26edo: Difference between revisions
Wikispaces>JosephRuhf **Imported revision 590261708 - Original comment: ** |
Wikispaces>JosephRuhf **Imported revision 597592136 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016- | : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-10-31 16:34:49 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>597592136</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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1. In terms of more traditional chord types we have flattone, a variant of meantone with flat fifths, which yields interesting but to some unsatisfying results (due mainly to the dissonance of its thirds, and its major seconds of either approximately [[10_9|10/9]] or [[8_7|8/7]], but NOT [[9_8|9/8]]). | 1. In terms of more traditional chord types we have flattone, a variant of meantone with flat fifths, which yields interesting but to some unsatisfying results (due mainly to the dissonance of its thirds, and its major seconds of either approximately [[10_9|10/9]] or [[8_7|8/7]], but NOT [[9_8|9/8]]). | ||
2. As two chains of meantone fifths half an octave apart, it supports injera temperament. The generator for this is an interval which can be called either 21/20 or 15/14, and which represents two steps of 26, and hence one step of 13. Hence in 26edo (as opposed to, for instance, 38edo) it can be viewed as two parallel 13edo scales, and from that point of view we can consider it as supporting the 13b&26 temperament, allowing the two chains be shifted slightly and which can be used for more atonal melodies. In this way its internal dynamics resemble those of 14edo. | 2. As two chains of meantone fifths half an octave apart, it supports injera temperament. The generator for this is an interval which can be called either 21/20 or 15/14, and which represents two steps of 26, and hence one step of 13. Hence in 26edo (as opposed to, for instance, 38edo) it can be viewed as two parallel 13edo scales, and from that point of view we can consider it as supporting the 13b&26 temperament, allowing the two chains be shifted slightly and which can be used for more atonal melodies. In this way its internal dynamics resemble those of 14edo. | ||
3. 26edo nearly perfectly approximates the 7th and 11th harmonics, and an entire system may be constructed analogous to that based on the 3rd and 5th harmonics. In terms of subgroups, this is the 2.7.11 subgroup, and on this 26 tempers out the pair of commas 65536/65219 and | 3. 26edo nearly perfectly approximates the 7th and 11th harmonics, and an entire system may be constructed analogous to that based on the 3rd and 5th harmonics. In terms of subgroups, this is the 2.7.11 subgroup, and on this 26 tempers out the pair of commas 65536/65219 and | -3 0 0 6 -4>. The 65536/65219 comma, the orgonisma, leads to [[Orgonia|orgone temperament]] with an approximate 77/64 generator of 7\26, with MOS scales of size 7, 11 and 15. The | -3 0 0 6 -4> comma leads to a half-octave period and an approximate 49/44 generator of 4\26, leading to MOS of size 8 and 14. | ||
4. We can also treat 26-EDO as a full 13-limit temperament, since it is consistent on the 13-limit (unlike all lower EDOs). | 4. We can also treat 26-EDO as a full 13-limit temperament, since it is consistent on the 13-limit (unlike all lower EDOs). | ||
