22edo: Difference between revisions

Wikispaces>vaisvil
**Imported revision 475562910 - Original comment: **
Wikispaces>spt3125
**Imported revision 482002202 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:vaisvil|vaisvil]] and made on <tt>2013-12-07 21:59:36 UTC</tt>.<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-01-10 21:30:40 UTC</tt>.<br>
: The original revision id was <tt>475562910</tt>.<br>
: The original revision id was <tt>482002202</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 46: Line 46:
|| 22 || 1200 ||= 2/1 ||
|| 22 || 1200 ||= 2/1 ||


[[media type="custom" key="24838814"]]


[[file:22ed2-001e.svg]]


See also: [[22edo Solfege]], [[22edo Tetrachords]], [[22edo Modes]]
See also: [[22edo Solfege]], [[22edo Tetrachords]], [[22edo Modes]]
Line 156: Line 158:
* &lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;[[http://www.youtube.com/watch?v=lO5xSjIHyMg|Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity]]&lt;/span&gt;&lt;/span&gt; - youtube
* &lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;[[http://www.youtube.com/watch?v=lO5xSjIHyMg|Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity]]&lt;/span&gt;&lt;/span&gt; - youtube
* &lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;[[http://www.youtube.com/watch?v=WMtp9Wk0tO0|Improvisation in 22-equal temperament]]&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube
* &lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;[[http://www.youtube.com/watch?v=WMtp9Wk0tO0|Improvisation in 22-equal temperament]]&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube
* Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns, Mats Öljare - [[http://www.angelfire.com/mo/oljare/midicomp.html|MIDI files]]
* Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns - [[http://www.angelfire.com/mo/oljare/midicomp.html|MIDI files]] by Mats Öljare
** [[file:xenharmonic/sunday3.pdf|Sagittal score of Sunday Pipes]]
** [[file:xenharmonic/sunday3.pdf|Sagittal score of Sunday Pipes]]
* &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;[[http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3|Phobos Light]]&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] [[hedgehog14|tuned]] to 22edo.
* &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;[[http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3|Phobos Light]]&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] [[hedgehog14|tuned]] to 22edo.
Line 168: Line 170:
* [[http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3|Recurring Mimosa]] by [[https://soundcloud.com/redrick-sultan/recurring-mimosa|Redrick Sultan]]
* [[http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3|Recurring Mimosa]] by [[https://soundcloud.com/redrick-sultan/recurring-mimosa|Redrick Sultan]]
* The Saharan Pump by Chris Vaisvil [[http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/|blog post]]
* The Saharan Pump by Chris Vaisvil [[http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/|blog post]]
* [[@http://www.youtube.com/watch?v=qHHv3mwJTlg|Short piece and demonstration]] (video) by [[@http://brendanbyrnes.com/|Brendan Byrnes]] (electric guitar)


[[media type="custom" key="11052222"]]</pre></div>
[[media type="custom" key="11052222"]]</pre></div>
Line 173: Line 176:
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;Other languages: &lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/22edo"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="display: block; text-align: right;"&gt;Other languages: &lt;a class="wiki_link" href="http://xenharmonie.wikispaces.com/22edo"&gt;Deutsch&lt;/a&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;/span&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextTocRule:17:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:17 --&gt;&lt;!-- ws:start:WikiTextTocRule:18: --&gt;&lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt; | &lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:25 --&gt;&lt;!-- ws:start:WikiTextTocRule:26: --&gt;
&lt;!-- ws:start:WikiTextTocRule:18:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;a href="#Theory"&gt;Theory&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt;&lt;!-- ws:end:WikiTextTocRule:25 --&gt;&lt;!-- ws:start:WikiTextTocRule:26: --&gt; | &lt;a href="#Music"&gt;Music&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:26 --&gt;&lt;!-- ws:start:WikiTextTocRule:27: --&gt;
&lt;!-- ws:end:WikiTextTocRule:26 --&gt;&lt;hr /&gt;
&lt;!-- ws:end:WikiTextTocRule:27 --&gt;&lt;hr /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;Theory&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Theory"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Theory&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
In music, &lt;em&gt;22 equal temperament&lt;/em&gt;, called 22-tet, 22-edo, or 22-et, is the scale derived by dividing the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 22 equally large steps. Each step represents a frequency ratio of the twenty-second root of 2, or 54.55 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s.&lt;br /&gt;
