24edo: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Other languages: [[xenharmonie/24edo|Deutsch]]

[[media type="custom" key="11052600"]][[toc|flat]]

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=Scales / Modes=

|||| ====~~24 tone modes~~:==== ||

|||| ====Pentatonic:==== ||

|| {{**5 5 4 5 5**}} || Quasi-equal Pentatonic - [[MOSScales|MOS]] of type [[4L 1s|4L 1s (bug)]] ||

|| {{**2 8 3 6 5**}} || Anchihoye: Ethiopia ||

|||| ====Hexatonic:==== ||

|| {{**1 1 8 4 2 8**}} || Spondeiakos ||

|||| ====Heptatonic:==== ||

|| {{**1 1 8 1 1 8 4**}} || Enharmonic Mixolydian ||

|| {{**1 8 1 1 8 4 1**}} || Enharmonic Lydian ||

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|| {{**4 2 4 4 3 3 4**}} || Dastgah-e Nava, Maqam Ushaq Masri ||

|| {{**2 7 1 4 2 7 1**}} || Second plagal Byzantine Liturgical mode ||

~~|| {{**5 5 4 5 5**}} || Quasi-equal Pentatonic - [[MOSScales|MOS]] of type [[4L 1s|4L 1s (bug)]] ||~~

|| {{**3 3 4 4 2 4 4**}} || Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur ||

~~|| {{**3 3 4 4 2 1 3 4**}} || Maqam Bayati ||~~

|| {{**3 3 4 4 4 2 4**}} || Maqam Nahfat ||

|| {{**3 3 2 6 2 4 4**}} || Maqam Saba ||

~~|| {{**3 3 2 6 2 4 2 2**}} || Maqam Saba ||~~

|| {{**3 3 2 6 2 6 2**}} || Maqam Sabr Jadid ||

~~|| {{**3 3 2 2 4 3 3 4**}} || Maqam Mansuri ||~~

|| {{**4 3 3 4 2 6 2**}} || Maqam Suznak (Soznak) ||

~~|| {{**4 3 3 4 4 2 1 3**}} || Maqam Rast, Dilkashidah, Dilnishin ||~~

|| {{**4 3 3 4 4 4 2**}} || Maqam Mahur ||

~~|| {{**4 3 1 2 1 3 4 2 1 3**}} || Maqam Yakah ||~~

~~|| {{**4 3 1 2 4 4 2 4**}} || Maqam Suzidil 'ara ||~~

|| {{**3 3 4 2 6 2 4**}} || Maqam Qarjighar, Bayati Shuri ||

~~|| {{**3 4 2 2 2 2 2 4 3**}} || Maqam Huzam ||~~

|| {{**3 4 2 6 2 4 3**}} || Maqam Hizam (Huzam, El Houzam), Rahat al Arouah ||

~~|| {{**3 4 2 6 2 4 2 1**}} || Maqam Rahat al-Arwah ||~~

~~|| {{**3 4 3 3 4 4 2 1**}} || Maqam Iraq ||~~

~~|| {{**2 6 2 4 2 1 3 4**}} || Maqam Hijaz ||~~

~~|| {{**3 4 4 2 1 3 4 3**}} || Maqam Musta'ar ||~~

~~|| {{**3 4 4 4 2 4 2 1**}} || Maqam Farahnak ||~~

~~|| {{**3 4 3 3 2 6 2 1**}} || Maqam Bastanikar, Tarz Nuin ||~~

~~|| {{**4 2 6 2 4 2 1 3**}} || Maqam Farah Faza, Maqam Nakriz ||~~

~~|| {{**4 2 1 3 2 2 2 2 3 1 2**}} || Maqam Hayyan ||~~

~~|| {{**4 2 1 3 2 2 4 2 1 3**}} || Maqam Basandida ||~~

~~|| {{**4 4 2 1 3 2 2 4 2**}} || Maqam Shawq Afza ||~~

~~|| {{**2 1 3 2 2 4 2 4 2 2**}} || Maqam Shawq Tarab ||~~

~~|| {{**3 1 2 4 4 2 4 4**}} || Maqam Jabburi ||~~

|| {{**2 4 4 4 3 3 4**}} || Maqam Nawa ||

|| {{**2 5 3 4 2 5 3**}} || Maqam Higaz-kar ||

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|| {{**4 1 5 4 2 6 2**}} || Maqam Buselik ||

|| {{**4 2 6 2 2 5 3**}} || Maqam Neuter ||

~~|| {{**2 8 3 6 5**}} || Anchihoye: Ethiopia ||~~

|| {{**4 3 3 4 4 2 4**}} || Dance scale of Yi people: China ||

|| {{**4 4 2 3 1 4 6**}} || Daniel-mode of Spanish-Arab Jews ||

|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || ~~de Vries 13~~-tone - [[~~MOSScales~~|~~MOS]] of type [[11L 2s~~]] ||

|||| ====Octatonic:==== ||

|| {{**3 3 4 4 2 1 3 4**}} || Maqam Bayati ||

|| {{**3 3 2 6 2 4 2 2**}} || Maqam Saba ||

|| {{**4 3 1 2 4 4 2 4**}} || Maqam Suzidil 'ara ||

|| {{**3 3 2 2 4 3 3 4**}} || Maqam Mansuri ||

|| {{**4 3 3 4 4 2 1 3**}} || Maqam Rast, Dilkashidah, Dilnishin ||

|| {{**3 4 2 6 2 4 2 1**}} || Maqam Rahat al-Arwah ||

|| {{**3 4 3 3 4 4 2 1**}} || Maqam Iraq ||

|| {{**2 6 2 4 2 1 3 4**}} || Maqam Hijaz ||

|| {{**3 4 4 2 1 3 4 3**}} || Maqam Musta'ar ||

|| {{**3 4 4 4 2 4 2 1**}} || Maqam Farahnak ||

|| {{**3 4 3 3 2 6 2 1**}} || Maqam Bastanikar, Tarz Nuin ||

|| {{**4 2 6 2 4 2 1 3**}} || Maqam Farah Faza, Maqam Nakriz ||

|| {{**3 1 2 4 4 2 4 4**}} || Maqam Jabburi ||

|| {{**1 4 4 2 4 4 4 1**}} || Giancarlo Dalmonte's new quarter-tone scale (see [[http://www.ottavanota.info/|http://www.ottavanota.info]]) ||

|||| ====Enneatonic:==== ||

|| {{**1 2 3 4 4 1 2 3 4**}} || Progressive Enneatonic ||

|| {{**4 1 4 1 4 1 4 1 4**}} || de Vries 9-tone - [[MOSScales|MOS]] of type [[5L 4s|5L 4s (unfair bug)]] ||

|| {{**9 2 2 9 2**}} || de Vries 5-tone - [[MOSScales|MOS]] of type [[2L 3s|2L 3s (classic pentatonic)]] ||

|| {{**3 4 2 2 2 2 2 4 3**}} || Maqam Huzam ||

~~|| {{**3 7~~ 4 3 7**}} || ~~Spondeion~~ ||

|| {{**4 4 2 1 3 2 2 4 2**}} || Maqam Shawq Afza ||

|| {{**1 ~~1 8~~ 4 2 8**}} || ~~Spondeiakos~~ ||

|| ~~{{**1 2 3 4 4 1 2 3 4**}}~~ || ~~Progressive Enneatonic~~ ||

|||| ====Decatonic:==== ||

|| {{**2 3 2 3 2 2 3 2 3 2**}} || Young Decatonic - [[MOSScales|MOS]] of type [[4L 5s|4L 5s (fair bug)]] ||

|| {{**2 2 1 2 2 2 1 2 2 1 2 2 2 1**}} || Young Half-Octave Diatonic - [[MOSScales|MOS]] of type [[10L 4s]] ||

|| {{**3 1 3 3 3 1 3 3 1 3**}} || Breed Decatonic - [[MOSScales|MOS]] of type [[7L 3s|7L 3s (unfair mosh)]] ||

|| {{**2 3 2 2 3 2 3 2 2 3**}} || Oljare Decatonic - [[MOSScales|MOS]] of type [[4L 6s|4L 6s (fair bicycle)]] ||

|| {{**2 1 3 2 2 4 2 4 2 2**}} || Maqam Shawq Tarab ||

|| {{**4 2 1 3 2 2 4 2 1 3**}} || Maqam Basandida ||

|| {{**4 3 1 2 1 3 4 2 1 3**}} || Maqam Yakah ||

|||| ====Hendecatonic:==== ||

|| {{**4 2 1 3 2 2 2 2 3 1 2**}} || Maqam Hayyan ||

|||| ====Tridecatonic:==== ||

|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || de Vries 13-tone - [[MOSScales|MOS]] of type [[11L 2s]] ||

|| {{**2 2 2 2 2 1 2 2 2 2 2 2 1**}} || Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - [[MOSScales|MOS]] of type [[11L 2s]] ||

|| **1 4 4 2 4 4 4 1** || Giancarlo Dalmonte's new quarter-tone scale (see [[http://www.ottavanota.info/|http://www.ottavanota.info]]) ||

=Instruments[[#instruments]]=

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>24edo</title></head><body>Other languages: <a class="wiki_link" href="http://xenharmonie.wikispaces.com/24edo">Deutsch</a>

<script type="text/javascript" src="http://webplayer.yahooapis.com/player.js">

</script><a href="#Basics">Basics</a> | <a href="#x24edo as a temperament">24edo as a temperament</a> | <a href="#Intervals">Intervals</a> | <a href="#Notation">Notation</a> | <a href="#Interval Alterations">Interval Alterations</a> | <a href="#Chord Structures">Chord Structures</a> | <a href="#Naming Chords in 24edo">Naming Chords in 24edo</a> | <a href="#Rank two temperaments">Rank two temperaments</a> | <a href="#Scales / Modes">Scales / Modes</a> | <a href="#Instruments">Instruments</a> | <a href="#Compositions">Compositions</a> | <a href="#Practical Theory / Books">Practical Theory / Books</a> | <a href="#External links">External links</a>

</script><a href="#Basics">Basics</a> | <a href="#x24edo as a temperament">24edo as a temperament</a> | <a href="#Intervals">Intervals</a> | <a href="#Notation">Notation</a> | <a href="#Interval Alterations">Interval Alterations</a> | <a href="#Chord Structures">Chord Structures</a> | <a href="#Naming Chords in 24edo">Naming Chords in 24edo</a> | <a href="#Rank two temperaments">Rank two temperaments</a> | <a href="#Scales / Modes">Scales / Modes</a> | <a href="#Instruments">Instruments</a> | <a href="#Compositions">Compositions</a> | <a href="#Practical Theory / Books">Practical Theory / Books</a> | <a href="#External links">External links</a>

<hr />

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There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.