5. It also has a pretty good 17th harmonic and tempers out the comma 459:448, thus three fifths gives a 17:14 and four gives a 21:17; "mushtone". Mushtone is high in badness, but 26edo does it pretty well (and [[33edo]] even better). Because 26edo also tempers out 85:84, the septendecimal major and minor thirds are equivalent to their pental counterparts, making mushtone the same as flattone. | 5. It also has a pretty good 17th harmonic and tempers out the comma 459:448, thus three fifths gives a 17:14 and four gives a 21:17; "mushtone". Mushtone is high in badness, but 26edo does it pretty well (and [[33edo]] even better). Because 26edo also tempers out 85:84, the septendecimal major and minor thirds are equivalent to their pental counterparts, making mushtone the same as flattone. | ||
=<span style="font-size: 1.4em;">Intervals</span>= | =<span style="font-size: 1.4em;">Intervals</span>= | ||
|| degree || [[cent]]s | || degree || [[cent]]s coarse/fine | ||
DMS ||= Approximate | DMS ||= Approximate | ||
Ratios* || Solfege || | Ratios* || Solfege || | ||
|| 0 || 0 ||= 1/1 || do || | || 0 || 0 ||= 1/1 || do || | ||
|| 1 || 46.154 | || 1 || 46.154, 55.385 | ||
13°50'46" ||= [[33_32|33/32]], [[49_48|49/48]], [[36_35|36/35]], [[25_24|25/24]] || di || | 13°50'46" ||= [[33_32|33/32]], [[49_48|49/48]], [[36_35|36/35]], [[25_24|25/24]] || di || | ||
|| 2 || 92.308 | || 2 || 92.308, 110.77 | ||
27º41'32" ||= [[21_20|21/20]], [[22_21|22/21]], [[26_25|26/25]] || rih || | 27º41'32" ||= [[21_20|21/20]], [[22_21|22/21]], [[26_25|26/25]] || rih || | ||
|| 3 || 138.46 | || 3 || 138.46. 166.15 | ||
41°32'18" ||= [[12_11|12/11]], [[13_12|13/12]], [[14_13|14/13]], [[16_15|16/15]] || ru || | 41°32'18" ||= [[12_11|12/11]], [[13_12|13/12]], [[14_13|14/13]], [[16_15|16/15]] || ru || | ||
|| 4 || 184. | || 4 || 184.615, 221.54 | ||
55°23'5" ||= [[9_8|9/8]], [[10_9|10/9]], [[11_10|11/10]] || re || | 55°23'5" ||= [[9_8|9/8]], [[10_9|10/9]], [[11_10|11/10]] || re || | ||
|| 5 || 230.77 | || 5 || 230.77, 276.92 | ||
69°13'51" ||= [[8_7|8/7]], 15/13 || ri || | 69°13'51" ||= [[8_7|8/7]], 15/13 || ri || | ||
|| 6 || 276.92 | || 6 || 276.92, 332.31 | ||
83°4'37" ||= [[7_6|7/6]], [[13_11|13/11]], [[33_28|33/28]] || ma || | 83°4'37" ||= [[7_6|7/6]], [[13_11|13/11]], [[33_28|33/28]] || ma || | ||
|| 7 || 323.08 | || 7 || 323.08, 387.69 | ||
96°55'23" ||= [[6_5|6/5]] || me || | 96°55'23" ||= [[6_5|6/5]] || me || | ||
|| 8 || 369.23 | || 8 || 369.23, 443.08 | ||
110°46'9" ||= [[5_4|5/4]], [[11_9|11/9]], [[16_13|16/13]] || muh/mi || | 110°46'9" ||= [[5_4|5/4]], [[11_9|11/9]], [[16_13|16/13]] || muh/mi || | ||
|| 9 || 415. | || 9 || 415.385, 498.46 | ||
124°37'55" ||= [[9_7|9/7]], [[14_11|14/11]], [[33_26|33/26]] || maa || | 124°37'55" ||= [[9_7|9/7]], [[14_11|14/11]], [[33_26|33/26]] || maa || | ||
|| 10 || 461.54 | || 10 || 461.54, 553.85 | ||
138°27'42" ||= [[21_16|21/16]], [[13_10|13/10]] || fe || | 138°27'42" ||= [[21_16|21/16]], [[13_10|13/10]] || fe || | ||
|| 11 || 507.69 | || 11 || 507.69, 609.23 | ||
152°18'28" ||= [[4_3|4/3]] || fa || | 152°18'28" ||= [[4_3|4/3]] || fa || | ||
