5/3: Difference between revisions

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Wikispaces>Andrew_Heathwaite
**Imported revision 259796998 - Original comment: **
Wikispaces>Andrew_Heathwaite
**Imported revision 259808402 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-29 18:11:53 UTC</tt>.<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-09-29 19:00:05 UTC</tt>.<br>
: The original revision id was <tt>259796998</tt>.<br>
: The original revision id was <tt>259808402</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[5-limit]] [[Just Intonation]], 5/3 is an slightly narrow major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the [[OverToneSeries|Harmonic Series]], and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is [[6_5|6/5]], the 5-limit minor third. It differs from the Pythagorean major sixth of [[27_16|27/16]] (about 905.9¢) by the syntonic comma of [[81_80|81/80]] (about 21.5¢). This means that in systems which temper out the syntonic comma, such as [[12edo]] and [[meantone]] systems, 5/3 and 27/16 are conflated.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In [[5-limit]] [[Just Intonation]], 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the [[OverToneSeries|Harmonic Series]], and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is [[6_5|6/5]], the 5-limit minor third. It differs from the Pythagorean major sixth of [[27_16|27/16]] (about 905.9¢) by the syntonic comma of [[81_80|81/80]] (about 21.5¢). This means that in systems which temper out the syntonic comma, such as [[12edo]] and [[meantone]] systems, 5/3 and 27/16 are conflated.


5/3 has a more mellow sound than 27/16, owing to its relative smallness.
5/3 has a more mellow sound than 27/16, owing to its relative smallness.
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See: [[Gallery of Just Intervals]]</pre></div>
See: [[Gallery of Just Intervals]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;5_3&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 5/3 is an slightly narrow major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is &lt;a class="wiki_link" href="/6_5"&gt;6/5&lt;/a&gt;, the 5-limit minor third. It differs from the Pythagorean major sixth of &lt;a class="wiki_link" href="/27_16"&gt;27/16&lt;/a&gt; (about 905.9¢) by the syntonic comma of &lt;a class="wiki_link" href="/81_80"&gt;81/80&lt;/a&gt; (about 21.5¢). This means that in systems which temper out the syntonic comma, such as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and &lt;a class="wiki_link" href="/meantone"&gt;meantone&lt;/a&gt; systems, 5/3 and 27/16 are conflated.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;5_3&lt;/title&gt;&lt;/head&gt;&lt;body&gt;In &lt;a class="wiki_link" href="/5-limit"&gt;5-limit&lt;/a&gt; &lt;a class="wiki_link" href="/Just%20Intonation"&gt;Just Intonation&lt;/a&gt;, 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is &lt;a class="wiki_link" href="/6_5"&gt;6/5&lt;/a&gt;, the 5-limit minor third. It differs from the Pythagorean major sixth of &lt;a class="wiki_link" href="/27_16"&gt;27/16&lt;/a&gt; (about 905.9¢) by the syntonic comma of &lt;a class="wiki_link" href="/81_80"&gt;81/80&lt;/a&gt; (about 21.5¢). This means that in systems which temper out the syntonic comma, such as &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; and &lt;a class="wiki_link" href="/meantone"&gt;meantone&lt;/a&gt; systems, 5/3 and 27/16 are conflated.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
5/3 has a more mellow sound than 27/16, owing to its relative smallness.&lt;br /&gt;
5/3 has a more mellow sound than 27/16, owing to its relative smallness.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
See: &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;Gallery of Just Intervals&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 19:00, 29 September 2011

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author Andrew_Heathwaite and made on 2011-09-29 19:00:05 UTC.
The original revision id was 259808402.
The revision comment was:

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

In [[5-limit]] [[Just Intonation]], 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the [[OverToneSeries|Harmonic Series]], and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is [[6_5|6/5]], the 5-limit minor third. It differs from the Pythagorean major sixth of [[27_16|27/16]] (about 905.9¢) by the syntonic comma of [[81_80|81/80]] (about 21.5¢). This means that in systems which temper out the syntonic comma, such as [[12edo]] and [[meantone]] systems, 5/3 and 27/16 are conflated.

5/3 has a more mellow sound than 27/16, owing to its relative smallness.

See: [[Gallery of Just Intervals]]

Original HTML content:

<html><head><title>5_3</title></head><body>In <a class="wiki_link" href="/5-limit">5-limit</a> <a class="wiki_link" href="/Just%20Intonation">Just Intonation</a>, 5/3 is a major sixth of about 884.4¢. It represents the difference between the 5th and 3rd overtones of the <a class="wiki_link" href="/OverToneSeries">Harmonic Series</a>, and appears in just chords such as 3:4:5 (a 2nd inversion major triad). Its inversion is <a class="wiki_link" href="/6_5">6/5</a>, the 5-limit minor third. It differs from the Pythagorean major sixth of <a class="wiki_link" href="/27_16">27/16</a> (about 905.9¢) by the syntonic comma of <a class="wiki_link" href="/81_80">81/80</a> (about 21.5¢). This means that in systems which temper out the syntonic comma, such as <a class="wiki_link" href="/12edo">12edo</a> and <a class="wiki_link" href="/meantone">meantone</a> systems, 5/3 and 27/16 are conflated.<br />
<br />
5/3 has a more mellow sound than 27/16, owing to its relative smallness.<br />
<br />
See: <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">Gallery of Just Intervals</a></body></html>