Mainstream Quartertone Notation

<img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /> or ^ = quarter-tone sharp or &quot;Jump&quot;

<img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /> or ^ = quarter-tone sharp or &quot;Jump&quot;

<img src="http://www.wfg.woodwind.org/n/s34_blue.gif" alt="external image s34_blue.gif" title="external image s34_blue.gif" /> or #^ = three-quarter-tone sharp or &quot;Jump-Sharp&quot;

<img src="http://www.wfg.woodwind.org/n/s34_blue.gif" alt="external image s34_blue.gif" title="external image s34_blue.gif" /> or #^ = three-quarter-tone sharp or &quot;Jump-Sharp&quot;

<img src="http://www.wfg.woodwind.org/n/f14_blue.gif" alt="external image f14_blue.gif" title="external image f14_blue.gif" /> or v = quarter-tone flat or &quot;Drop&quot;

<img src="http://www.wfg.woodwind.org/n/f14_blue.gif" alt="external image f14_blue.gif" title="external image f14_blue.gif" /> or v = quarter-tone flat or &quot;Drop&quot;

<img src="http://www.wfg.woodwind.org/n/f34_blue.gif" alt="external image f34_blue.gif" title="external image f34_blue.gif" /> or bv = three-quarter-tone flat or &quot;Drop-Flat&quot;

<img src="http://www.wfg.woodwind.org/n/f34_blue.gif" alt="external image f34_blue.gif" title="external image f34_blue.gif" /> or bv = three-quarter-tone flat or &quot;Drop-Flat&quot;

Pros: Familiar, fairly easy to learn

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Alternate Quartertone Accidentals

<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> = quarter-tone sharp or Jump

<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> = quarter-tone sharp or Jump

††† (the horizontal line should connect all three vertical lines) = three quarter-tones sharp or Jump-Sharp

<img src="http://www.dolmetsch.com/onequarterflat.gif" alt="external image onequarterflat.gif" title="external image onequarterflat.gif" /> = quarter-tone flat or Drop

<img src="http://www.dolmetsch.com/onequarterflat.gif" alt="external image onequarterflat.gif" title="external image onequarterflat.gif" /> = quarter-tone flat or Drop

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /> = three quarter-tones flat or drop-flat

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /> = three quarter-tones flat or drop-flat

For example, the scale 0-5-10-15-20 is written as C-D<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> (or E<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" />) F G<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> (or A<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" />) Bb.

For example, the scale 0-5-10-15-20 is written as C-D<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> (or E<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" />) F G<img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /> (or A<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" />) Bb.

Pros: Very easy to distinguish accidentals from one another

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And in Persian music

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png" alt="external image 200px-Koron_sign.svg.png" title="external image 200px-Koron_sign.svg.png" style="height: 25px; width: 12px;" />Koron (<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Koron_%28music%29" rel="nofollow">en</a> | <a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%DA%A9%D8%B1%D9%86" rel="nofollow">fa</a>) = quarter-tone flat or Jump

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png" alt="external image 200px-Koron_sign.svg.png" title="external image 200px-Koron_sign.svg.png" style="height: 25px; width: 12px;" />Koron (<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Koron_%28music%29" rel="nofollow">en</a> | <a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%DA%A9%D8%B1%D9%86" rel="nofollow">fa</a>) = quarter-tone flat or Jump

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png" alt="external image 200px-Sori_sign.svg.png" title="external image 200px-Sori_sign.svg.png" style="height: 25px; width: 15px;" />Sori (<a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%D8%B3%D8%B1%DB%8C_%28%D9%85%D9%88%D8%B3%DB%8C%D9%82%DB%8C%29" rel="nofollow">fa</a>) = quarter-tone sharp or Drop

<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png" alt="external image 200px-Sori_sign.svg.png" title="external image 200px-Sori_sign.svg.png" style="height: 25px; width: 15px;" />Sori (<a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%D8%B3%D8%B1%DB%8C_%28%D9%85%D9%88%D8%B3%DB%8C%D9%82%DB%8C%29" rel="nofollow">fa</a>) = quarter-tone sharp or Drop

Pros: Easy to read

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A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them

with Sagittal signs for sharp and flat.

<img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" />

<img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" />

<h1 id="toc6"><a name="Interval Alterations"></a>Interval Alterations</h1>

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William Lynch considers these as some possible good tetrads:

<img src="/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG" alt="Three chords.PNG" title="Three chords.PNG" />

<img src="/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG" alt="Three chords.PNG" title="Three chords.PNG" />

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<tr>

<td colspan="2"><h4 id="toc11"><a name="Scales / Modes---~~24 tone modes~~:"></a>~~24 tone modes~~:</h4>

<td colspan="2"><h4 id="toc11"><a name="Scales / Modes---Pentatonic:"></a>Pentatonic:</h4>

</td>

</tr>

<tr>

</td>

<td>~~Enharmonic Mixolydian~~

<td>Quasi-equal Pentatonic - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/4L%201s">4L 1s (bug)</a>

</td>

</tr>

<tr>

</td>

<td>~~Enharmonic Lydian~~

<td>Anchihoye: Ethiopia

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc12"><a name="Scales / Modes---Hexatonic:"></a>Hexatonic:</h4>

</td>

<td>~~Enharmonic Phrygian~~

</td>

</tr>

<tr>

</td>

<td>~~Enharmonic Dorian~~

<td>Spondeiakos

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc13"><a name="Scales / Modes---Heptatonic:"></a>Heptatonic:</h4>

</td>

<td>Enharmonic Hypolydian

</tr>

<tr>

</td>

<td>Enharmonic Mixolydian

</td>

</tr>

<tr>

</td>

<td>Enharmonic Lydian

</td>

</tr>

<tr>

</td>

<td>Enharmonic Phrygian

</td>

</tr>

<tr>

</td>

<td>Enharmonic Dorian

</td>

</tr>

<tr>

</td>

<td>Enharmonic Hypolydian

</td>

</tr>

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</tr>

<tr>

~~<td><tt>5 5 4 5 5</tt> ~~

~~</td>~~

~~<td>Quasi-equal Pentatonic - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/4L%201s">4L 1s (bug)</a> ~~

~~</td>~~

~~</tr>~~

~~<tr>~~

</td>

<td>Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur

~~</td>~~

~~</tr>~~

~~<tr>~~

~~<td><tt>3 3 4 4 2 1 3 4</tt> ~~

~~</td>~~

~~<td>Maqam Bayati ~~

</td>

</tr>

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</tr>

<tr>

</td>

<td>Maqam ~~Saba~~

<td>Maqam Sabr Jadid

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Sabr Jadid~~

<td>Maqam Suznak (Soznak)

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Mansuri~~

<td>Maqam Mahur

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Suznak (Soznak)~~

<td>Maqam Qarjighar, Bayati Shuri

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Rast~~, ~~Dilkashidah~~, ~~Dilnishin~~

<td>Maqam Hizam (Huzam, El Houzam), Rahat al Arouah

</td>

</tr>

</table>

<tr>

</td>

<td>Maqam ~~Mahur~~

<td>Maqam Nawa

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Yakah~~

<td>Maqam Higaz-kar

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Suzidil~~ '~~ara~~

<td>Maqam Su'ar, Naghmeh Abuata, Naghmeh Afshari

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Qarjighar~~, ~~Bayati Shuri~~

<td>Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti

</td>

</tr>

<tr>

</td>

<td>~~Maqam Huzam~~

<td>Dastgah-e Homayun

</td>

</tr>

<tr>

</td>

<td>~~Maqam Hizam (Huzam, El Houzam), Rahat al Arouah~~

<td>Naghmeh Esfahan

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Rahat al~~-~~Arwah~~

<td>Maqam 'Awg 'ara (Aug-ara)

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Iraq~~

<td>Maqam Buselik

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Hijaz~~

<td>Maqam Neuter

</td>

</tr>

<tr>

</td>

<td>~~Maqam Musta'ar~~

<td>Dance scale of Yi people: China

</td>

</tr>

<tr>

</td>

<td>~~Maqam Farahnak~~

<td>Daniel-mode of Spanish-Arab Jews

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc14"><a name="Scales / Modes---Octatonic:"></a>Octatonic:</h4>

