User:Rperlner: Difference between revisions

From Xenharmonic Wiki
Jump to navigation Jump to search
Rperlner (talk | contribs)
mNo edit summary
Rperlner (talk | contribs)
added text. Will upload referenced files after dinner.
Line 1: Line 1:
My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument.
My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on this topic, but I would like to give it a more personal spin using my compositions as examples.


Why would I do this to myself
First of all, sometimes music I ''can'' play on the piano may sound better in a different tuning. A well known example is that music based on the diatonic scale can be rendered in any meantone temperament, and not just 12-EDO. Baroque and Renaissance music in particular generally will sound better in tunings ranging from about sixth comma meantone (~55EDO) to quarte-comma meantone (31edo). Indeed this was what was used when these styles were the hot new thing in Europe. I have tried my hand at this style, and I find my compositions to sound better in these tunings as well.
 
Here is a short fugue I wrote in the Phrygian mode rendered in 55 EDO:
 
And here it is in 12 EDO:
 
I don't know about you, but the 55EDO version sounds better to me.
 
Here's another short, fugue, this time in Mixolydian and 31 EDO:
 
And in 12 EDO:
 
Again, I prefer the non-12EDO version.

Revision as of 21:59, 5 December 2020

My name is Ray Perlner (the only one as far as I know.) I have a longstanding hobby of writing music for a standard acoustic piano and playing it for friends and family. I also enjoy writing and studying microtonal music, which is by definition, music which cannot be played on my chosen instrument. Why would I do this to myself? Of course, this wiki has a general page on this topic, but I would like to give it a more personal spin using my compositions as examples.

First of all, sometimes music I can play on the piano may sound better in a different tuning. A well known example is that music based on the diatonic scale can be rendered in any meantone temperament, and not just 12-EDO. Baroque and Renaissance music in particular generally will sound better in tunings ranging from about sixth comma meantone (~55EDO) to quarte-comma meantone (31edo). Indeed this was what was used when these styles were the hot new thing in Europe. I have tried my hand at this style, and I find my compositions to sound better in these tunings as well.

Here is a short fugue I wrote in the Phrygian mode rendered in 55 EDO:

And here it is in 12 EDO:

I don't know about you, but the 55EDO version sounds better to me.

Here's another short, fugue, this time in Mixolydian and 31 EDO:

And in 12 EDO:

Again, I prefer the non-12EDO version.