeadingRule:2 -->Commas</h2>
21 EDO tempers out the following commas. (Note: This assumes the val < 21 33 49 59 73 78 |.)<br />
<table class="wiki_table">
<tr>
<th>Comma<br />
</th>
<th>Monzo<br />
</th>
<th>Value (Cents)<br />
</th>
<th>Name 1<br />
</th>
<th>Name 2<br />
</th>
</tr>
<tr>
<td>2187/2048<br />
</td>
<td>| -11 7 ><br />
</td>
<td>113.69<br />
</td>
<td>Apotome<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>128/125<br />
</td>
<td>| 7 0 -3 ><br />
</td>
<td>41.06<br />
</td>
<td>Diesis<br />
</td>
<td>Augmented Comma<br />
</td>
</tr>
<tr>
<td>9931568/9752117<br />
</td>
<td>| -25 7 6 ><br />
</td>
<td>31.57<br />
</td>
<td colspan="2">Ampersand's Comma<br />
</td>
</tr>
<tr>
<td>9193891/9143623<br />
</td>
<td>| 32 -7 -9 ><br />
</td>
<td>9.49<br />
</td>
<td colspan="2">Escapade Comma<br />
</td>
</tr>
<tr>
<td>1029/1000<br />
</td>
<td>| -3 1 -3 3 ><br />
</td>
<td>49.49<br />
</td>
<td>Keega<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>36/35<br />
</td>
<td>| 2 2 -1 -1 ><br />
</td>
<td>48.77<br />
</td>
<td colspan="2">Septimal Quarter Tone<br />
</td>
</tr>
<tr>
<td>9859966/9733137<br />
</td>
<td>| -10 7 8 -7 ><br />
</td>
<td>22.41<br />
</td>
<td>Blackjackisma<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>1029/1024<br />
</td>
<td>| -10 1 0 3 ><br />
</td>
<td>8.43<br />
</td>
<td>Gamelisma<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>225/224<br />
</td>
<td>| -5 2 2 -1 ><br />
</td>
<td>7.71<br />
</td>
<td>Septimal Kleisma<br />
</td>
<td>Marvel Comma<br />
</td>
</tr>
<tr>
<td>16875/16807<br />
</td>
<td>| 0 3 4 -5 ><br />
</td>
<td>6.99<br />
</td>
<td>Mirkwai<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>2401/2400<br />
</td>
<td>| -5 -1 -2 4 ><br />
</td>
<td>0.72<br />
</td>
<td>Breedsma<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>394839/394762<br />
</td>
<td>| 47 -7 -7 -7 ><br />
</td>
<td>0.34<br />
</td>
<td>Akjaysma<br />
</td>
<td>5\7 Octave Comma<br />
</td>
</tr>
<tr>
<td>99/98<br />
</td>
<td>| -1 2 0 -2 1 ><br />
</td>
<td>17.58<br />
</td>
<td>Mothwellsma<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>176/175<br />
</td>
<td>| 4 0 -2 -1 1 ><br />
</td>
<td>9.86<br />
</td>
<td>Valinorsma<br />
</td>
<td><br />
</td>
</tr>
<tr>
<td>4000/3993<br />
</td>
<td>| 5 -1 3 0 -3 ><br />
</td>
<td>3.03<br />
</td>
<td>Wizardharry<br />
</td>
<td><br />
</td>
</tr>
</table>
<!-- ws:start:WikiTextHeadingRule:4:<h2> --><h2 id="toc2"><a name="x21 equal divisions of the octave-Progressions / Chords / Pitch Space Divisions:"></a><!-- ws:end:WikiTextHeadingRule:4 --><strong>Progressions / Chords / Pitch Space Divisions:</strong></h2>
2 octaves into 7 parts = 6 6 6 6 6 6<br />
3 octaves into 7 parts = 9 9 9 9 9 9<br />
4 octaves into 7 parts = 12 12 12 12 12 12 12<br />
5 octaves into 7 parts = 15 15 15 15 15 15 15<br />
6 octaves into 7 parts = 18 18 18 18 18 18 18<br />
7 octaves into 7 parts = 21 21 21 21 21 21 21 = octaves<br />
8 octaves into 7 parts = 24 24 24 24 24 24 24<br />
9 octaves into 7 parts = 27 27 27 27 27 27 27<br />
10 octaves into 7 parts = 30 30 30 30 30 30 30<br />
<br />
2 octaves into 3 parts = 14 14 14<br />
3 octaves into 3 parts = 21 21 21 = octave<br />
4 octaves into 3 parts = 28 28 28<br />
5 octaves into 3 parts = 35 35 35<br />
6 octaves into 3 parts = 42 42 42 = 2 octaves<br />
7 octaves into 3 parts = 49 49 49<br />
8 octaves into 3 parts = 56 56 56<br />
9 octaves into 3 parts = 63 63 63 = 3 octaves<br />
10 octaves into 3 parts = 70 70 70<br />
<br />
<br />
<!-- ws:start:WikiTextHeadingRule:6:<h1> --><h1 id="toc3"><a name="Books / Literature:"></a><!-- ws:end:WikiTextHeadingRule:6 --><strong>Books / Literature:</strong></h1>
Sword, Ron. "Icosihenaphonic Scales for Guitar". IAAA Press. 1st ed: July 2009.<br />
<br />
<!-- ws:start:WikiTextHeadingRule:8:<h1> --><h1 id="toc4"><a name="Compositions/Listening:"></a><!-- ws:end:WikiTextHeadingRule:8 --><strong>Compositions/Listening:</strong></h1>
<a class="wiki_link_ext" href="http://www.ronsword.com/sounds/21_improv.mp3" rel="nofollow" target="_blank">Short Clip of 21-edo Acoustic</a> by Ron Sword<br />
<a class="wiki_link_ext" href="http://www.ronsword.com/sounds/Ron_Sword_21_Tone_improv.mp3" rel="nofollow" target="_blank">Open tuning Drone Improvisation in 21-edo</a> by Ron Sword</body></html>