</td>

<td>~~Maqam Bastanikar, Tarz Nuin~~

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Farah Faza, Maqam Nakriz~~

<td>Maqam Bayati

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Hayyan~~

<td>Maqam Saba

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Basandida~~

<td>Maqam Suzidil 'ara

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Shawq Afza~~

<td>Maqam Mansuri

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Shawq Tarab~~

<td>Maqam Rast, Dilkashidah, Dilnishin

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Jabburi~~

<td>Maqam Rahat al-Arwah

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Nawa~~

<td>Maqam Iraq

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Higaz-kar~~

<td>Maqam Hijaz

</td>

</tr>

<tr>

</td>

<td>Maqam Su'ar~~, Naghmeh Abuata, Naghmeh Afshari~~

<td>Maqam Musta'ar

</td>

</tr>

<tr>

</td>

<td>Maqam ~~Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti~~

<td>Maqam Farahnak

</td>

</tr>

<tr>

</td>

<td>~~Dastgah-e Homayun~~

<td>Maqam Bastanikar, Tarz Nuin

</td>

</tr>

<tr>

</td>

<td>~~Naghmeh Esfahan~~

<td>Maqam Farah Faza, Maqam Nakriz

</td>

</tr>

<tr>

</td>

<td>Maqam ~~'Awg 'ara (Aug-ara)~~

<td>Maqam Jabburi

</td>

</tr>

<tr>

</td>

<td>~~Maqam Buselik~~ 

<td>Giancarlo Dalmonte's new quarter-tone scale (see <a class="wiki_link_ext" href="http://www.ottavanota.info/" rel="nofollow">http://www.ottavanota.info</a>)

~~<~~/~~td>~~

~~<~~/tr>

~~<tr>~~

~~<td><tt>4 2 6 2 2 5 3<~~/~~tt><br~~ /~~>~~

</~~td>~~

~~<td~~>~~Maqam Neuter~~

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc15"><a name="Scales / Modes---Enneatonic:"></a>Enneatonic:</h4>

</td>

<td>~~Anchihoye~~: ~~Ethiopia~~

</td>

</tr>

<tr>

</td>

<td>~~Dance scale of Yi people: China~~

<td>Progressive Enneatonic

</td>

</tr>

<tr>

</td>

<td>~~Daniel~~-~~mode~~ of ~~Spanish-Arab Jews~~

<td>de Vries 9-tone - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/5L%204s">5L 4s (unfair bug)</a>

</td>

</tr>

<tr>

</td>

<td>~~de Vries 13-tone - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/11L%202s">11L 2s</a>~~

<td>Maqam Huzam

</td>

</tr>

<tr>

</td>

<td>~~de Vries 9-tone - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/5L%204s">5L 4s (unfair bug)</a> ~~

<td>Maqam Shawq Afza

~~</td>~~

~~</tr>~~

~~<tr>~~

~~<td><tt>9 2 2 9 2</tt> ~~

~~</td>~~

~~<td>de Vries 5-tone - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/2L%203s">2L 3s (classic pentatonic)</a> ~~

~~</td>~~

~~</tr>~~

~~<tr>~~

~~<td><tt>3 7 4 3 7</tt> ~~

~~</td>~~

~~<td>Spondeion ~~

~~</td>~~

~~</tr>~~

~~<tr>~~

~~<td><tt>1 1 8 4 2 8</tt> ~~

~~</td>~~

~~<td>Spondeiakos~~

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc16"><a name="Scales / Modes---Decatonic:"></a>Decatonic:</h4>

</td>

<td>~~Progressive Enneatonic~~

</td>

</tr>

Line 1,955:

Line 1,991:

</tr>

<tr>

</td>

<td>~~Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/11L%202s">11L 2s</a>~~

<td>Maqam Shawq Tarab

</td>

</tr>

<tr>

</td>

<td>~~Giancarlo Dalmonte's new quarter-tone scale (see <a class="wiki_link_ext" href="http://www.ottavanota.info/" rel="nofollow">http://www.ottavanota.info</a>)~~

<td>Maqam Basandida

</td>

</tr>

</table>

<tr>

</td>

<td>Maqam Yakah

</td>

</tr>

</table>

<tr>

<td colspan="2"><h4 id="toc17"><a name="Scales / Modes---Hendecatonic:"></a>Hendecatonic:</h4>

</td>

</tr>

<tr>

</td>

<td>Maqam Hayyan

</td>

</tr>

</table>

<h1 id="~~toc12~~"><a name="Instruments"></a>Instruments<a name="instruments"></a></h1>

<tr>

<td colspan="2"><h4 id="toc18"><a name="Scales / Modes---Tridecatonic:"></a>Tridecatonic:</h4>

</td>

</tr>

<tr>

</td>

<td>de Vries 13-tone - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/11L%202s">11L 2s</a>

</td>

</tr>

<tr>

</td>

<td>Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - <a class="wiki_link" href="/MOSScales">MOS</a> of type <a class="wiki_link" href="/11L%202s">11L 2s</a>

</td>

</tr>

</table>

<h1 id="toc19"><a name="Instruments"></a>Instruments<a name="instruments"></a></h1>

The ever-arising question in microtonal music, how to play it on instruments designed for 12edo, has a relatively simple answer in the case of 24edo: use two standard instruments tuned a quartertone apart. This <a class="wiki_link" href="/Microtonal%20Keyboards#twelvenoteoctavescales">&quot;12 note octave scales&quot;</a> approach is used in a wide part of the existing literature - see below.

<img src="http://www.swordguitars.com/Sword_quartertone_stratsm.jpg" alt="external image Sword_quartertone_stratsm.jpg" title="external image Sword_quartertone_stratsm.jpg" style="height: 195px; width: 406px;" />24-tone &quot;1/4-tone&quot; Guitar by Ron Sword / Sword guitars

<img src="http://www.swordguitars.com/Sword_quartertone_stratsm.jpg" alt="external image Sword_quartertone_stratsm.jpg" title="external image Sword_quartertone_stratsm.jpg" style="height: 195px; width: 406px;" />24-tone &quot;1/4-tone&quot; Guitar by Ron Sword / Sword guitars

<h1 id="~~toc13~~"><a name="Compositions"></a>Compositions</h1>

<h1 id="toc20"><a name="Compositions"></a>Compositions</h1>

<h2 id="~~toc14~~"><a name="Compositions-Music"></a>Music</h2>

<h2 id="toc21"><a name="Compositions-Music"></a>Music</h2>

<a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex3.mp3" rel="nofollow">Microhex3</a> <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex4.mp3" rel="nofollow">Microhex4</a> and <a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex5.mp3" rel="nofollow">Microhex5</a> by <a class="wiki_link_ext" href="http://www.96edo.com/About_me.html" rel="nofollow">Shaahin Mohajeri</a>

<a class="wiki_link_ext" href="http://micro.soonlabel.com/24et/quarterpicnic.mp3" rel="nofollow">Quarterpicnic</a> by <a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a>

Line 1,983:

Line 2,064:

<a class="wiki_link_ext" href="http://www.youtube.com/watch?v=q1Lp8AtKK9o" rel="nofollow">Autumn Winds</a>, <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=Igxe3DwbFJ4&amp;feature=c4-overview&amp;list=UUvq5bg-LvOS6adpB5efPTyQ" rel="nofollow">Easter Time at Nine</a>, <a class="wiki_link_ext" href="http://www.youtube.com/watch?v=z_3uhA9Cq08&amp;list=UUvq5bg-LvOS6adpB5efPTyQ" rel="nofollow">Waters of Persia</a> by William Lynch in mohajira, 24et tuning.

<h2 id="~~toc15~~"><a name="Compositions-About"></a>About</h2>

<h2 id="toc22"><a name="Compositions-About"></a>About</h2>

&quot;Prométhée enchaîné&quot; by <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Fromental_Hal%C3%A9vy" rel="nofollow">Fromental Halévy</a> (considered the first mainstream western orchestral composition to use quarter tones.)

&quot;3 Hommages&quot; by <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Friedrich_Haas" rel="nofollow">Georg Friedrich Haas</a>

<a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/List_of_quarter_tone_pieces" rel="nofollow">List of quartertone pieces on Wikipedia</a>

<h1 id="~~toc16~~"><a name="Practical Theory / Books"></a>Practical Theory / Books</h1>

<h1 id="toc23"><a name="Practical Theory / Books"></a>Practical Theory / Books</h1>

<img src="http://ronsword.com/images/24_tet_Coversm.jpg" alt="external image 24_tet_Coversm.jpg" title="external image 24_tet_Coversm.jpg" style="height: 236px; width: 179px;" />&quot;Icosakaiteraphonic Scales for Guitar&quot; - A Book for Twenty-Four Equal Divisions of the Octave on guitar, or 'Quarter-tones'. Features a practical approach to understanding the tuning, and over 550 Scale Examples on Nine-String finger board charts, which allows for both symmetrical tuning visualization and standard guitar tuning- helpful for bassists and large range guitarists as well. Includes MOS, DE, and *all* the Scales / Modes from the list above.