|| 12 || 553.85 | || 12 || 553.85, 664.615 | ||
166°9'14" ||= [[11_8|11/8]], [[18_13|18/13]] || fu || | 166°9'14" ||= [[11_8|11/8]], [[18_13|18/13]] || fu || | ||
|| 13 || 600.00 | || 13 || 600.00, 720 | ||
180° ||= [[7_5|7/5]], [[10_7|10/7]] || fi/se || | 180° ||= [[7_5|7/5]], [[10_7|10/7]] || fi/se || | ||
|| 14 || 646.15 | || 14 || 646.15, 775.385 | ||
193°50'46" ||= [[16_11|16/11]], [[13_9|13/9]] || su || | 193°50'46" ||= [[16_11|16/11]], [[13_9|13/9]] || su || | ||
|| 15 || 692.31 | || 15 || 692.31, 830.77 | ||
207°41'32" ||= [[3_2|3/2]] || sol || | 207°41'32" ||= [[3_2|3/2]] || sol || | ||
|| 16 || 738.46 | || 16 || 738.46, 885.15 | ||
221°32'18" ||= [[32_21|32/21]], [[20_13|20/13]] || si || | 221°32'18" ||= [[32_21|32/21]], [[20_13|20/13]] || si || | ||
|| 17 || 784. | || 17 || 784.615, 941.54 | ||
235°23'5" ||= [[11_7|11/7]], [[14_9|14/9]] || leh || | 235°23'5" ||= [[11_7|11/7]], [[14_9|14/9]] || leh || | ||
|| 18 || 830.77 | || 18 || 830.77, 996.92 | ||
249°13'51" ||= [[13_8|13/8]], [[8_5|8/5]] || le/lu || | 249°13'51" ||= [[13_8|13/8]], [[8_5|8/5]] || le/lu || | ||
|| 19 || 876.92 | || 19 || 876.92, 1052.3 | ||
263°4'37" ||= [[5_3|5/3]] || la || | 263°4'37" ||= [[5_3|5/3]] || la || | ||
|| 20 || 923.08 | || 20 || 923.08, 1107.7 | ||
276°55'23" ||= [[12_7|12/7]], [[22_13|22/13]] || li || | 276°55'23" ||= [[12_7|12/7]], [[22_13|22/13]] || li || | ||
|| 21 || 969.23 | || 21 || 969.23, 1163.1 | ||
290°46'9" ||= [[7_4|7/4]] || ta || | 290°46'9" ||= [[7_4|7/4]] || ta || | ||
|| 22 || 1015.4 | || 22 || 1015.4, 1218.5 | ||
304°37'55" ||= [[9_5|9/5]], [[16_9|16/9]], [[20_11|20/11]] || te || | 304°37'55" ||= [[9_5|9/5]], [[16_9|16/9]], [[20_11|20/11]] || te || | ||
|| 23 || 1061.5 | || 23 || 1061.5, 1273.85 | ||
318°46'9" ||= [[11_6|11/6]], [[13_7|13/7]], [[15_8|15/8]], [[24_13|24/13]] || tu/ti || | 318°46'9" ||= [[11_6|11/6]], [[13_7|13/7]], [[15_8|15/8]], [[24_13|24/13]] || tu/ti || | ||
|| 24 || 1107.7 | || 24 || 1107.7, 1329.2 | ||
332°18'28" ||= [[21_11|21/11]], [[25_13|25/13]], [[40_21|40/21]] || to || | 332°18'28" ||= [[21_11|21/11]], [[25_13|25/13]], [[40_21|40/21]] || to || | ||
|| 25 || 1153. | || 25 || 1153.85, 1364.6 | ||
346°9'14" ||= [[64_33|64/33]], [[96_49|96/49]], [[35_18|35/18]], [[48_25|48/25]] || da || | 346°9'14" ||= [[64_33|64/33]], [[96_49|96/49]], [[35_18|35/18]], [[48_25|48/25]] || da || | ||
|| 26 || 1200 | || 26 || 1200, 1440 | ||
360° ||= 2/1 || do || | 360° ||= 2/1 || do || | ||
*based on treating 26-EDO as a 13-limit temperament; other approaches are possible. | *based on treating 26-EDO as a 13-limit temperament; other approaches are possible. | ||
| Line 128: | Line 128: | ||
=Commas= | =Commas= | ||
26et tempers out the following commas. (Note: This assumes the val < [[tel | 26et tempers out the following commas. (Note: This assumes the val < [[tel/26 41 60 73 90 96|26 41 60 73 90 96]] |.) | ||
||~ Comma ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 ||~ Name 3 || | ||~ Comma ||~ Monzo ||~ Value (Cents) ||~ Name 1 ||~ Name 2 ||~ Name 3 || | ||
||= 81/80 ||< | -4 4 -1 > ||> 21.51 ||= Syntonic Comma ||= Didymos Comma ||= Meantone Comma || | ||= 81/80 ||< | -4 4 -1 > ||> 21.51 ||= Syntonic Comma ||= Didymos Comma ||= Meantone Comma || | ||
