19edo chords: Difference between revisions
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In contrast to [[12edo | In contrast to [[12edo]] chords, [[19edo]] has four instead of the usual two main tertian chord qualities which opens up completely new territory for eager musicians/microtonalists to explore. | ||
19edo approximates intervals with factors of 2 ([[2/1]]), 3 ([[3/2]]), 5 ([[5/4]], [[5/3]], [[6/5]]) and 7 ([[7/6]], [[7/4]], [[27/14]]) quite well. This essentially means that normal chords – like in 12edo – can be represented nicely in 19edo. | |||
Despite that enharmonics work differently in 19edo, pitches can be written down with standard notation. | |||
= Triads = | == Triads == | ||
Note that the cent values of the intervals are approximated. For detailed numbers, see [[19edo | Note that the cent values of the intervals are approximated. For detailed numbers, see [[19edo]]. | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Major | | Major | ||
|C | | C | ||
|0-6-11 | | 0-6-11 | ||
|0-379-695 | | 0-379-695 | ||
|[[File:C_(19-EDO).mp3|frameless]] | | [[File:C_(19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Minor | | Minor | ||
|Cm, C- | | Cm, C- | ||
|0-5-11 | | 0-5-11 | ||
|0-316-695 | | 0-316-695 | ||
|[[File:Cm (19-EDO).mp3|frameless]] | | [[File:Cm (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|SuperMajor | | SuperMajor | ||
|Csmaj | | Csmaj | ||
|0-7-11 | | 0-7-11 | ||
|0-442-695 | | 0-442-695 | ||
|[[File:Csmaj (19-EDO).mp3|frameless]] | | [[File:Csmaj (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|SubMinor | | SubMinor | ||
|Csmin | | Csmin | ||
|0-4-11 | | 0-4-11 | ||
|0-253-695 | | 0-253-695 | ||
|[[File:Csmin (19-EDO).mp3|frameless]] | | [[File:Csmin (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|sus4 | | sus4 | ||
|Csus4 | | Csus4 | ||
|0-8-11 | | 0-8-11 | ||
|0-505-695 | | 0-505-695 | ||
|[[File:Csus4 (19-EDO).mp3|frameless]] | | [[File:Csus4 (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|sus2 | | sus2 | ||
|Csus2 | | Csus2 | ||
|0-3-11 | | 0-3-11 | ||
|0-189-695 | | 0-189-695 | ||
|[[File:Csus2 (19-EDO).mp3|frameless]] | | [[File:Csus2 (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Diminished | | Diminished | ||
|Cdim, C° | | Cdim, C° | ||
|0-5-10 | | 0-5-10 | ||
|0-316-632 | | 0-316-632 | ||
|[[File:Cdim (19-EDO).mp3|frameless]] | | [[File:Cdim (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Augmented | | Augmented | ||
|Caug, C+ | | Caug, C+ | ||
|0-6-12 | | 0-6-12 | ||
|0-379-758 | | 0-379-758 | ||
|[[File:Caug (19-EDO).mp3|frameless]] | | [[File:Caug (19-EDO).mp3|frameless]] | ||
|} | |} | ||
= Tetrads ( | == Tetrads (sixth/seventh chords) == | ||
Because of interesting new features | Because of interesting new features – the supermajor seventh and "harmonic" seventh – new tetrads are possible while existing ones can be preserved. | ||
=== Major chords === | === Major chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Major seventh | | Major seventh | ||
|Cmaj7 | | Cmaj7 | ||
|0-6-11-17 | | 0-6-11-17 | ||
|0-379-695-1074 | | 0-379-695-1074 | ||