<img src="http://ronsword.com/images/24_tet_Coversm.jpg" alt="external image 24_tet_Coversm.jpg" title="external image 24_tet_Coversm.jpg" style="height: 236px; width: 179px;" />&quot;Icosakaiteraphonic Scales for Guitar&quot; - A Book for Twenty-Four Equal Divisions of the Octave on guitar, or 'Quarter-tones'. Features a practical approach to understanding the tuning, and over 550 Scale Examples on Nine-String finger board charts, which allows for both symmetrical tuning visualization and standard guitar tuning- helpful for bassists and large range guitarists as well. Includes MOS, DE, and *all* the Scales / Modes from the list above.

<h1 id="~~toc17~~"><a name="External links"></a>External links</h1>

<h1 id="toc24"><a name="External links"></a>External links</h1>

<a class="wiki_link_ext" href="http://tonalsoft.com/enc/q/quarter-tone.aspx" rel="nofollow">quarter-tone / 24-edo - Encyclopedia of Microtonal Music Theory</a> <a class="wiki_link_ext" href="http://www.webcitation.org/5xeFMH6cd" rel="nofollow">Permalink</a>

<a class="wiki_link_ext" href="http://www.96edo.com/24_EDO.html" rel="nofollow">About 24-EDO</a> by Shaahin Mohajeri <a class="wiki_link_ext" href="http://www.webcitation.org/5xeFBNdQW" rel="nofollow">Permalink</a>

<a class="wiki_link_ext" href="https://docs.google.com/file/d/0Bzrl-iLY6DeEVkl1VjBGdEJlOTg/edit" rel="nofollow">Notation and Chord Names for 24-EDO</a> by William Lynch

<a class="wiki_link_ext" href="http://sonic-arts.org/darreg/contents.htm" rel="nofollow">The place of QUARTERTONES in Today's Xenharmonics</a> by <a class="wiki_link" href="/Ivor%20Darreg">Ivor Darreg</a> <a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar8.htm" rel="nofollow">Permalink</a></body></html></pre></div>

