64/63: Difference between revisions
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If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both [[9/8]] and [[8/7]]: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process. | If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both [[9/8]] and [[8/7]]: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process. | ||
On the other hand, if you should be so bold as to treat the Archytas' comma as a musical interval in its own right, you will find that it acts as a sort of chroma, and is perhaps among the smallest intervals capable of this kind of function | On the other hand, if you should be so bold as to treat the Archytas' comma as a musical interval in its own right, you will find that it acts as a sort of chroma, and is perhaps among the smallest intervals capable of this kind of function – specifically, it functions as the septimal equivalent of [[55/54]], from which it differs by a [[385/384|keenanisma]]. | ||
== See also == | == See also == | ||
* [[Septimal comma]] (disambiguation page) | * [[Septimal comma]] (disambiguation page) | ||
* [[Archytas family]] | |||
* [[Archytas clan]] | |||
* [[Small comma]] | |||
* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
* [[ | * [[List of superparticular intervals]] | ||
* [[ | * [[Wikipedia: Septimal comma]] | ||
== External links == | == External links == | ||
* [https://de.wikipedia.org/wiki/Komma_(Musik)#Septimales_Komma Wikipedia: Komma (Musik) #Septimales Komma (German)] | |||
* [https://de.wikipedia.org/wiki/Komma_(Musik)#Septimales_Komma Komma (Musik) | |||
[[Category:7-limit]] | [[Category:7-limit]] | ||
Revision as of 06:30, 14 January 2021
| Interval information |
Archytas' comma
ru unison
reduced,
reduced subharmonic
[sound info]
64/63, the septimal comma (also Archytas' comma, or sometimes in German Leipziger Komma), is a superparticular ratio which equates 9/8 and 8/7 if tempered out and has the eighth square number as a numerator. It also equates 7/4 with 16/9, so that the just dominant seventh chord, 1-5/4-3/2-16/9, and the otonal tetrad, 1-5/4-3/2-7/4, are equated to the same chord when 64/63 is tempered out. Equal divisions of the octave tempering out 64/63 include 12, 15, 22, 27, 37, 49 and 59.
The Archytas' comma is similar to the Didymus or syntonic comma, 81/80, in that when it is tempered out it makes a stack of four fifths equal a major third (octave equivalent). In the case of 81/80, however, the major third is 5/4, while with the Archytas comma, the major third is 9/7. (Note that Porcupine, which tempers out 64/63, uses a minor tone as a generator and generally is considered to have 5/4 major thirds, so it doesn't depend on this equivalency.)
If you are using 9/7 major thirds, this also implies that the major third is split into two equal steps that represent both 9/8 and 8/7: If a stack of four fifths gets you to (octave-equivalent) 9/7, and a stack of two fifths gets you to 9/8, then the difference must be (9/7)/(9/8) = 8/7. The 8/7 and 9/8 intervals are equal, however, as a result of the generation process.
On the other hand, if you should be so bold as to treat the Archytas' comma as a musical interval in its own right, you will find that it acts as a sort of chroma, and is perhaps among the smallest intervals capable of this kind of function – specifically, it functions as the septimal equivalent of 55/54, from which it differs by a keenanisma.
See also
- Septimal comma (disambiguation page)
- Archytas family
- Archytas clan
- Small comma
- Gallery of just intervals
- List of superparticular intervals
- Wikipedia: Septimal comma