17edt: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-08-14 00:31:17 UTC</tt>.<br>

: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-08-14 00:55:42 UTC</tt>.<br>

: The original revision id was <tt>~~245829725~~</tt>.<br>

: The original revision id was <tt>245831589</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

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|| 32 || 3580.2 || 1180.2 ||

|| 33 || 3692.1 || 92.1 ||

|| 34 || 3804.0 || 204.0 ||

|| 34 || 3804.0 || 204.0 ||</pre></div>

~~===Other BP-esque equal divisions of the Tritave===~~

The first two MOS arrived at through the 5th and 7th harmonics have four and nine notes each. In a way then, 4edt and 9 edt are like the 5edo and 7edo of Bohlen-Pierce harmony. Adding any number of these together, or following Freud and Fibonacci breeding them, one finds many other equal divisions that have at least the basic skeleton. Among which are 4+4+9 17edt, 4+9+9 22edt, (4+9)+(4+4+9) 30edt, and (4+9)+(4+9+9) 35edt. 39edt, the triple of 13edt, approximates the 11th and 13th harmonics ontop of the framework. And don't forget that there are "equivalent" formations for each, using the 5th or 7th harmonic as frame interval, and the 3rd and 7th, or 3rd and 5th as harmonies, which may be relevant to BP melodic organization.</pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>17edt</title></head><body><h1 id="toc0"><a name="x17 Tone Equal Divided Tritave"></a>17 Tone Equal Divided Tritave</h1>

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</table>

<h3 id="toc2"><a name="x17 Tone Equal Divided Tritave--Other BP-esque equal divisions of the Tritave"></a>Other BP-esque equal divisions of the Tritave</h3>

</body></html></pre></div>

~~<br />~~

The first two MOS arrived at through the 5th and 7th harmonics have four and nine notes each. In a way then, 4edt and 9 edt are like the 5edo and 7edo of Bohlen-Pierce harmony. Adding any number of these together, or following Freud and Fibonacci breeding them, one finds many other equal divisions that have at least the basic skeleton. Among which are 4+4+9 17edt, 4+9+9 22edt, (4+9)+(4+4+9) 30edt, and (4+9)+(4+9+9) 35edt. 39edt, the triple of 13edt, approximates the 11th and 13th harmonics ontop of the framework. And don't forget that there are &quot;equivalent&quot; formations for each, using the 5th or 7th harmonic as frame interval, and the 3rd and 7th, or 3rd and 5th as harmonies, which may be relevant to BP melodic organization.</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-08-14 00:31:17 UTC</tt>.<br>
+: This revision was by author [[User:Kosmorsky|Kosmorsky]] and made on <tt>2011-08-14 00:55:42 UTC</tt>.<br>
-: The original revision id was <tt>245829725</tt>.<br>
+: The original revision id was <tt>245831589</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 50: / Line 50: @@
 || 32 || 3580.2 || 1180.2 ||
 || 33 || 3692.1 || 92.1 ||
-|| 34 || 3804.0 || 204.0 ||
+|| 34 || 3804.0 || 204.0 ||</pre></div>
-===Other BP-esque equal divisions of the Tritave===
-The first two MOS arrived at through the 5th and 7th harmonics have four and nine notes each. In a way then, 4edt and 9 edt are like the 5edo and 7edo of Bohlen-Pierce harmony. Adding any number of these together, or following Freud and Fibonacci breeding them, one finds many other equal divisions that have at least the basic skeleton. Among which are 4+4+9 17edt, 4+9+9 22edt, (4+9)+(4+4+9) 30edt, and (4+9)+(4+9+9) 35edt. 39edt, the triple of 13edt, approximates the 11th and 13th harmonics ontop of the framework. And don't forget that there are "equivalent" formations for each, using the 5th or 7th harmonic as frame interval, and the 3rd and 7th, or 3rd and 5th as harmonies, which may be relevant to BP melodic organization.</pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;17edt&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x17 Tone Equal Divided Tritave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;17 Tone Equal Divided Tritave&lt;/h1&gt;
@@ Line 358: / Line 354: @@
 &lt;/table&gt;
-&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x17 Tone Equal Divided Tritave--Other BP-esque equal divisions of the Tritave"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Other BP-esque equal divisions of the Tritave&lt;/h3&gt;
+&lt;/body&gt;&lt;/html&gt;</pre></div>
- &lt;br /&gt;
-&lt;br /&gt;
-The first two MOS arrived at through the 5th and 7th harmonics have four and nine notes each. In a way then, 4edt and 9 edt are like the 5edo and 7edo of Bohlen-Pierce harmony. Adding any number of these together, or following Freud and Fibonacci breeding them, one finds many other equal divisions that have at least the basic skeleton. Among which are 4+4+9 17edt, 4+9+9 22edt, (4+9)+(4+4+9) 30edt, and (4+9)+(4+9+9) 35edt. 39edt, the triple of 13edt, approximates the 11th and 13th harmonics ontop of the framework. And don't forget that there are &amp;quot;equivalent&amp;quot; formations for each, using the 5th or 7th harmonic as frame interval, and the 3rd and 7th, or 3rd and 5th as harmonies, which may be relevant to BP melodic organization.&lt;/body&gt;&lt;/html&gt;</pre></div>