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 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2014-08-22 17:58:24 UTC</tt>.<br>
+: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2014-10-06 09:19:54 UTC</tt>.<br>
-: The original revision id was <tt>519349626</tt>.<br>
+: The original revision id was <tt>525245320</tt>.<br>
 : The revision comment was: <tt></tt><br>
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@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="display: block; text-align: right;"&gt;Other languages: [[xenharmonie/24edo|Deutsch]]
 &lt;/span&gt;
 [[media type="custom" key="11052600"]][[toc|flat]]
@@ Line 249: / Line 250: @@
 =Scales / Modes=
-|||| ====24 tone modes:==== ||
+|||| ====Pentatonic:==== ||
+|| {{**5 5 4 5 5**}} || Quasi-equal Pentatonic - [[MOSScales|MOS]] of type [[4L 1s|4L 1s (bug)]] ||
+|| {{**2 8 3 6 5**}} || Anchihoye: Ethiopia ||
+|||| ====Hexatonic:==== ||
+|| {{**1 1 8 4 2 8**}} || Spondeiakos ||
+|||| ====Heptatonic:==== ||
 || {{**1 1 8 1 1 8 4**}} || Enharmonic Mixolydian ||
 || {{**1 8 1 1 8 4 1**}} || Enharmonic Lydian ||
@@ Line 295: / Line 303: @@
 || {{**4 2 4 4 3 3 4**}} || Dastgah-e Nava, Maqam Ushaq Masri ||
 || {{**2 7 1 4 2 7 1**}} || Second plagal Byzantine Liturgical mode ||
-|| {{**5 5 4 5 5**}} || Quasi-equal Pentatonic - [[MOSScales|MOS]] of type [[4L 1s|4L 1s (bug)]] ||
 || {{**3 3 4 4 2 4 4**}} || Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur ||
-|| {{**3 3 4 4 2 1 3 4**}} || Maqam Bayati ||
 || {{**3 3 4 4 4 2 4**}} || Maqam Nahfat ||
 || {{**3 3 2 6 2 4 4**}} || Maqam Saba ||
-|| {{**3 3 2 6 2 4 2 2**}} || Maqam Saba ||
 || {{**3 3 2 6 2 6 2**}} || Maqam Sabr Jadid ||
-|| {{**3 3 2 2 4 3 3 4**}} || Maqam Mansuri ||
 || {{**4 3 3 4 2 6 2**}} || Maqam Suznak (Soznak) ||
-|| {{**4 3 3 4 4 2 1 3**}} || Maqam Rast, Dilkashidah, Dilnishin ||
 || {{**4 3 3 4 4 4 2**}} || Maqam Mahur ||
-|| {{**4 3 1 2 1 3 4 2 1 3**}} || Maqam Yakah ||
-|| {{**4 3 1 2 4 4 2 4**}} || Maqam Suzidil 'ara ||
 || {{**3 3 4 2 6 2 4**}} || Maqam Qarjighar, Bayati Shuri ||
-|| {{**3 4 2 2 2 2 2 4 3**}} || Maqam Huzam ||
 || {{**3 4 2 6 2 4 3**}} || Maqam Hizam (Huzam, El Houzam), Rahat al Arouah ||
-|| {{**3 4 2 6 2 4 2 1**}} || Maqam Rahat al-Arwah ||
-|| {{**3 4 3 3 4 4 2 1**}} || Maqam Iraq ||
-|| {{**2 6 2 4 2 1 3 4**}} || Maqam Hijaz ||
-|| {{**3 4 4 2 1 3 4 3**}} || Maqam Musta'ar ||
-|| {{**3 4 4 4 2 4 2 1**}} || Maqam Farahnak ||
-|| {{**3 4 3 3 2 6 2 1**}} || Maqam Bastanikar, Tarz Nuin ||
-|| {{**4 2 6 2 4 2 1 3**}} || Maqam Farah Faza, Maqam Nakriz ||
-|| {{**4 2 1 3 2 2 2 2 3 1 2**}} || Maqam Hayyan ||
-|| {{**4 2 1 3 2 2 4 2 1 3**}} || Maqam Basandida ||
-|| {{**4 4 2 1 3 2 2 4 2**}} || Maqam Shawq Afza ||
-|| {{**2 1 3 2 2 4 2 4 2 2**}} || Maqam Shawq Tarab ||
-|| {{**3 1 2 4 4 2 4 4**}} || Maqam Jabburi ||
 || {{**2 4 4 4 3 3 4**}} || Maqam Nawa ||
 || {{**2 5 3 4 2 5 3**}} || Maqam Higaz-kar ||
@@ Line 332: / Line 321: @@
 || {{**4 1 5 4 2 6 2**}} || Maqam Buselik ||
 || {{**4 2 6 2 2 5 3**}} || Maqam Neuter ||
-|| {{**2 8 3 6 5**}} || Anchihoye: Ethiopia ||
 || {{**4 3 3 4 4 2 4**}} || Dance scale of Yi people: China ||
 || {{**4 4 2 3 1 4 6**}} || Daniel-mode of Spanish-Arab Jews ||
-|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || de Vries 13-tone - [[MOSScales|MOS]] of type [[11L 2s]] ||
+|||| ====Octatonic:==== ||
+|| {{**3 3 4 4 2 1 3 4**}} || Maqam Bayati ||
+|| {{**3 3 2 6 2 4 2 2**}} || Maqam Saba ||
+|| {{**4 3 1 2 4 4 2 4**}} || Maqam Suzidil 'ara ||
+|| {{**3 3 2 2 4 3 3 4**}} || Maqam Mansuri ||
+|| {{**4 3 3 4 4 2 1 3**}} || Maqam Rast, Dilkashidah, Dilnishin ||
+|| {{**3 4 2 6 2 4 2 1**}} || Maqam Rahat al-Arwah ||
+|| {{**3 4 3 3 4 4 2 1**}} || Maqam Iraq ||
+|| {{**2 6 2 4 2 1 3 4**}} || Maqam Hijaz ||
+|| {{**3 4 4 2 1 3 4 3**}} || Maqam Musta'ar ||
+|| {{**3 4 4 4 2 4 2 1**}} || Maqam Farahnak ||
+|| {{**3 4 3 3 2 6 2 1**}} || Maqam Bastanikar, Tarz Nuin ||
+|| {{**4 2 6 2 4 2 1 3**}} || Maqam Farah Faza, Maqam Nakriz ||
+|| {{**3 1 2 4 4 2 4 4**}} || Maqam Jabburi ||
+|| {{**1 4 4 2 4 4 4 1**}} || Giancarlo Dalmonte's new quarter-tone scale (see [[http://www.ottavanota.info/|http://www.ottavanota.info]]) ||
+|||| ====Enneatonic:==== ||
+|| {{**1 2 3 4 4 1 2 3 4**}} || Progressive Enneatonic ||
 || {{**4 1 4 1 4 1 4 1 4**}} || de Vries 9-tone - [[MOSScales|MOS]] of type [[5L 4s|5L 4s (unfair bug)]] ||
-|| {{**9 2 2 9 2**}} || de Vries 5-tone - [[MOSScales|MOS]] of type [[2L 3s|2L 3s (classic pentatonic)]] ||
+|| {{**3 4 2 2 2 2 2 4 3**}} || Maqam Huzam ||
-|| {{**3 7 4 3 7**}} || Spondeion ||
+|| {{**4 4 2 1 3 2 2 4 2**}} || Maqam Shawq Afza ||
-|| {{**1 1 8 4 2 8**}} || Spondeiakos ||
-|| {{**1 2 3 4 4 1 2 3 4**}} || Progressive Enneatonic ||
+|||| ====Decatonic:==== ||
 || {{**2 3 2 3 2 2 3 2 3 2**}} || Young Decatonic - [[MOSScales|MOS]] of type [[4L 5s|4L 5s (fair bug)]] ||
 || {{**2 2 1 2 2 2 1 2 2 1 2 2 2 1**}} || Young Half-Octave Diatonic - [[MOSScales|MOS]] of type [[10L 4s]] ||
 || {{**3 1 3 3 3 1 3 3 1 3**}} || Breed Decatonic - [[MOSScales|MOS]] of type [[7L 3s|7L 3s (unfair mosh)]] ||
 || {{**2 3 2 2 3 2 3 2 2 3**}} || Oljare Decatonic - [[MOSScales|MOS]] of type [[4L 6s|4L 6s (fair bicycle)]] ||
+|| {{**2 1 3 2 2 4 2 4 2 2**}} || Maqam Shawq Tarab ||
+|| {{**4 2 1 3 2 2 4 2 1 3**}} || Maqam Basandida ||
+|| {{**4 3 1 2 1 3 4 2 1 3**}} || Maqam Yakah ||
+|||| ====Hendecatonic:==== ||
+|| {{**4 2 1 3 2 2 2 2 3 1 2**}} || Maqam Hayyan ||
+|||| ====Tridecatonic:==== ||
+|| {{**1 2 2 2 2 2 2 1 2 2 2 2 2**}} || de Vries 13-tone - [[MOSScales|MOS]] of type [[11L 2s]] ||
 || {{**2 2 2 2 2 1 2 2 2 2 2 2 1**}} || Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - [[MOSScales|MOS]] of type [[11L 2s]] ||
-|| **&lt;span style="font-family: 'Courier New',Courier,monospace;"&gt;1 4 4 2 4 4 4 1&lt;/span&gt;** || Giancarlo Dalmonte's new quarter-tone scale (see [[http://www.ottavanota.info/|http://www.ottavanota.info]]) ||
 =Instruments[[#instruments]]=
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 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;24edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;Other languages: &lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/24edo"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
 &lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
 &lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/11052600?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;11052600&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"&gt;
-&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;!-- ws:start:WikiTextTocRule:39:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:39 --&gt;&lt;!-- ws:start:WikiTextTocRule:40: --&gt;&lt;a href="#Basics"&gt;Basics&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:40 --&gt;&lt;!-- ws:start:WikiTextTocRule:41: --&gt; | &lt;a href="#x24edo as a temperament"&gt;24edo as a temperament&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:41 --&gt;&lt;!-- ws:start:WikiTextTocRule:42: --&gt;&lt;!-- ws:end:WikiTextTocRule:42 --&gt;&lt;!-- ws:start:WikiTextTocRule:43: --&gt; | &lt;a href="#Intervals"&gt;Intervals&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:43 --&gt;&lt;!-- ws:start:WikiTextTocRule:44: --&gt; | &lt;a href="#Notation"&gt;Notation&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:44 --&gt;&lt;!-- ws:start:WikiTextTocRule:45: --&gt;&lt;!-- ws:end:WikiTextTocRule:45 --&gt;&lt;!-- ws:start:WikiTextTocRule:46: --&gt; | &lt;a href="#Interval Alterations"&gt;Interval Alterations&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:46 --&gt;&lt;!-- ws:start:WikiTextTocRule:47: --&gt; | &lt;a href="#Chord Structures"&gt;Chord Structures&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:47 --&gt;&lt;!-- ws:start:WikiTextTocRule:48: --&gt; | &lt;a href="#Naming Chords in 24edo"&gt;Naming Chords in 24edo&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:48 --&gt;&lt;!-- ws:start:WikiTextTocRule:49: --&gt; | &lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:49 --&gt;&lt;!-- ws:start:WikiTextTocRule:50: --&gt; | &lt;a href="#Scales / Modes"&gt;Scales / Modes&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:50 --&gt;&lt;!-- ws:start:WikiTextTocRule:51: --&gt;&lt;!-- ws:end:WikiTextTocRule:51 --&gt;&lt;!-- ws:start:WikiTextTocRule:52: --&gt; | &lt;a href="#Instruments"&gt;Instruments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:52 --&gt;&lt;!-- ws:start:WikiTextTocRule:53: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt;&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextTocRule:56: --&gt; | &lt;a href="#Practical Theory / Books"&gt;Practical Theory / Books&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:56 --&gt;&lt;!-- ws:start:WikiTextTocRule:57: --&gt; | &lt;a href="#External links"&gt;External links&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:57 --&gt;&lt;!-- ws:start:WikiTextTocRule:58: --&gt;
+&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;!-- ws:start:WikiTextTocRule:53:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:53 --&gt;&lt;!-- ws:start:WikiTextTocRule:54: --&gt;&lt;a href="#Basics"&gt;Basics&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:54 --&gt;&lt;!-- ws:start:WikiTextTocRule:55: --&gt; | &lt;a href="#x24edo as a temperament"&gt;24edo as a temperament&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:55 --&gt;&lt;!-- ws:start:WikiTextTocRule:56: --&gt;&lt;!-- ws:end:WikiTextTocRule:56 --&gt;&lt;!-- ws:start:WikiTextTocRule:57: --&gt; | &lt;a href="#Intervals"&gt;Intervals&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:57 --&gt;&lt;!-- ws:start:WikiTextTocRule:58: --&gt; | &lt;a href="#Notation"&gt;Notation&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:58 --&gt;&lt;!-- ws:start:WikiTextTocRule:59: --&gt;&lt;!-- ws:end:WikiTextTocRule:59 --&gt;&lt;!-- ws:start:WikiTextTocRule:60: --&gt; | &lt;a href="#Interval Alterations"&gt;Interval Alterations&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:60 --&gt;&lt;!-- ws:start:WikiTextTocRule:61: --&gt; | &lt;a href="#Chord Structures"&gt;Chord Structures&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:61 --&gt;&lt;!-- ws:start:WikiTextTocRule:62: --&gt; | &lt;a href="#Naming Chords in 24edo"&gt;Naming Chords in 24edo&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:62 --&gt;&lt;!-- ws:start:WikiTextTocRule:63: --&gt; | &lt;a href="#Rank two temperaments"&gt;Rank two temperaments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:63 --&gt;&lt;!-- ws:start:WikiTextTocRule:64: --&gt; | &lt;a href="#Scales / Modes"&gt;Scales / Modes&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:64 --&gt;&lt;!-- ws:start:WikiTextTocRule:65: --&gt;&lt;!-- ws:end:WikiTextTocRule:65 --&gt;&lt;!-- ws:start:WikiTextTocRule:66: --&gt;&lt;!-- ws:end:WikiTextTocRule:66 --&gt;&lt;!-- ws:start:WikiTextTocRule:67: --&gt;&lt;!-- ws:end:WikiTextTocRule:67 --&gt;&lt;!-- ws:start:WikiTextTocRule:68: --&gt;&lt;!-- ws:end:WikiTextTocRule:68 --&gt;&lt;!-- ws:start:WikiTextTocRule:69: --&gt;&lt;!-- ws:end:WikiTextTocRule:69 --&gt;&lt;!-- ws:start:WikiTextTocRule:70: --&gt;&lt;!-- ws:end:WikiTextTocRule:70 --&gt;&lt;!-- ws:start:WikiTextTocRule:71: --&gt;&lt;!-- ws:end:WikiTextTocRule:71 --&gt;&lt;!-- ws:start:WikiTextTocRule:72: --&gt;&lt;!-- ws:end:WikiTextTocRule:72 --&gt;&lt;!-- ws:start:WikiTextTocRule:73: --&gt; | &lt;a href="#Instruments"&gt;Instruments&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:73 --&gt;&lt;!-- ws:start:WikiTextTocRule:74: --&gt; | &lt;a href="#Compositions"&gt;Compositions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:74 --&gt;&lt;!-- ws:start:WikiTextTocRule:75: --&gt;&lt;!-- ws:end:WikiTextTocRule:75 --&gt;&lt;!-- ws:start:WikiTextTocRule:76: --&gt;&lt;!-- ws:end:WikiTextTocRule:76 --&gt;&lt;!-- ws:start:WikiTextTocRule:77: --&gt; | &lt;a href="#Practical Theory / Books"&gt;Practical Theory / Books&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:77 --&gt;&lt;!-- ws:start:WikiTextTocRule:78: --&gt; | &lt;a href="#External links"&gt;External links&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:78 --&gt;&lt;!-- ws:start:WikiTextTocRule:79: --&gt;
-&lt;!-- ws:end:WikiTextTocRule:58 --&gt;&lt;br /&gt;