In music, &lt;em&gt;22 equal temperament&lt;/em&gt;, called 22-tet, 22-edo, or 22-et, is the scale derived by dividing the &lt;a class="wiki_link" href="/octave"&gt;octave&lt;/a&gt; into 22 equally large steps. Each step represents a frequency ratio of the twenty-second root of 2, or 54.55 &lt;a class="wiki_link" href="/cent"&gt;cent&lt;/a&gt;s.&lt;br /&gt;
Line 384: Line 387:


&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/24838814?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;24838814&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;object id="example" type="image/svg+xml" data="http://xenharmonic.wikispaces.com/file/view/22ed2-001e.svg"&gt;alt : Your browser has no SVG support.&lt;/object&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextFileRule:813:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file/22ed2-001e.svg?h=52&amp;amp;w=320&amp;quot; class=&amp;quot;WikiFile&amp;quot; id=&amp;quot;wikitext@@file@@22ed2-001e.svg&amp;quot; title=&amp;quot;File: 22ed2-001e.svg&amp;quot; width=&amp;quot;320&amp;quot; height=&amp;quot;52&amp;quot; /&amp;gt; --&gt;&lt;div class="objectEmbed"&gt;&lt;a href="/file/view/22ed2-001e.svg/482002024/22ed2-001e.svg" onclick="ws.common.trackFileLink('/file/view/22ed2-001e.svg/482002024/22ed2-001e.svg');"&gt;&lt;img src="http://www.wikispaces.com/i/mime/32/empty.png" height="32" width="32" alt="22ed2-001e.svg" /&gt;&lt;/a&gt;&lt;div&gt;&lt;a href="/file/view/22ed2-001e.svg/482002024/22ed2-001e.svg" onclick="ws.common.trackFileLink('/file/view/22ed2-001e.svg/482002024/22ed2-001e.svg');" class="filename" title="22ed2-001e.svg"&gt;22ed2-001e.svg&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="/file/detail/22ed2-001e.svg"&gt;Details&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="/file/view/22ed2-001e.svg/482002024/22ed2-001e.svg"&gt;Download&lt;/a&gt;&lt;/li&gt;&lt;li style="color: #666"&gt;25 KB&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;/div&gt;&lt;!-- ws:end:WikiTextFileRule:813 --&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
See also: &lt;a class="wiki_link" href="/22edo%20Solfege"&gt;22edo Solfege&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Tetrachords"&gt;22edo Tetrachords&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Modes"&gt;22edo Modes&lt;/a&gt;&lt;br /&gt;
See also: &lt;a class="wiki_link" href="/22edo%20Solfege"&gt;22edo Solfege&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Tetrachords"&gt;22edo Tetrachords&lt;/a&gt;, &lt;a class="wiki_link" href="/22edo%20Modes"&gt;22edo Modes&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="Theory-Properties of 22 equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Properties of 22 equal temperament&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="Theory-Properties of 22 equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Properties of 22 equal temperament&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Possibly the most striking characteristic of 22-et to those not used to it is that it does &lt;strong&gt;not&lt;/strong&gt; &amp;quot;temper out&amp;quot; the syntonic comma of 81/80, and therefore is not a system of &lt;a class="wiki_link" href="/Regular%20Temperaments#meantone"&gt;meantone&lt;/a&gt; temperament. This means that 22 distinguishes a number of Pythagorean and 5-limit intervals that 12-EDO does not distinguish, such as the two whole tones 9/8 and 10/9. Indeed, these distinctions are exaggerated in comparison to 5-limit JI and many more accurate temperaments such as &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt;, &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt; and &lt;a class="wiki_link" href="/53edo"&gt;53edo&lt;/a&gt;.&lt;br /&gt;
Possibly the most striking characteristic of 22-et to those not used to it is that it does &lt;strong&gt;not&lt;/strong&gt; &amp;quot;temper out&amp;quot; the syntonic comma of 81/80, and therefore is not a system of &lt;a class="wiki_link" href="/Regular%20Temperaments#meantone"&gt;meantone&lt;/a&gt; temperament. This means that 22 distinguishes a number of Pythagorean and 5-limit intervals that 12-EDO does not distinguish, such as the two whole tones 9/8 and 10/9. Indeed, these distinctions are exaggerated in comparison to 5-limit JI and many more accurate temperaments such as &lt;a class="wiki_link" href="/34edo"&gt;34edo&lt;/a&gt;, &lt;a class="wiki_link" href="/41edo"&gt;41edo&lt;/a&gt; and &lt;a class="wiki_link" href="/53edo"&gt;53edo&lt;/a&gt;.&lt;br /&gt;
Line 406: Line 411:
As 22 is divisible by 11, a 22edo instrument can play any music in &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt;, in the same way that 12edo can play 6edo (the whole tone scale). 11-equal is interesting for sounding melodically very similar to 12-equal (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. In &lt;a class="wiki_link" href="/Sagittal"&gt;Sagittal&lt;/a&gt;, 11 can be notated as every other note of 22.&lt;br /&gt;
