55edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~genewardsmith~~|~~genewardsmith~~]] and made on <tt>2011-06-~~17 17~~:18:32 UTC</tt>.<br>

: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-07-12 01:35:47 UTC</tt>.<br>

: The original revision id was <tt>~~237369583~~</tt>.<br>

: The original revision id was <tt>240943975</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

<h4>Original Wikitext content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=<span style="color: #~~008023~~; font-size: ~~103~~%;">55 tone equal temperament</span>=

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=<span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;">55 tone equal temperament</span>=

//55edo// divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6 Syntonic Comma Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [[http://en.wikipedia.org/wiki/Georg_Philipp_Telemann|Telemann]] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [[http://en.wikipedia.org/wiki/Leopold_Mozart|Leopold]] and [[http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart|Wolfgang Mozart]]. It can also be used for [[Meantone family|mohajira and liese]] temperaments.

**//55edo//** divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6 Syntonic Comma Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [[http://en.wikipedia.org/wiki/Georg_Philipp_Telemann|Telemann]] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [[http://en.wikipedia.org/wiki/Leopold_Mozart|Leopold]] and [[http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart|Wolfgang Mozart]]. It can also be used for [[Meantone family|mohajira and liese]] temperaments.

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<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>55edo</title></head><body><h1 id="toc0"><a name="x55 tone equal temperament"></a><span style="color: #~~008023~~; font-size: ~~103~~%;">55 tone equal temperament</span></h1>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>55edo</title></head><body><h1 id="toc0"><a name="x55 tone equal temperament"></a><span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;">55 tone equal temperament</span></h1>

<em>55edo</em> divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to <a class="wiki_link" href="/1-6%20Syntonic%20Comma%20Meantone">1/6 comma meantone</a> (and is almost exactly 10/57 comma meantone.) <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Philipp_Telemann" rel="nofollow">Telemann</a> suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Leopold_Mozart" rel="nofollow">Leopold</a> and <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart" rel="nofollow">Wolfgang Mozart</a>. It can also be used for <a class="wiki_link" href="/Meantone%20family">mohajira and liese</a> temperaments.<br />

<br />

<strong><em>55edo</em></strong> divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to <a class="wiki_link" href="/1-6%20Syntonic%20Comma%20Meantone">1/6 comma meantone</a> (and is almost exactly 10/57 comma meantone.) <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Philipp_Telemann" rel="nofollow">Telemann</a> suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Leopold_Mozart" rel="nofollow">Leopold</a> and <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart" rel="nofollow">Wolfgang Mozart</a>. It can also be used for <a class="wiki_link" href="/Meantone%20family">mohajira and liese</a> temperaments.<br />

<br />

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@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-06-17 17:18:32 UTC</tt>.<br>
+: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2011-07-12 01:35:47 UTC</tt>.<br>
-: The original revision id was <tt>237369583</tt>.<br>
+: The original revision id was <tt>240943975</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
 <h4>Original Wikitext content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #008023; font-size: 103%;"&gt;55 tone equal temperament&lt;/span&gt;=
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=&lt;span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;55 tone equal temperament&lt;/span&gt;=
-//55edo// divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6 Syntonic Comma Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [[http://en.wikipedia.org/wiki/Georg_Philipp_Telemann|Telemann]] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [[http://en.wikipedia.org/wiki/Leopold_Mozart|Leopold]] and [[http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart|Wolfgang Mozart]]. It can also be used for [[Meantone family|mohajira and liese]] temperaments.
+**//55edo//** divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to [[1-6 Syntonic Comma Meantone|1/6 comma meantone]] (and is almost exactly 10/57 comma meantone.) [[http://en.wikipedia.org/wiki/Georg_Philipp_Telemann|Telemann]] suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by [[http://en.wikipedia.org/wiki/Leopold_Mozart|Leopold]] and [[http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart|Wolfgang Mozart]]. It can also be used for [[Meantone family|mohajira and liese]] temperaments.
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 || 54 || 1178,182 ||</pre></div>
 <h4>Original HTML content:</h4>
-<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;55edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x55 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="color: #008023; font-size: 103%;"&gt;55 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
+<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;55edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x55 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;&lt;span style="color: #008523; font-family: 'Times New Roman',Times,serif; font-size: 113%;"&gt;55 tone equal temperament&lt;/span&gt;&lt;/h1&gt;
-  &lt;em&gt;55edo&lt;/em&gt; divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to &lt;a class="wiki_link" href="/1-6%20Syntonic%20Comma%20Meantone"&gt;1/6 comma meantone&lt;/a&gt; (and is almost exactly 10/57 comma meantone.) &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Philipp_Telemann" rel="nofollow"&gt;Telemann&lt;/a&gt; suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Leopold_Mozart" rel="nofollow"&gt;Leopold&lt;/a&gt; and &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart" rel="nofollow"&gt;Wolfgang Mozart&lt;/a&gt;. It can also be used for &lt;a class="wiki_link" href="/Meantone%20family"&gt;mohajira and liese&lt;/a&gt; temperaments.&lt;br /&gt;
+  &lt;br /&gt;
+&lt;strong&gt;&lt;em&gt;55edo&lt;/em&gt;&lt;/strong&gt; divides the octave into 55 parts of 21.818 cents. It can be used for a meantone tuning, and is close to &lt;a class="wiki_link" href="/1-6%20Syntonic%20Comma%20Meantone"&gt;1/6 comma meantone&lt;/a&gt; (and is almost exactly 10/57 comma meantone.) &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Philipp_Telemann" rel="nofollow"&gt;Telemann&lt;/a&gt; suggested it as a theoretical basis for analyzing the intervals of meantone, in which he was followed by &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Leopold_Mozart" rel="nofollow"&gt;Leopold&lt;/a&gt; and &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Wolfgang_Amadeus_Mozart" rel="nofollow"&gt;Wolfgang Mozart&lt;/a&gt;. It can also be used for &lt;a class="wiki_link" href="/Meantone%20family"&gt;mohajira and liese&lt;/a&gt; temperaments.&lt;br /&gt;
 &lt;br /&gt;
 -limit commas: 81/80, &amp;lt;31 1 -14|&lt;br /&gt;