+&lt;!-- ws:end:WikiTextTocRule:79 --&gt;&lt;br /&gt;
 &lt;br /&gt;
 &lt;hr /&gt;
@@ Line 1,143: / Line 1,159: @@
 There have been disputes about disadvantages of various systems for notating quarter tones. Here are some of the few systems along with pros and cons.&lt;br /&gt;
 &lt;strong&gt;Mainstream Quartertone Notation&lt;/strong&gt;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1469:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1469 --&gt; or ^ = quarter-tone sharp or &amp;quot;Jump&amp;quot;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1522:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s14_blue.gif" alt="external image s14_blue.gif" title="external image s14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1522 --&gt; or ^ = quarter-tone sharp or &amp;quot;Jump&amp;quot;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1470:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s34_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s34_blue.gif" alt="external image s34_blue.gif" title="external image s34_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1470 --&gt; or #^ = three-quarter-tone sharp or &amp;quot;Jump-Sharp&amp;quot;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1523:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/s34_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/s34_blue.gif" alt="external image s34_blue.gif" title="external image s34_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1523 --&gt; or #^ = three-quarter-tone sharp or &amp;quot;Jump-Sharp&amp;quot;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1471:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/f14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/f14_blue.gif" alt="external image f14_blue.gif" title="external image f14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1471 --&gt; or v = quarter-tone flat or &amp;quot;Drop&amp;quot;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1524:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/f14_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/f14_blue.gif" alt="external image f14_blue.gif" title="external image f14_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1524 --&gt; or v = quarter-tone flat or &amp;quot;Drop&amp;quot;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1472:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/f34_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/f34_blue.gif" alt="external image f34_blue.gif" title="external image f34_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1472 --&gt; or bv = three-quarter-tone flat or &amp;quot;Drop-Flat&amp;quot;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1525:&amp;lt;img src=&amp;quot;http://www.wfg.woodwind.org/n/f34_blue.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.wfg.woodwind.org/n/f34_blue.gif" alt="external image f34_blue.gif" title="external image f34_blue.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1525 --&gt; or bv = three-quarter-tone flat or &amp;quot;Drop-Flat&amp;quot;&lt;br /&gt;
 &lt;br /&gt;
 Pros: Familiar, fairly easy to learn&lt;br /&gt;
@@ Line 1,152: / Line 1,168: @@
 &lt;br /&gt;
 &lt;strong&gt;Alternate Quartertone Accidentals&lt;/strong&gt;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1473:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1473 --&gt; = quarter-tone sharp or Jump&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1526:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1526 --&gt; = quarter-tone sharp or Jump&lt;br /&gt;
 ††† (the horizontal line should connect all three vertical lines) = three quarter-tones sharp or Jump-Sharp&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1474:&amp;lt;img src=&amp;quot;http://www.dolmetsch.com/onequarterflat.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.dolmetsch.com/onequarterflat.gif" alt="external image onequarterflat.gif" title="external image onequarterflat.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1474 --&gt; = quarter-tone flat or Drop&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1527:&amp;lt;img src=&amp;quot;http://www.dolmetsch.com/onequarterflat.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.dolmetsch.com/onequarterflat.gif" alt="external image onequarterflat.gif" title="external image onequarterflat.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1527 --&gt; = quarter-tone flat or Drop&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1475:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1475 --&gt; = three quarter-tones flat or drop-flat&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1528:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1528 --&gt; = three quarter-tones flat or drop-flat&lt;br /&gt;
-For example, the scale 0-5-10-15-20 is written as C-D&lt;!-- ws:start:WikiTextRemoteImageRule:1476:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1476 --&gt; (or E&lt;!-- ws:start:WikiTextRemoteImageRule:1477:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1477 --&gt;) F G&lt;!-- ws:start:WikiTextRemoteImageRule:1478:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1478 --&gt; (or A&lt;!-- ws:start:WikiTextRemoteImageRule:1479:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1479 --&gt;) Bb.&lt;br /&gt;
+For example, the scale 0-5-10-15-20 is written as C-D&lt;!-- ws:start:WikiTextRemoteImageRule:1529:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1529 --&gt; (or E&lt;!-- ws:start:WikiTextRemoteImageRule:1530:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1530 --&gt;) F G&lt;!-- ws:start:WikiTextRemoteImageRule:1531:&amp;lt;img src=&amp;quot;http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://faculty.mansfield.edu/jmurphy/oldsite/quartertonesharp.gif" alt="external image quartertonesharp.gif" title="external image quartertonesharp.gif" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1531 --&gt; (or A&lt;!-- ws:start:WikiTextRemoteImageRule:1532:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Arabic_music_notation_half_flat.svg/9px-Arabic_music_notation_half_flat.svg.png" alt="external image 9px-Arabic_music_notation_half_flat.svg.png" title="external image 9px-Arabic_music_notation_half_flat.svg.png" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1532 --&gt;) Bb.&lt;br /&gt;
 &lt;br /&gt;
 Pros: Very easy to distinguish accidentals from one another&lt;br /&gt;
@@ Line 1,162: / Line 1,178: @@
 &lt;br /&gt;
 &lt;strong&gt;&lt;span style="line-height: 1.5;"&gt;And in Persian music&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1480:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 25px; width: 12px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png" alt="external image 200px-Koron_sign.svg.png" title="external image 200px-Koron_sign.svg.png" style="height: 25px; width: 12px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1480 --&gt;Koron (&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Koron_%28music%29" rel="nofollow"&gt;en&lt;/a&gt; | &lt;a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%DA%A9%D8%B1%D9%86" rel="nofollow"&gt;fa&lt;/a&gt;) = quarter-tone flat or Jump&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1533:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 25px; width: 12px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/3/31/Koron_sign.svg/200px-Koron_sign.svg.png" alt="external image 200px-Koron_sign.svg.png" title="external image 200px-Koron_sign.svg.png" style="height: 25px; width: 12px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1533 --&gt;Koron (&lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Koron_%28music%29" rel="nofollow"&gt;en&lt;/a&gt; | &lt;a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%DA%A9%D8%B1%D9%86" rel="nofollow"&gt;fa&lt;/a&gt;) = quarter-tone flat or Jump&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1481:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 25px; width: 15px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png" alt="external image 200px-Sori_sign.svg.png" title="external image 200px-Sori_sign.svg.png" style="height: 25px; width: 15px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1481 --&gt;Sori (&lt;a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%D8%B3%D8%B1%DB%8C_%28%D9%85%D9%88%D8%B3%DB%8C%D9%82%DB%8C%29" rel="nofollow"&gt;fa&lt;/a&gt;) = quarter-tone sharp or Drop&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1534:&amp;lt;img src=&amp;quot;http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 25px; width: 15px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Sori_sign.svg/200px-Sori_sign.svg.png" alt="external image 200px-Sori_sign.svg.png" title="external image 200px-Sori_sign.svg.png" style="height: 25px; width: 15px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1534 --&gt;Sori (&lt;a class="wiki_link_ext" href="http://fa.wikipedia.org/wiki/%D8%B3%D8%B1%DB%8C_%28%D9%85%D9%88%D8%B3%DB%8C%D9%82%DB%8C%29" rel="nofollow"&gt;fa&lt;/a&gt;) = quarter-tone sharp or Drop&lt;br /&gt;
 &lt;br /&gt;
 Pros: Easy to read&lt;br /&gt;
@@ Line 1,174: / Line 1,190: @@
 A possibility for the best approach would be to not use traditional sharps and flats altogether and replace them&lt;br /&gt;
 with Sagittal signs for sharp and flat.&lt;br /&gt;
-&lt;!-- ws:start:WikiTextLocalImageRule:1467:&amp;lt;img src=&amp;quot;/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1467 --&gt;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextLocalImageRule:1520:&amp;lt;img src=&amp;quot;/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/sagittal%2024.PNG/500168246/sagittal%2024.PNG" alt="sagittal 24.PNG" title="sagittal 24.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1520 --&gt;&lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc6"&gt;&lt;a name="Interval Alterations"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Interval Alterations&lt;/h1&gt;
   &lt;br /&gt;
@@ Line 1,197: / Line 1,213: @@
 William Lynch considers these as some possible good tetrads:&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextLocalImageRule:1468:&amp;lt;img src=&amp;quot;/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG" alt="Three chords.PNG" title="Three chords.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1468 --&gt;&lt;br /&gt;
+&lt;!-- ws:start:WikiTextLocalImageRule:1521:&amp;lt;img src=&amp;quot;/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/Three%20chords.PNG/489521008/Three%20chords.PNG" alt="Three chords.PNG" title="Three chords.PNG" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:1521 --&gt;&lt;br /&gt;
 &lt;br /&gt;
@@ Line 1,381: / Line 1,397: @@
 &lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:25:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc11"&gt;&lt;a name="Scales / Modes---24 tone modes:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:25 --&gt;24 tone modes:&lt;/h4&gt;
+         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:25:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc11"&gt;&lt;a name="Scales / Modes---Pentatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:25 --&gt;Pentatonic:&lt;/h4&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 1 1 8 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;5 5 4 5 5&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Enharmonic Mixolydian&lt;br /&gt;
+         &lt;td&gt;Quasi-equal Pentatonic - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/4L%201s"&gt;4L 1s (bug)&lt;/a&gt;&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 8 1 1 8 4 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 8 3 6 5&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Enharmonic Lydian&lt;br /&gt;
+         &lt;td&gt;Anchihoye: Ethiopia&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;8 1 1 8 4 1 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:27:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc12"&gt;&lt;a name="Scales / Modes---Hexatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:27 --&gt;Hexatonic:&lt;/h4&gt;
-&lt;/td&gt;
-        &lt;td&gt;Enharmonic Phrygian&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 4 1 1 8&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 4 2 8&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Enharmonic Dorian&lt;br /&gt;