As 22 is divisible by 11, a 22edo instrument can play any music in &lt;a class="wiki_link" href="/11edo"&gt;11edo&lt;/a&gt;, in the same way that 12edo can play 6edo (the whole tone scale). 11-equal is interesting for sounding melodically very similar to 12-equal (whole steps, half steps and minor thirds in the familiar 1:2:3 ratio), but harmonically very different, in particular because it lacks perfect fifths/fourths and 5-limit major thirds/minor sixths. In &lt;a class="wiki_link" href="/Sagittal"&gt;Sagittal&lt;/a&gt;, 11 can be notated as every other note of 22.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:5:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="Theory-Properties of 22 equal temperament-Rank Two Temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:5 --&gt;Rank Two Temperaments&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="Theory-Properties of 22 equal temperament-Rank Two Temperaments"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Rank Two Temperaments&lt;/h3&gt;
  &lt;a class="wiki_link" href="/List%20of%2022et%20rank%20two%20temperaments%20by%20badness"&gt;List of 22et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
  &lt;a class="wiki_link" href="/List%20of%2022et%20rank%20two%20temperaments%20by%20badness"&gt;List of 22et rank two temperaments by badness&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2022et%20rank%20two%20temperaments%20by%20complexity"&gt;List of 22et rank two temperaments by complexity&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link" href="/List%20of%2022et%20rank%20two%20temperaments%20by%20complexity"&gt;List of 22et rank two temperaments by complexity&lt;/a&gt;&lt;br /&gt;
Line 512: Line 517:
&lt;/table&gt;
&lt;/table&gt;


&lt;!-- ws:start:WikiTextHeadingRule:7:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="Theory-Properties of 22 equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:7 --&gt;Commas&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:8:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc3"&gt;&lt;a name="Theory-Properties of 22 equal temperament-Commas"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:8 --&gt;Commas&lt;/h3&gt;
  22 EDO tempers out the following commas. (Note: This assumes the val &amp;lt; 22 35 51 62 76 81 |.)&lt;br /&gt;
  22 EDO tempers out the following commas. (Note: This assumes the val &amp;lt; 22 35 51 62 76 81 |.)&lt;br /&gt;


Line 940: Line 945:


&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:9:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="Theory-Properties of 22 equal temperament-How to Notate 22edo in Sagittal"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:9 --&gt;How to Notate 22edo in Sagittal&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc4"&gt;&lt;a name="Theory-Properties of 22 equal temperament-How to Notate 22edo in Sagittal"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;How to Notate 22edo in Sagittal&lt;/h3&gt;
  &lt;br /&gt;
  &lt;br /&gt;
When 22edo is treated as generated by a cycle of its fifths, the naturals F C G D A E B represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents:&lt;br /&gt;
When 22edo is treated as generated by a cycle of its fifths, the naturals F C G D A E B represent a chain of those 13\22 fifths; consequently, the whole tone comes out to four degrees and the apotome (pythagorean sharp/flat) comes out to three degrees. Three pairs of sagittal symbols, dividing that apotome into three parts, are all that is necessary, and offer plenty of enharmonic equivalents:&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:809:&amp;lt;img src=&amp;quot;/file/view/22edo.png/269078624/22edo.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/22edo.png/269078624/22edo.png" alt="22edo.png" title="22edo.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:809 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:812:&amp;lt;img src=&amp;quot;/file/view/22edo.png/269078624/22edo.png&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/22edo.png/269078624/22edo.png" alt="22edo.png" title="22edo.png" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:812 --&gt;&lt;br /&gt;
This notation is consistent with Sagittal's notation of 5-limit JI harmony: &amp;quot;major&amp;quot; 3rds and 6ths appear as (super)pythagorean intervals flattened by a syntonic comma.&lt;br /&gt;
This notation is consistent with Sagittal's notation of 5-limit JI harmony: &amp;quot;major&amp;quot; 3rds and 6ths appear as (super)pythagorean intervals flattened by a syntonic comma.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The division of the apotome into three syntonic commas also indicates 22's tempering out of the &lt;a class="wiki_link" href="/250_243"&gt;porcupine comma&lt;/a&gt; (which is equivalent to three syntonic commas minus a Pythagorean apotome).&lt;br /&gt;