||= | ||= ||< | -17 62 -35 > ||> 0.23 ||= Senior ||= ||= || | ||
||= 525/512 ||< | -9 1 2 1 > ||> 43.41 ||= Avicennma ||= Avicenna's Enharmonic Diesis ||= || | ||= 525/512 ||< | -9 1 2 1 > ||> 43.41 ||= Avicennma ||= Avicenna's Enharmonic Diesis ||= || | ||
||= 50/49 ||< | 1 0 2 -2 > ||> 34.98 ||= Tritonic Diesis ||= Jubilisma ||= || | ||= 50/49 ||< | 1 0 2 -2 > ||> 34.98 ||= Tritonic Diesis ||= Jubilisma ||= || | ||
| Line 138: | Line 138: | ||
||= 1728/1715 ||< | 6 3 -1 -3 > ||> 13.07 ||= Orwellisma ||= Orwell Comma ||= || | ||= 1728/1715 ||< | 6 3 -1 -3 > ||> 13.07 ||= Orwellisma ||= Orwell Comma ||= || | ||
||= 1029/1024 ||< | -10 1 0 3 > ||> 8.43 ||= Gamelisma ||= ||= || | ||= 1029/1024 ||< | -10 1 0 3 > ||> 8.43 ||= Gamelisma ||= ||= || | ||
||= | ||= ||< | -9 8 -4 2 > ||> 8.04 ||= Varunisma ||= ||= || | ||
||= | ||= ||< | -26 -1 1 9 > ||> 3.79 ||= Wadisma ||= ||= || | ||
||= 4375/4374 ||< | -1 -7 4 1 > ||> 0.40 ||= Ragisma ||= ||= || | ||= 4375/4374 ||< | -1 -7 4 1 > ||> 0.40 ||= Ragisma ||= ||= || | ||
||= 99/98 ||< | -1 2 0 -2 1 > ||> 17.58 ||= Mothwellsma ||= ||= || | ||= 99/98 ||< | -1 2 0 -2 1 > ||> 17.58 ||= Mothwellsma ||= ||= || | ||
| Line 154: | Line 154: | ||
The 7-tone scale in degrees-in-between: 5 2 5 2 5 2 5. [[MOSScales|MOS]] of type [[4L 3s|4L 3s (mish)]]. | The 7-tone scale in degrees-in-between: 5 2 5 2 5 2 5. [[MOSScales|MOS]] of type [[4L 3s|4L 3s (mish)]]. | ||
The 7-tone scale in cents: [[tel | The 7-tone scale in cents: [[tel/0 231 323 554 646 877|0 231 323 554 646 877]] [[tel/969 1200|969 1200]]. | ||
The 11-tone scale in degrees-in-between: 2 3 2 2 3 2 3 2 2 3 2. [[MOSScales|MOS]] of type [[4L 7s]]. | The 11-tone scale in degrees-in-between: 2 3 2 2 3 2 3 2 2 3 2. [[MOSScales|MOS]] of type [[4L 7s]]. | ||
The 11-tone scale in cents: [[tel | The 11-tone scale in cents: [[tel/0 92 231 323 415 554|0 92 231 323 415 554]] [[tel/646 785 877 969|646 785 877 969]] 1108, 1200. | ||
The primary triad for orgone temperament is 8:11:14 and its subharmonic inversion, which these scales have in abundance. 2g approximates [[16_11|16:11]] and 3g approximates [[7_4|7:4]] (and I would call that the definition of Orgone Temperament). That also implies that g approximates the difference between 7:4 and 16:11, which is 77:64, about 320.1 cents. | The primary triad for orgone temperament is 8:11:14 and its subharmonic inversion, which these scales have in abundance. 2g approximates [[16_11|16:11]] and 3g approximates [[7_4|7:4]] (and I would call that the definition of Orgone Temperament). That also implies that g approximates the difference between 7:4 and 16:11, which is 77:64, about 320.1 cents. | ||
| Line 229: | Line 229: | ||
1. In terms of more traditional chord types we have flattone, a variant of meantone with flat fifths, which yields interesting but to some unsatisfying results (due mainly to the dissonance of its thirds, and its major seconds of either approximately <a class="wiki_link" href="/10_9">10/9</a> or <a class="wiki_link" href="/8_7">8/7</a>, but NOT <a class="wiki_link" href="/9_8">9/8</a>).<br /> | 1. In terms of more traditional chord types we have flattone, a variant of meantone with flat fifths, which yields interesting but to some unsatisfying results (due mainly to the dissonance of its thirds, and its major seconds of either approximately <a class="wiki_link" href="/10_9">10/9</a> or <a class="wiki_link" href="/8_7">8/7</a>, but NOT <a class="wiki_link" href="/9_8">9/8</a>).<br /> | ||
