2edo: Difference between revisions
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Wikispaces>xenwolf **Imported revision 144463323 - Original comment: surely not the best** |
Wikispaces>genewardsmith **Imported revision 144737273 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2010-05-25 22:25:51 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>144737273</tt>.<br> | ||
: The revision comment was: <tt> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) <2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) <2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony. | ||
99/70 is the best representation of square root of 2 as a quotient of two-digit numbers.</pre></div> | |||
===Factiods about 2EDO=== | |||
99/70 is the best representation of square root of 2 as a quotient of two-digit numbers. It is a Riemann Zeta integral tuning, see http://www.research.att.com/~njas/sequences/A117538</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>2edo</title></head><body>2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) &lt;2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>2edo</title></head><body>2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) &lt;2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.<br /> | ||
99/70 is the best representation of square root of 2 as a quotient of two-digit numbers.</body></html></pre></div> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:0:&lt;h3&gt; --><h3 id="toc0"><a name="x--Factiods about 2EDO"></a><!-- ws:end:WikiTextHeadingRule:0 -->Factiods about 2EDO</h3> | |||
99/70 is the best representation of square root of 2 as a quotient of two-digit numbers. It is a Riemann Zeta integral tuning, see <!-- ws:start:WikiTextUrlRule:4:http://www.research.att.com/~njas/sequences/A117538 --><a class="wiki_link_ext" href="http://www.research.att.com/~njas/sequences/A117538" rel="nofollow">http://www.research.att.com/~njas/sequences/A117538</a><!-- ws:end:WikiTextUrlRule:4 --></body></html></pre></div> | |||
Revision as of 22:25, 25 May 2010
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author genewardsmith and made on 2010-05-25 22:25:51 UTC.
- The original revision id was 144737273.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) <2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony. ===Factiods about 2EDO=== 99/70 is the best representation of square root of 2 as a quotient of two-digit numbers. It is a Riemann Zeta integral tuning, see http://www.research.att.com/~njas/sequences/A117538
Original HTML content:
<html><head><title>2edo</title></head><body>2EDO, if the attempt is made to use it as an actual scale, would divide the octave into to equal parts, each of size 600 cents, which is to say sqrt(2). It can be used to give a very skeletonized version of 3-limit music such as was used in Medieval Europe, by mapping the fifth and therefore the fourth to 600 cents. That entails mapping 81/64 to the unison, and if we do the same for 5/4 we end up with the val (mapping) <2 3 4|. This could be used to crush all of the 5 out of 5-limit music, and to then attempt to turn what remains into neo-Medieval harmony.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:0:<h3> --><h3 id="toc0"><a name="x--Factiods about 2EDO"></a><!-- ws:end:WikiTextHeadingRule:0 -->Factiods about 2EDO</h3> 99/70 is the best representation of square root of 2 as a quotient of two-digit numbers. It is a Riemann Zeta integral tuning, see <!-- ws:start:WikiTextUrlRule:4:http://www.research.att.com/~njas/sequences/A117538 --><a class="wiki_link_ext" href="http://www.research.att.com/~njas/sequences/A117538" rel="nofollow">http://www.research.att.com/~njas/sequences/A117538</a><!-- ws:end:WikiTextUrlRule:4 --></body></html>