The division of the apotome into three syntonic commas also indicates 22's tempering out of the &lt;a class="wiki_link" href="/250_243"&gt;porcupine comma&lt;/a&gt; (which is equivalent to three syntonic commas minus a Pythagorean apotome).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:11:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:11 --&gt;External links&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="Theory-External links"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;External links&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/erlich-decatonic.pdf" rel="nofollow"&gt;Erlich, Paul, ''Tuning, Tonality, and Twenty-Two Tone Temperament''&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:13:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:13 --&gt;References&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:14:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="Theory-References"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:14 --&gt;References&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
Barbour, James Murray, ''Tuning and temperament, a historical survey'', East Lansing, Michigan State College Press, 1953 [c1951]&lt;br /&gt;
Line 958: Line 963:
&lt;br /&gt;
&lt;br /&gt;
&lt;hr /&gt;
&lt;hr /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:15:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:15 --&gt;Music&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc7"&gt;&lt;a name="Music"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Music&lt;/h1&gt;
  &lt;br /&gt;
  &lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow"&gt;Tibia&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Sagittal score of Tibia, &lt;a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');"&gt;in F||\&lt;/a&gt; or &lt;a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');"&gt;in G&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and &lt;a class="wiki_link" href="/Ara%20Sarkissian"&gt;Ara Sarkissian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/decatonic-swing.mp3" rel="nofollow"&gt;Decatonic Swing&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and Ara Sarkissian (jazz)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow"&gt;12-22hexachordal Dirge&lt;/a&gt; by &lt;a class="wiki_link" href="/Joel%20Grant%20Taylor"&gt;Joel Grant Taylor&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%20Dragged%20By%20a%20Storm%20Across%20the%20Desert%20Years.mp3" rel="nofollow"&gt;Dragged by a Storm Across the Desert Years&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by * &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; (synth with electric guitar)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Numerology.mp3" rel="nofollow"&gt;Numerology&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Revenge%20of%20the%20Inorganic%20Compounds.mp3" rel="nofollow"&gt;Revenge of the inorganic compounds&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=267" rel="nofollow"&gt;My Crazy Aunt Sophie&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/22edo-piano-my-crazy-aunt-sophie.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;. Blatantly xenharmonic piano.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839058" rel="nofollow"&gt;where words are said to mean&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+wherewordsaresaidtomean.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, a setting of a text by Herbert Brün to a 22-tone row, thrice repeated. This &amp;amp; the following pieces by Andrew are for 22-tone guitar &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101704" rel="nofollow"&gt;I've come with a bucket of roses&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+ivecomewithabucketofroses.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9: 3 2 3 2 3 2 3 2 2).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101705" rel="nofollow"&gt;one drop of rain&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+onedropofrain.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839060" rel="nofollow"&gt;being a&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+beinga.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (porcupine-8: 3 1 3 3 3 3 3).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839071" rel="nofollow"&gt;my own house&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+myownhouse.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (a pelog-flavored subset of orwell-9: 3 2 7 3 7).&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/17%20-%2017.