2. As two chains of meantone fifths half an octave apart, it supports injera temperament. The generator for this is an interval which can be called either 21/20 or 15/14, and which represents two steps of 26, and hence one step of 13. Hence in 26edo (as opposed to, for instance, 38edo) it can be viewed as two parallel 13edo scales, and from that point of view we can consider it as supporting the 13b&amp;26 temperament, allowing the two chains be shifted slightly and which can be used for more atonal melodies. In this way its internal dynamics resemble those of 14edo.<br /> | 2. As two chains of meantone fifths half an octave apart, it supports injera temperament. The generator for this is an interval which can be called either 21/20 or 15/14, and which represents two steps of 26, and hence one step of 13. Hence in 26edo (as opposed to, for instance, 38edo) it can be viewed as two parallel 13edo scales, and from that point of view we can consider it as supporting the 13b&amp;26 temperament, allowing the two chains be shifted slightly and which can be used for more atonal melodies. In this way its internal dynamics resemble those of 14edo.<br /> | ||
3. 26edo nearly perfectly approximates the 7th and 11th harmonics, and an entire system may be constructed analogous to that based on the 3rd and 5th harmonics. In terms of subgroups, this is the 2.7.11 subgroup, and on this 26 tempers out the pair of commas 65536/65219 and | 3. 26edo nearly perfectly approximates the 7th and 11th harmonics, and an entire system may be constructed analogous to that based on the 3rd and 5th harmonics. In terms of subgroups, this is the 2.7.11 subgroup, and on this 26 tempers out the pair of commas 65536/65219 and | -3 0 0 6 -4&gt;. The 65536/65219 comma, the orgonisma, leads to <a class="wiki_link" href="/Orgonia">orgone temperament</a> with an approximate 77/64 generator of 7\26, with MOS scales of size 7, 11 and 15. The | -3 0 0 6 -4&gt; comma leads to a half-octave period and an approximate 49/44 generator of 4\26, leading to MOS of size 8 and 14.<br /> | ||
4. We can also treat 26-EDO as a full 13-limit temperament, since it is consistent on the 13-limit (unlike all lower EDOs).<br /> | 4. We can also treat 26-EDO as a full 13-limit temperament, since it is consistent on the 13-limit (unlike all lower EDOs).<br /> | ||
5. It also has a pretty good 17th harmonic and tempers out the comma 459:448, thus three fifths gives a 17:14 and four gives a 21:17; &quot;mushtone&quot;. Mushtone is high in badness, but 26edo does it pretty well (and <a class="wiki_link" href="/33edo">33edo</a> even better). Because 26edo also tempers out 85:84, the septendecimal major and minor thirds are equivalent to their pental counterparts, making mushtone the same as flattone.<br /> | 5. It also has a pretty good 17th harmonic and tempers out the comma 459:448, thus three fifths gives a 17:14 and four gives a 21:17; &quot;mushtone&quot;. Mushtone is high in badness, but 26edo does it pretty well (and <a class="wiki_link" href="/33edo">33edo</a> even better). Because 26edo also tempers out 85:84, the septendecimal major and minor thirds are equivalent to their pental counterparts, making mushtone the same as flattone.<br /> | ||