+         &lt;td&gt;Spondeiakos&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 8 4 1 1 8 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+        &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:29:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc13"&gt;&lt;a name="Scales / Modes---Heptatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:29 --&gt;Heptatonic:&lt;/h4&gt;
 &lt;/td&gt;
-         &lt;td&gt;Enharmonic Hypolydian&lt;br /&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 1 1 8 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Enharmonic Mixolydian&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 8 1 1 8 4 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Enharmonic Lydian&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;8 1 1 8 4 1 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Enharmonic Phrygian&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 4 1 1 8&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Enharmonic Dorian&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 8 4 1 1 8 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+         &lt;td&gt;Enharmonic Hypolydian&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 1,655: / Line 1,709: @@
      &lt;/tr&gt;
      &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;5 5 4 5 5&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;Quasi-equal Pentatonic - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/4L%201s"&gt;4L 1s (bug)&lt;/a&gt;&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
          &lt;td&gt;Maqam 'Ushshaq Turki, Urfa, Isfahan, Dastgah-e Shur&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 4 2 1 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;Maqam Bayati&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 1,685: / Line 1,727: @@
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 6 2 4 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 6 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Saba&lt;br /&gt;
+         &lt;td&gt;Maqam Sabr Jadid&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 6 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Sabr Jadid&lt;br /&gt;
+         &lt;td&gt;Maqam Suznak (Soznak)&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 2 4 3 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 4 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Mansuri&lt;br /&gt;
+         &lt;td&gt;Maqam Mahur&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 2 6 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Suznak (Soznak)&lt;br /&gt;
+         &lt;td&gt;Maqam Qarjighar, Bayati Shuri&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 6 2 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Rast, Dilkashidah, Dilnishin&lt;br /&gt;
+         &lt;td&gt;Maqam Hizam (Huzam, El Houzam), Rahat al Arouah&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 4 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 4 4 4 3 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Mahur&lt;br /&gt;
+         &lt;td&gt;Maqam Nawa&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 1 2 1 3 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 5 3 4 2 5 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Yakah&lt;br /&gt;
+         &lt;td&gt;Maqam Higaz-kar&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 1 2 4 4 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 2 4 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Suzidil 'ara&lt;br /&gt;
+         &lt;td&gt;Maqam Su'ar, Naghmeh Abuata, Naghmeh Afshari&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 2 6 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 4 4 3 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Qarjighar, Bayati Shuri&lt;br /&gt;
+         &lt;td&gt;Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 2 2 2 2 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 5 2 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Huzam&lt;br /&gt;
+         &lt;td&gt;Dastgah-e Homayun&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 6 2 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 4 4 3 5 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Hizam (Huzam, El Houzam), Rahat al Arouah&lt;br /&gt;
+         &lt;td&gt;Naghmeh Esfahan&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 6 2 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 6 1 5 2 6 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Rahat al-Arwah&lt;br /&gt;
+         &lt;td&gt;Maqam 'Awg 'ara (Aug-ara)&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 3 3 4 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 1 5 4 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Iraq&lt;br /&gt;
+         &lt;td&gt;Maqam Buselik&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 6 2 4 2 1 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 6 2 2 5 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Hijaz&lt;br /&gt;
+         &lt;td&gt;Maqam Neuter&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 2 1 3 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Musta'ar&lt;br /&gt;
+         &lt;td&gt;Dance scale of Yi people: China&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 4 2 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 3 1 4 6&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Farahnak&lt;br /&gt;
+         &lt;td&gt;Daniel-mode of Spanish-Arab Jews&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 3 3 2 6 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:31:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc14"&gt;&lt;a name="Scales / Modes---Octatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:31 --&gt;Octatonic:&lt;/h4&gt;
-&lt;/td&gt;
-        &lt;td&gt;Maqam Bastanikar, Tarz Nuin&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 6 2 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 4 4 2 1 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Farah Faza, Maqam Nakriz&lt;br /&gt;
+         &lt;td&gt;Maqam Bayati&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 1 3 2 2 2 2 3 1 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 6 2 4 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Hayyan&lt;br /&gt;
+         &lt;td&gt;Maqam Saba&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 1 3 2 2 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 1 2 4 4 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Basandida&lt;br /&gt;
+         &lt;td&gt;Maqam Suzidil 'ara&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 1 3 2 2 4 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 3 2 2 4 3 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Shawq Afza&lt;br /&gt;
+         &lt;td&gt;Maqam Mansuri&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 1 3 2 2 4 2 4 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Shawq Tarab&lt;br /&gt;
+         &lt;td&gt;Maqam Rast, Dilkashidah, Dilnishin&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 1 2 4 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 6 2 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Jabburi&lt;br /&gt;
+         &lt;td&gt;Maqam Rahat al-Arwah&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 4 4 4 3 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 3 3 4 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Nawa&lt;br /&gt;
+         &lt;td&gt;Maqam Iraq&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 5 3 4 2 5 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 6 2 4 2 1 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Higaz-kar&lt;br /&gt;
+         &lt;td&gt;Maqam Hijaz&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 2 4 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 2 1 3 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Su'ar, Naghmeh Abuata, Naghmeh Afshari&lt;br /&gt;
+         &lt;td&gt;Maqam Musta'ar&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 4 4 3 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 4 4 2 4 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Jahargah (Jiharkah), Naghmeh Bayat-e Tork, Naghmeh Dashti&lt;br /&gt;
+         &lt;td&gt;Maqam Farahnak&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 5 2 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 3 3 2 6 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Dastgah-e Homayun&lt;br /&gt;
+         &lt;td&gt;Maqam Bastanikar, Tarz Nuin&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 4 4 3 5 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 6 2 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Naghmeh Esfahan&lt;br /&gt;
+         &lt;td&gt;Maqam Farah Faza, Maqam Nakriz&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 6 1 5 2 6 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 1 2 4 4 2 4 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam 'Awg 'ara (Aug-ara)&lt;br /&gt;
+         &lt;td&gt;Maqam Jabburi&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 1 5 4 2 6 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 4 4 2 4 4 4 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Maqam Buselik&lt;br /&gt;
+         &lt;td&gt;Giancarlo Dalmonte's new quarter-tone scale (see &lt;a class="wiki_link_ext" href="http://www.ottavanota.info/" rel="nofollow"&gt;http://www.ottavanota.info&lt;/a&gt;)&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 6 2 2 5 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;Maqam Neuter&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 8 3 6 5&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:33:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc15"&gt;&lt;a name="Scales / Modes---Enneatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:33 --&gt;Enneatonic:&lt;/h4&gt;
-&lt;/td&gt;
-        &lt;td&gt;Anchihoye: Ethiopia&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 3 4 4 2 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 2 3 4 4 1 2 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Dance scale of Yi people: China&lt;br /&gt;
+         &lt;td&gt;Progressive Enneatonic&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 3 1 4 6&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 1 4 1 4 1 4 1 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Daniel-mode of Spanish-Arab Jews&lt;br /&gt;
+         &lt;td&gt;de Vries 9-tone - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/5L%204s"&gt;5L 4s (unfair bug)&lt;/a&gt;&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 2 2 2 2 2 2 1 2 2 2 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 4 2 2 2 2 2 4 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;de Vries 13-tone - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/11L%202s"&gt;11L 2s&lt;/a&gt;&lt;br /&gt;
+         &lt;td&gt;Maqam Huzam&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 1 4 1 4 1 4 1 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 4 2 1 3 2 2 4 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;de Vries 9-tone - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/5L%204s"&gt;5L 4s (unfair bug)&lt;/a&gt;&lt;br /&gt;
+         &lt;td&gt;Maqam Shawq Afza&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;9 2 2 9 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;de Vries 5-tone - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/2L%203s"&gt;2L 3s (classic pentatonic)&lt;/a&gt;&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;3 7 4 3 7&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;Spondeion&lt;br /&gt;
-&lt;/td&gt;
-    &lt;/tr&gt;
-    &lt;tr&gt;
-        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 1 8 4 2 8&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
-&lt;/td&gt;
-        &lt;td&gt;Spondeiakos&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 2 3 4 4 1 2 3 4&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:35:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc16"&gt;&lt;a name="Scales / Modes---Decatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:35 --&gt;Decatonic:&lt;/h4&gt;
-&lt;/td&gt;
-        &lt;td&gt;Progressive Enneatonic&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
@@ Line 1,955: / Line 1,991: @@