%2022%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 17&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; Mussorgsky-Smith&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lO5xSjIHyMg" rel="nofollow"&gt;Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; - youtube&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=WMtp9Wk0tO0" rel="nofollow"&gt;Improvisation in 22-equal temperament&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube&lt;/li&gt;&lt;li&gt;Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns, Mats Öljare - &lt;a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow"&gt;MIDI files&lt;/a&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf');"&gt;Sagittal score of Sunday Pipes&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3" rel="nofollow"&gt;Phobos Light&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] &lt;a class="wiki_link" href="/hedgehog14"&gt;tuned&lt;/a&gt; to 22edo.&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120716_theorbo_22edo.mp3" rel="nofollow"&gt;The Capture and Release of the Fairy&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2494" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=oNJr1YOOqF8" rel="nofollow"&gt;Yak Butter&lt;/a&gt;&lt;/em&gt; by The Stern Brocot Band, 1L6s MOS, compressed period/generator&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_03_-_Dirty_Drummer_vbr.mp3" rel="nofollow"&gt;Dirty Drummer&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_12_-_Ganymede_vbr.mp3" rel="nofollow"&gt;Ganymede&lt;/a&gt;, Sevish (doesn't sound that xen, but it's in 22-edo)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/HumanAstronomy/03Sevish-Ambrosia.mp3" rel="nofollow"&gt;Ambrosia&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120726-from-the-sky-islands-they-came.mp3" rel="nofollow"&gt;From the Sky Islands They Came&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2523" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120616-12-22h.scl-smoke-filled-bar.mp3" rel="nofollow"&gt;Smoke Filled Bar&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/smoke-filled-bar/" rel="nofollow" target="_blank"&gt;blog presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3" rel="nofollow"&gt;Recurring Mimosa&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/redrick-sultan/recurring-mimosa" rel="nofollow"&gt;Redrick Sultan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Saharan Pump by Chris Vaisvil &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/" rel="nofollow"&gt;blog post&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://music.columbia.edu/%7Echris/sounds/TIBIA.mp3" rel="nofollow"&gt;Tibia&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Paul%20Erlich"&gt;Paul Erlich&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Sagittal score of Tibia, &lt;a href="http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/TIBIA.pdf/313029038/TIBIA.pdf');"&gt;in F||\&lt;/a&gt; or &lt;a href="http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/tibia%20in%20g.pdf/313029040/tibia%20in%20g.pdf');"&gt;in G&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and &lt;a class="wiki_link" href="/Ara%20Sarkissian"&gt;Ara Sarkissian&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://lumma.org/tuning/erlich/decatonic-swing.mp3" rel="nofollow"&gt;Decatonic Swing&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Paul Erlich and Ara Sarkissian (jazz)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Taylor/12-22hexachordal%20Dirge.mp3" rel="nofollow"&gt;12-22hexachordal Dirge&lt;/a&gt; by &lt;a class="wiki_link" href="/Joel%20Grant%20Taylor"&gt;Joel Grant Taylor&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%20Dragged%20By%20a%20Storm%20Across%20the%20Desert%20Years.mp3" rel="nofollow"&gt;Dragged by a Storm Across the Desert Years&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by * &lt;a class="wiki_link" href="/IgliashonJones"&gt;Igliashon Jones&lt;/a&gt; (synth with electric guitar)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Numerology.mp3" rel="nofollow"&gt;Numerology&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Igs/City%20Of%20The%20Asleep%20-%2022-Revenge%20of%20the%20Inorganic%20Compounds.mp3" rel="nofollow"&gt;Revenge of the inorganic compounds&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Iglashion Jones (progressive metal)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=267" rel="nofollow"&gt;My Crazy Aunt Sophie&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/22edo-piano-my-crazy-aunt-sophie.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt;. Blatantly xenharmonic piano.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839058" rel="nofollow"&gt;where words are said to mean&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+wherewordsaresaidtomean.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Andrew%20Heathwaite"&gt;Andrew Heathwaite&lt;/a&gt;, a setting of a text by Herbert Brün to a 22-tone row, thrice repeated. This &amp;amp; the following pieces by Andrew are for 22-tone guitar &amp;amp; voice.&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101704" rel="nofollow"&gt;I've come with a bucket of roses&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+ivecomewithabucketofroses.