| Line 240: | Line 240: | ||
<td>degree<br /> | <td>degree<br /> | ||
</td> | </td> | ||
<td><a class="wiki_link" href="/cent">cent</a>s<br /> | <td><a class="wiki_link" href="/cent">cent</a>s coarse/fine<br /> | ||
DMS<br /> | DMS<br /> | ||
</td> | </td> | ||
| Line 262: | Line 262: | ||
<td>1<br /> | <td>1<br /> | ||
</td> | </td> | ||
<td>46.154<br /> | <td>46.154, 55.385<br /> | ||
13°50'46&quot;<br /> | 13°50'46&quot;<br /> | ||
</td> | </td> | ||
| Line 273: | Line 273: | ||
<td>2<br /> | <td>2<br /> | ||
</td> | </td> | ||
<td>92.308<br /> | <td>92.308, 110.77<br /> | ||
27º41'32&quot;<br /> | 27º41'32&quot;<br /> | ||
</td> | </td> | ||
| Line 284: | Line 284: | ||
<td>3<br /> | <td>3<br /> | ||
</td> | </td> | ||
<td>138.46<br /> | <td>138.46. 166.15<br /> | ||
41°32'18&quot;<br /> | 41°32'18&quot;<br /> | ||
</td> | </td> | ||
| Line 295: | Line 295: | ||
<td>4<br /> | <td>4<br /> | ||
</td> | </td> | ||
<td>184. | <td>184.615, 221.54<br /> | ||
55°23'5&quot;<br /> | 55°23'5&quot;<br /> | ||
</td> | </td> | ||
| Line 306: | Line 306: | ||
<td>5<br /> | <td>5<br /> | ||
</td> | </td> | ||
<td>230.77<br /> | <td>230.77, 276.92<br /> | ||
69°13'51&quot;<br /> | 69°13'51&quot;<br /> | ||
</td> | </td> | ||
| Line 317: | Line 317: | ||
<td>6<br /> | <td>6<br /> | ||
</td> | </td> | ||
<td>276.92<br /> | <td>276.92, 332.31<br /> | ||
83°4'37&quot;<br /> | 83°4'37&quot;<br /> | ||
</td> | </td> | ||
| Line 328: | Line 328: | ||
<td>7<br /> | <td>7<br /> | ||
</td> | </td> | ||
<td>323.08<br /> | <td>323.08, 387.69<br /> | ||
96°55'23&quot;<br /> | 96°55'23&quot;<br /> | ||
</td> | </td> | ||
| Line 339: | Line 339: | ||
<td>8<br /> | <td>8<br /> | ||
</td> | </td> | ||
<td>369.23<br /> | <td>369.23, 443.08<br /> | ||
110°46'9&quot;<br /> | 110°46'9&quot;<br /> | ||
</td> | </td> | ||
| Line 350: | Line 350: | ||
<td>9<br /> | <td>9<br /> | ||
</td> | </td> | ||
<td>415. | <td>415.385, 498.46<br /> | ||
124°37'55&quot;<br /> | 124°37'55&quot;<br /> | ||
</td> | </td> | ||
| Line 361: | Line 361: | ||
<td>10<br /> | <td>10<br /> | ||
</td> | </td> | ||
<td>461.54<br /> | <td>461.54, 553.85<br /> | ||
138°27'42&quot;<br /> | 138°27'42&quot;<br /> | ||
</td> | </td> | ||
| Line 372: | Line 372: | ||
<td>11<br /> | <td>11<br /> | ||
</td> | </td> | ||
<td>507.69<br /> | <td>507.69, 609.23<br /> | ||
152°18'28&quot;<br /> | 152°18'28&quot;<br /> | ||
</td> | </td> | ||
| Line 383: | Line 383: | ||
<td>12<br /> | <td>12<br /> | ||
</td> | </td> | ||
<td>553.85<br /> | <td>553.85, 664.615<br /> | ||
166°9'14&quot;<br /> | 166°9'14&quot;<br /> | ||
</td> | </td> | ||
| Line 394: | Line 394: | ||
<td>13<br /> | <td>13<br /> | ||
</td> | </td> | ||
<td>600.00<br /> | <td>600.00, 720<br /> | ||
180°<br /> | 180°<br /> | ||
</td> | </td> | ||
| Line 405: | Line 405: | ||
<td>14<br /> | <td>14<br /> | ||
</td> | </td> | ||
<td>646.15<br /> | <td>646.15, 775.385<br /> | ||