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 2 2 2 2 1 2 2 2 2 2 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 1 3 2 2 4 2 4 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/11L%202s"&gt;11L 2s&lt;/a&gt;&lt;br /&gt;
+         &lt;td&gt;Maqam Shawq Tarab&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td&gt;&lt;strong&gt;&lt;span style="font-family: 'Courier New',Courier,monospace;"&gt;1 4 4 2 4 4 4 1&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 1 3 2 2 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;Giancarlo Dalmonte's new quarter-tone scale (see &lt;a class="wiki_link_ext" href="http://www.ottavanota.info/" rel="nofollow"&gt;http://www.ottavanota.info&lt;/a&gt;)&lt;br /&gt;
+         &lt;td&gt;Maqam Basandida&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;
-&lt;/table&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 3 1 2 1 3 4 2 1 3&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Maqam Yakah&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;table class="wiki_table"&gt;
+    &lt;tr&gt;
+        &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:37:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc17"&gt;&lt;a name="Scales / Modes---Hendecatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:37 --&gt;Hendecatonic:&lt;/h4&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;4 2 1 3 2 2 2 2 3 1 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Maqam Hayyan&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+&lt;/table&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:27:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc12"&gt;&lt;a name="Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:27 --&gt;Instruments&lt;!-- ws:start:WikiTextAnchorRule:59:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@instruments&amp;quot; title=&amp;quot;Anchor: instruments&amp;quot;/&amp;gt; --&gt;&lt;a name="instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:59 --&gt;&lt;/h1&gt;
+&lt;table class="wiki_table"&gt;
+    &lt;tr&gt;
+        &lt;td colspan="2"&gt;&lt;!-- ws:start:WikiTextHeadingRule:39:&amp;lt;h4&amp;gt; --&gt;&lt;h4 id="toc18"&gt;&lt;a name="Scales / Modes---Tridecatonic:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:39 --&gt;Tridecatonic:&lt;/h4&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;1 2 2 2 2 2 2 1 2 2 2 2 2&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;de Vries 13-tone - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/11L%202s"&gt;11L 2s&lt;/a&gt;&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+    &lt;tr&gt;
+        &lt;td&gt;&lt;tt&gt;&lt;strong&gt;2 2 2 2 2 1 2 2 2 2 2 2 1&lt;/strong&gt;&lt;/tt&gt;&lt;br /&gt;
+&lt;/td&gt;
+        &lt;td&gt;Agmon Diatonic DS5, Ivan Wyschnegradsky's diatonicized chromatic scale - &lt;a class="wiki_link" href="/MOSScales"&gt;MOS&lt;/a&gt; of type &lt;a class="wiki_link" href="/11L%202s"&gt;11L 2s&lt;/a&gt;&lt;br /&gt;
+&lt;/td&gt;
+    &lt;/tr&gt;
+&lt;/table&gt;
+&lt;br /&gt;
+&lt;br /&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:41:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc19"&gt;&lt;a name="Instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:41 --&gt;Instruments&lt;!-- ws:start:WikiTextAnchorRule:80:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@instruments&amp;quot; title=&amp;quot;Anchor: instruments&amp;quot;/&amp;gt; --&gt;&lt;a name="instruments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:80 --&gt;&lt;/h1&gt;
   The ever-arising question in microtonal music, how to play it on instruments designed for 12edo, has a relatively simple answer in the case of 24edo: use two standard instruments tuned a quartertone apart. This &lt;a class="wiki_link" href="/Microtonal%20Keyboards#twelvenoteoctavescales"&gt;&amp;quot;12 note octave scales&amp;quot;&lt;/a&gt; approach is used in a wide part of the existing literature - see below.&lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1482:&amp;lt;img src=&amp;quot;http://www.swordguitars.com/Sword_quartertone_stratsm.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 195px; width: 406px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.swordguitars.com/Sword_quartertone_stratsm.jpg" alt="external image Sword_quartertone_stratsm.jpg" title="external image Sword_quartertone_stratsm.jpg" style="height: 195px; width: 406px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1482 --&gt;24-tone &amp;quot;1/4-tone&amp;quot; Guitar by Ron Sword / Sword guitars&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1535:&amp;lt;img src=&amp;quot;http://www.swordguitars.com/Sword_quartertone_stratsm.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 195px; width: 406px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://www.swordguitars.com/Sword_quartertone_stratsm.jpg" alt="external image Sword_quartertone_stratsm.jpg" title="external image Sword_quartertone_stratsm.jpg" style="height: 195px; width: 406px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1535 --&gt;24-tone &amp;quot;1/4-tone&amp;quot; Guitar by Ron Sword / Sword guitars&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:29:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc13"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:29 --&gt;Compositions&lt;/h1&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:43:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc20"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:43 --&gt;Compositions&lt;/h1&gt;
-  &lt;!-- ws:start:WikiTextHeadingRule:31:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc14"&gt;&lt;a name="Compositions-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:31 --&gt;Music&lt;/h2&gt;
+  &lt;!-- ws:start:WikiTextHeadingRule:45:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc21"&gt;&lt;a name="Compositions-Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:45 --&gt;Music&lt;/h2&gt;
   &lt;span class="ymp-btn-page-play ymp-media-eb56a917c62000140296c2e1a6d89911"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex3.mp3" rel="nofollow"&gt;Microhex3&lt;/a&gt;&lt;/span&gt; &lt;span class="ymp-btn-page-play ymp-media-750620955011dabb8bc98c7c8830cbb8"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex4.mp3" rel="nofollow"&gt;Microhex4&lt;/a&gt;&lt;/span&gt; and &lt;span class="ymp-btn-page-play ymp-media-4aeb7c299c23983ba8081a591562e704"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Mohajeri/Microhex5.mp3" rel="nofollow"&gt;Microhex5&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.96edo.com/About_me.html" rel="nofollow"&gt;Shaahin Mohajeri&lt;/a&gt;&lt;br /&gt;
 &lt;span class="ymp-btn-page-play ymp-media-30832be5610668b4b42451c8ce82dc80"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/24et/quarterpicnic.mp3" rel="nofollow"&gt;Quarterpicnic&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
@@ Line 1,983: / Line 2,064: @@
 &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=q1Lp8AtKK9o" rel="nofollow"&gt;Autumn Winds&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=Igxe3DwbFJ4&amp;amp;feature=c4-overview&amp;amp;list=UUvq5bg-LvOS6adpB5efPTyQ" rel="nofollow"&gt;Easter Time at Nine&lt;/a&gt;, &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=z_3uhA9Cq08&amp;amp;list=UUvq5bg-LvOS6adpB5efPTyQ" rel="nofollow"&gt;Waters of Persia&lt;/a&gt; by William Lynch in mohajira, 24et tuning.&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:33:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc15"&gt;&lt;a name="Compositions-About"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:33 --&gt;About&lt;/h2&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:47:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc22"&gt;&lt;a name="Compositions-About"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:47 --&gt;About&lt;/h2&gt;
   &amp;quot;Prométhée enchaîné&amp;quot; by &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Fromental_Hal%C3%A9vy" rel="nofollow"&gt;Fromental Halévy&lt;/a&gt; (considered the first mainstream western orchestral composition to use quarter tones.)&lt;br /&gt;
 &amp;quot;3 Hommages&amp;quot; by &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Georg_Friedrich_Haas" rel="nofollow"&gt;Georg Friedrich Haas&lt;/a&gt;&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/List_of_quarter_tone_pieces" rel="nofollow"&gt;List of quartertone pieces on Wikipedia&lt;/a&gt;&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:35:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc16"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:35 --&gt;Practical Theory / Books&lt;/h1&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:49:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc23"&gt;&lt;a name="Practical Theory / Books"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:49 --&gt;Practical Theory / Books&lt;/h1&gt;
   &lt;br /&gt;
-&lt;!-- ws:start:WikiTextRemoteImageRule:1483:&amp;lt;img src=&amp;quot;http://ronsword.com/images/24_tet_Coversm.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 236px; width: 179px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://ronsword.com/images/24_tet_Coversm.jpg" alt="external image 24_tet_Coversm.jpg" title="external image 24_tet_Coversm.jpg" style="height: 236px; width: 179px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1483 --&gt;&lt;strong&gt;&amp;quot;Icosakaiteraphonic Scales for Guitar&amp;quot;&lt;/strong&gt; - A Book for Twenty-Four Equal Divisions of the Octave on guitar, or 'Quarter-tones'. Features a practical approach to understanding the tuning, and over 550 Scale Examples on Nine-String finger board charts, which allows for both symmetrical tuning visualization and standard guitar tuning- helpful for bassists and large range guitarists as well. Includes MOS, DE, and *all* the Scales / Modes from the list above.&lt;br /&gt;
+&lt;!-- ws:start:WikiTextRemoteImageRule:1536:&amp;lt;img src=&amp;quot;http://ronsword.com/images/24_tet_Coversm.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 236px; width: 179px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://ronsword.com/images/24_tet_Coversm.jpg" alt="external image 24_tet_Coversm.jpg" title="external image 24_tet_Coversm.jpg" style="height: 236px; width: 179px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:1536 --&gt;&lt;strong&gt;&amp;quot;Icosakaiteraphonic Scales for Guitar&amp;quot;&lt;/strong&gt; - A Book for Twenty-Four Equal Divisions of the Octave on guitar, or 'Quarter-tones'. Features a practical approach to understanding the tuning, and over 550 Scale Examples on Nine-String finger board charts, which allows for both symmetrical tuning visualization and standard guitar tuning- helpful for bassists and large range guitarists as well. Includes MOS, DE, and *all* the Scales / Modes from the list above.&lt;br /&gt;
 &lt;br /&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:37:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc17"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:37 --&gt;External links&lt;/h1&gt;
+&lt;!-- ws:start:WikiTextHeadingRule:51:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc24"&gt;&lt;a name="External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:51 --&gt;External links&lt;/h1&gt;
   &lt;a class="wiki_link_ext" href="http://tonalsoft.com/enc/q/quarter-tone.aspx" rel="nofollow"&gt;quarter-tone / 24-edo - Encyclopedia of Microtonal Music Theory&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeFMH6cd" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://www.96edo.com/24_EDO.html" rel="nofollow"&gt;About 24-EDO&lt;/a&gt; by Shaahin Mohajeri &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5xeFBNdQW" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="https://docs.google.com/file/d/0Bzrl-iLY6DeEVkl1VjBGdEJlOTg/edit" rel="nofollow"&gt;Notation and Chord Names for 24-EDO&lt;/a&gt; by William Lynch&lt;br /&gt;
 &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/contents.htm" rel="nofollow"&gt;The place of QUARTERTONES in Today's Xenharmonics&lt;/a&gt; by &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Ivor Darreg&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://sonic-arts.org/darreg/dar8.htm" rel="nofollow"&gt;Permalink&lt;/a&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>