22edo: Difference between revisions

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**Imported revision 216000086 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 216001138 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-03-31 17:06:02 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-03-31 17:09:30 UTC</tt>.<br>
: The original revision id was <tt>216000086</tt>.<br>
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==External links==  
==External links==  


Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''
[[http://lumma.org/tuning/erlich/erlich-decatonic.pdf
*[http://66.98.148.43/~xenharmo/text/tuning22.pdf] or http://lumma.org/tuning/erlich/erlich-decatonic.pdf
|Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament'']]


==References==  
==References==  


Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]
Bosanquet, R.H.M. [[http://www.webcitation.org/5kjJcrhEx|''On the Hindoo division of the octave, with additions to the theory of higher orders'']], Proceedings of the Royal Society of London vol. 26, 1879, pp. 272-284. Reproduced in Tagore, Sourindro Mohun, ''Hindu Music from Various Authors'', Chowkhamba Sanskrit Series, Varanasi, India, 1965
Bosanquet, R.H.M. [[http://www.webcitation.org/5kjJcrhEx|''On the Hindoo division of the octave, with additions to the theory of higher orders'']], Proceedings of the Royal Society of London vol. 26, 1879, pp. 272-284. Reproduced in Tagore, Sourindro Mohun, ''Hindu Music from Various Authors'', Chowkhamba Sanskrit Series, Varanasi, India, 1965


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&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Theory-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;External links&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc4"&gt;&lt;a name="Theory-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;External links&lt;/h2&gt;
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  &lt;br /&gt;
Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;/a&gt;&lt;br /&gt;
*[&lt;!-- ws:start:WikiTextUrlRule:100:http://66.98.148.43/~xenharmo/text/tuning22.pdf --&gt;&lt;a class="wiki_link_ext" href="http://66.98.148.43/~xenharmo/text/tuning22.pdf" rel="nofollow"&gt;http://66.98.148.43/~xenharmo/text/tuning22.pdf&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:100 --&gt;] or &lt;!-- ws:start:WikiTextUrlRule:101:http://lumma.org/tuning/erlich/erlich-decatonic.pdf --&gt;&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;http://lumma.org/tuning/erlich/erlich-decatonic.pdf&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:101 --&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;References&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;References&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
&lt;br /&gt;
Bosanquet, R.H.M. &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5kjJcrhEx" rel="nofollow"&gt;''On the Hindoo division of the octave, with additions to the theory of higher orders''&lt;/a&gt;, Proceedings of the Royal Society of London vol. 26, 1879, pp. 272-284. Reproduced in Tagore, Sourindro Mohun, ''Hindu Music from Various Authors'', Chowkhamba Sanskrit Series, Varanasi, India, 1965&lt;br /&gt;
Bosanquet, R.H.M. &lt;a class="wiki_link_ext" href="http://www.webcitation.org/5kjJcrhEx" rel="nofollow"&gt;''On the Hindoo division of the octave, with additions to the theory of higher orders''&lt;/a&gt;, Proceedings of the Royal Society of London vol. 26, 1879, pp. 272-284. Reproduced in Tagore, Sourindro Mohun, ''Hindu Music from Various Authors'', Chowkhamba Sanskrit Series, Varanasi, India, 1965&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;