193°50'46&quot;<br /> | 193°50'46&quot;<br /> | ||
</td> | </td> | ||
| Line 416: | Line 416: | ||
<td>15<br /> | <td>15<br /> | ||
</td> | </td> | ||
<td>692.31<br /> | <td>692.31, 830.77<br /> | ||
207°41'32&quot;<br /> | 207°41'32&quot;<br /> | ||
</td> | </td> | ||
| Line 427: | Line 427: | ||
<td>16<br /> | <td>16<br /> | ||
</td> | </td> | ||
<td>738.46<br /> | <td>738.46, 885.15<br /> | ||
221°32'18&quot;<br /> | 221°32'18&quot;<br /> | ||
</td> | </td> | ||
| Line 438: | Line 438: | ||
<td>17<br /> | <td>17<br /> | ||
</td> | </td> | ||
<td>784. | <td>784.615, 941.54<br /> | ||
235°23'5&quot;<br /> | 235°23'5&quot;<br /> | ||
</td> | </td> | ||
| Line 449: | Line 449: | ||
<td>18<br /> | <td>18<br /> | ||
</td> | </td> | ||
<td>830.77<br /> | <td>830.77, 996.92<br /> | ||
249°13'51&quot;<br /> | 249°13'51&quot;<br /> | ||
</td> | </td> | ||
| Line 460: | Line 460: | ||
<td>19<br /> | <td>19<br /> | ||
</td> | </td> | ||
<td>876.92<br /> | <td>876.92, 1052.3<br /> | ||
263°4'37&quot;<br /> | 263°4'37&quot;<br /> | ||
</td> | </td> | ||
| Line 471: | Line 471: | ||
<td>20<br /> | <td>20<br /> | ||
</td> | </td> | ||
<td>923.08<br /> | <td>923.08, 1107.7<br /> | ||
276°55'23&quot;<br /> | 276°55'23&quot;<br /> | ||
</td> | </td> | ||
| Line 482: | Line 482: | ||
<td>21<br /> | <td>21<br /> | ||
</td> | </td> | ||
<td>969.23<br /> | <td>969.23, 1163.1<br /> | ||
290°46'9&quot;<br /> | 290°46'9&quot;<br /> | ||
</td> | </td> | ||
| Line 493: | Line 493: | ||
<td>22<br /> | <td>22<br /> | ||
</td> | </td> | ||
<td>1015.4<br /> | <td>1015.4, 1218.5<br /> | ||
304°37'55&quot;<br /> | 304°37'55&quot;<br /> | ||
</td> | </td> | ||
| Line 504: | Line 504: | ||
<td>23<br /> | <td>23<br /> | ||
</td> | </td> | ||
<td>1061.5<br /> | <td>1061.5, 1273.85<br /> | ||
318°46'9&quot;<br /> | 318°46'9&quot;<br /> | ||
</td> | </td> | ||
| Line 515: | Line 515: | ||
<td>24<br /> | <td>24<br /> | ||
</td> | </td> | ||
<td>1107.7<br /> | <td>1107.7, 1329.2<br /> | ||
332°18'28&quot;<br /> | 332°18'28&quot;<br /> | ||
</td> | </td> | ||
| Line 526: | Line 526: | ||
<td>25<br /> | <td>25<br /> | ||
</td> | </td> | ||
<td>1153. | <td>1153.85, 1364.6<br /> | ||
346°9'14&quot;<br /> | 346°9'14&quot;<br /> | ||
</td> | </td> | ||
| Line 537: | Line 537: | ||
<td>26<br /> | <td>26<br /> | ||
</td> | </td> | ||
<td>1200<br /> | <td>1200, 1440<br /> | ||
360°<br /> | 360°<br /> | ||
</td> | </td> | ||
| Line 866: | Line 866: | ||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;"> | <td style="text-align: center;"><br /> | ||
</td> | </td> | ||
<td style="text-align: left;">| -17 62 -35 &gt;<br /> | <td style="text-align: left;">| -17 62 -35 &gt;<br /> | ||
| Line 964: | Line 964: | ||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;"> | <td style="text-align: center;"><br /> | ||
</td> | </td> | ||
<td style="text-align: left;">| -9 8 -4 2 &gt;<br /> | <td style="text-align: left;">| -9 8 -4 2 &gt;<br /> | ||
| Line 978: | Line 978: | ||
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="text-align: center;"> | <td style="text-align: center;"><br /> | ||
</td> | </td> | ||
<td style="text-align: left;">| -26 -1 1 9 &gt;<br /> | <td style="text-align: left;">| -26 -1 1 9 &gt;<br /> | ||