|[[File:Cmaj7 (19-EDO).mp3|frameless]] | | [[File:Cmaj7 (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Dominant seventh | | Dominant seventh | ||
|C7 | | C7 | ||
|0-6-11-16 | | 0-6-11-16 | ||
|0-379-695-1011 | | 0-379-695-1011 | ||
|[[File:C7 (19-EDO).mp3|frameless]] | | [[File:C7 (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Harmonic seventh | | Harmonic seventh | ||
|Ch7 | | Ch7 | ||
|0-6-11-15 | | 0-6-11-15 | ||
|0-379-695-947 | | 0-379-695-947 | ||
|[[File:Ch7 (19-EDO).mp3|frameless]] | | [[File:Ch7 (19-EDO).mp3|frameless]] | ||
|- | |- | ||
|Sixth | | Sixth | ||
|C6 | | C6 | ||
|0-6-11-14 | | 0-6-11-14 | ||
|0-379-695-884 | | 0-379-695-884 | ||
|[[File:C6 (19-EDO).mp3|frameless]] | | [[File:C6 (19-EDO).mp3|frameless]] | ||
|} | |} | ||
=== Minor chords === | === Minor chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Minor seventh | | Minor seventh | ||
|Cm7 | | Cm7 | ||
|0-5-11-16 | | 0-5-11-16 | ||
|0-316-695-1011 | | 0-316-695-1011 | ||
| | | | ||
|- | |- | ||
|Minor major seventh | | Minor major seventh | ||
|Cmmaj7 | | Cmmaj7 | ||
|0-5-11-17 | | 0-5-11-17 | ||
|0-316-695-1074 | | 0-316-695-1074 | ||
| | | | ||
|- | |- | ||
|Minor six | | Minor six | ||
|Cm6 | | Cm6 | ||
|0-5-11-14 | | 0-5-11-14 | ||
|0-316-695-884 | | 0-316-695-884 | ||
| | | | ||
|- | |- | ||
|Minor seven flat six | | Minor seven flat six | ||
|Cm7(b6) | | Cm7(b6) | ||
|0-5-13-16 | | 0-5-13-16 | ||
|0-316-821-1011 | | 0-316-821-1011 | ||
| | | | ||
|} | |} | ||
=== Supermajor chords === | === Supermajor chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Supermajor seventh | | Supermajor seventh | ||
|Csmaj7 | | Csmaj7 | ||
|0-7-11-18 | | 0-7-11-18 | ||
|0-379-695-1137 | | 0-379-695-1137 | ||
| | | | ||
|} | |} | ||
=== Subminor chords === | === Subminor chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Subminor seventh | | Subminor seventh | ||
|Csmin7 | | Csmin7 | ||
|0-4-11-15 | | 0-4-11-15 | ||
|0-253-695-947 | | 0-253-695-947 | ||
| | | | ||
|} | |} | ||
=== Diminished chords === | === Diminished chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Diminished seven | | Diminished seven<br>(fully diminished) | ||
(fully diminished) | | Cdim7, C°7 | ||
|Cdim7, C°7 | | 0-5-10-15 | ||
|0-5-10-15 | | 0-316-632-947 | ||
|0-316-632-947 | |||
| | | | ||
|- | |- | ||
|Minor seven flat five | | Minor seven flat five<br>(half-diminished) | ||
(half-diminished) | | Cm7(b5), Cø7 | ||
|Cm7(b5), Cø7 | | 0-5-10-16 | ||
|0-5-10-16 | | 0-316-632-1011 | ||
|0-316-632-1011 | |||
| | | | ||
|} | |} | ||
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=== Augmented chords === | === Augmented chords === | ||
{| class="wikitable" | {| class="wikitable" | ||
!Chord name | ! Chord name | ||
!Symbol | ! Symbol | ||
!Steps | ! Steps | ||
!Cents | ! Cents | ||
!Audio | ! Audio | ||
|- | |- | ||
|Augmented seven | | Augmented seven | ||
|Caug7, C+7, C7#5 | | Caug7, C+7, C7#5 | ||
|0-6-12-17 | | 0-6-12-17 | ||
|0-379-758-1011 | | 0-379-758-1011 | ||
| | | | ||
|- | |- | ||
|Major seven sharp five | | Major seven sharp five | ||
|Cmaj7#5 | | Cmaj7#5 | ||
|0-6-12-18 | | 0-6-12-18 | ||
|0-379-758-1137 | | 0-379-758-1137 | ||
| | | | ||
|} | |} | ||
[[Category:19edo]] | |||
[[Category:Chords]] | |||