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9: 3 2 3 2 3 2 3 2 2).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=9101705" rel="nofollow"&gt;one drop of rain&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+onedropofrain.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (orwell-9).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839060" rel="nofollow"&gt;being a&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+beinga.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (porcupine-8: 3 1 3 3 3 3 3).&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://soundclick.com/share?songid=8839071" rel="nofollow"&gt;my own house&lt;/a&gt; &lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Heathwaite/andrewheathwaite+myownhouse.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by Andrew Heathwaite (a pelog-flavored subset of orwell-9: 3 2 7 3 7).&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Winchester/17%20-%2017.%2022%20octave.mp3" rel="nofollow"&gt;Comets Over Flatland 17&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Randy%20Winchester"&gt;Randy Winchester&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; Mussorgsky-Smith&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=lO5xSjIHyMg" rel="nofollow"&gt;Paul Erlich 22-Equal Guitar Improvisation Shredfest Insanity&lt;/a&gt;&lt;/span&gt;&lt;/span&gt; - youtube&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover"&gt;&lt;span class="ywp-page-play-pause ywp-page-video ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=WMtp9Wk0tO0" rel="nofollow"&gt;Improvisation in 22-equal temperament&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;, Mike Battaglia - youtube&lt;/li&gt;&lt;li&gt;Boxwood Forest, Dream Tone, The Eternal Sleep, Sunday Pipes, Twisted Clowns - &lt;a class="wiki_link_ext" href="http://www.angelfire.com/mo/oljare/midicomp.html" rel="nofollow"&gt;MIDI files&lt;/a&gt; by Mats Öljare&lt;ul&gt;&lt;li&gt;&lt;a href="http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf" onclick="ws.common.trackFileLink('http://xenharmonic.wikispaces.com/file/view/sunday3.pdf/269076436/sunday3.pdf');"&gt;Sagittal score of Sunday Pipes&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120207-phobos-light-hedgehog14.mp3" rel="nofollow"&gt;Phobos Light&lt;/a&gt;&lt;/span&gt; by Chris Vaisvil in Hedgehog[14] &lt;a class="wiki_link" href="/hedgehog14"&gt;tuned&lt;/a&gt; to 22edo.&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120716_theorbo_22edo.mp3" rel="nofollow"&gt;The Capture and Release of the Fairy&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2494" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=oNJr1YOOqF8" rel="nofollow"&gt;Yak Butter&lt;/a&gt;&lt;/em&gt; by The Stern Brocot Band, 1L6s MOS, compressed period/generator&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_03_-_Dirty_Drummer_vbr.mp3" rel="nofollow"&gt;Dirty Drummer&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/Sevish_-_Golden_Hour/Sevish_-_12_-_Ganymede_vbr.mp3" rel="nofollow"&gt;Ganymede&lt;/a&gt;, Sevish (doesn't sound that xen, but it's in 22-edo)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/HumanAstronomy/03Sevish-Ambrosia.mp3" rel="nofollow"&gt;Ambrosia&lt;/a&gt;, Sevish&lt;/li&gt;&lt;li&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120726-from-the-sky-islands-they-came.mp3" rel="nofollow"&gt;From the Sky Islands They Came&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=2523" rel="nofollow"&gt;blog post presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-ET/20120616-12-22h.scl-smoke-filled-bar.mp3" rel="nofollow"&gt;Smoke Filled Bar&lt;/a&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil"&gt;Chris Vaisvil&lt;/a&gt; =&amp;gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/smoke-filled-bar/" rel="nofollow" target="_blank"&gt;blog presentation&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Sultan/__Recurring_Mimosa_by_Redrick_Sultan.mp3" rel="nofollow"&gt;Recurring Mimosa&lt;/a&gt; by &lt;a class="wiki_link_ext" href="https://soundcloud.com/redrick-sultan/recurring-mimosa" rel="nofollow"&gt;Redrick Sultan&lt;/a&gt;&lt;/li&gt;&lt;li&gt;The Saharan Pump by Chris Vaisvil &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-saharan-pump-22-edo-rock/" rel="nofollow"&gt;blog post&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=qHHv3mwJTlg" rel="nofollow" target="_blank"&gt;Short piece and demonstration&lt;/a&gt; (video) by &lt;a class="wiki_link_ext" href="http://brendanbyrnes.com/" rel="nofollow" target="_blank"&gt;Brendan Byrnes&lt;/a&gt; (electric guitar)&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/11052222?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;11052222&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/11052222?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;11052222&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>