24edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~hstraub~~|~~hstraub~~]] and made on <tt>2014-02-14 03:15:52 UTC</tt>.<br>

: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-02-14 09:59:59 UTC</tt>.<br>

: The original revision id was <tt>~~489466702~~</tt>.<br>

: The original revision id was <tt>489520654</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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0-9-14 (Tendo Triad) and 0-5-14(Arto Triad), the chord names being based on what kind of third is in the chord.

These chords though tend to lack the forcefulness to sound like resolved, tonal sonorities but can be resolved of that issue by using tetrads in place of triads.

For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo ~~that is built off of a triad containing a quarter tone~~. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the "Super-Tendo" chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.

For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the "Super-Tendo" chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.

=Rank two temperaments=

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0-9-14 (Tendo Triad) and 0-5-14(Arto Triad), the chord names being based on what kind of third is in the chord.<br />

These chords though tend to lack the forcefulness to sound like resolved, tonal sonorities but can be resolved of that issue by using tetrads in place of triads.<br />

For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo ~~that is built off of a triad containing a quarter tone~~. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the &quot;Super-Tendo&quot; chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.<br />

For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the &quot;Super-Tendo&quot; chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.<br />

<br />

<h1 id="toc7"><a name="Rank two temperaments"></a>Rank two temperaments</h1>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2014-02-14 03:15:52 UTC</tt>.<br>
+: This revision was by author [[User:cookiemeows|cookiemeows]] and made on <tt>2014-02-14 09:59:59 UTC</tt>.<br>
-: The original revision id was <tt>489466702</tt>.<br>
+: The original revision id was <tt>489520654</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 185: / Line 185: @@
 -9-14 (Tendo Triad) and 0-5-14(Arto Triad), the chord names being based on what kind of third is in the chord.
 These chords though tend to lack the forcefulness to sound like resolved, tonal sonorities but can be resolved of that issue by using tetrads in place of triads.
-For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo that is built off of a triad containing a quarter tone. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the "Super-Tendo" chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.
+For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the "Super-Tendo" chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.
 =Rank two temperaments=
@@ Line 1,132: / Line 1,132: @@
 -9-14 (Tendo Triad) and 0-5-14(Arto Triad), the chord names being based on what kind of third is in the chord.&lt;br /&gt;
 These chords though tend to lack the forcefulness to sound like resolved, tonal sonorities but can be resolved of that issue by using tetrads in place of triads.&lt;br /&gt;
-For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo that is built off of a triad containing a quarter tone. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the &amp;quot;Super-Tendo&amp;quot; chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.&lt;br /&gt;
+For example, the neutral triad can have the neutral 7th added to it to make a full neutral tetrad: 0-7-14-21 William Lynch considers this chord to be the most beautiful tetrad in 24 Edo. In addition, the arto tetrad can have the arto 7th added to it but the chord tends to work better when a minor 7th is used in place of an arto seventh forming the arto tetrad: 0-5-14-20. The Tendo tetrad can also be made by attatching an arto seventh to tendo triad 0-9-14-19. Although the &amp;quot;Super-Tendo&amp;quot; chord can be made by attatching the tendo seventh to the chord, this chord is very dissonant, and therefore it is not considered a resolved sonority, although the sound of 0-9-14-23 is very cool in many context.&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Rank two temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Rank two temperaments&lt;/h1&gt;