Argyria: Difference between revisions
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In [[just intonation]], the comma between three [[8/7]]'s (693.522 cents) and two [[11/9]]'s (694.816 cents), measuring 1.294 cents(1) and once | In [[just intonation]], the comma between three [[8/7]]'s (693.522 cents) and two [[11/9]]'s (694.816 cents), measuring 1.294 cents<sup>(1)</sup> and casually once referred to as "the tinge"<sup>(2)</sup>. | ||
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(1) Gayle Young, "The Pitch Organization of <em>Harmonium for James Tenney,</em>" Perspectives of New Music, vol. 26, no. 2, summer 1988, pp. 204–12. Stable URL: http://www.jstor.org/stable/833190 | |||
(2) Young, private e-mail to Todd Harrop, 24 June 2018. | <sup>(1)</sup>Gayle Young, "The Pitch Organization of <em>Harmonium for James Tenney,</em>" Perspectives of New Music, vol. 26, no. 2, summer 1988, pp. 204–12. Stable URL: http://www.jstor.org/stable/833190 | ||
<sup>(2)</sup>Young, private e-mail to Todd Harrop, 24 June 2018. | |||
== See Also == | == See Also == | ||
Revision as of 10:09, 5 December 2020
| Interval information |
In just intonation, the comma between three 8/7's (693.522 cents) and two 11/9's (694.816 cents), measuring 1.294 cents(1) and casually once referred to as "the tinge"(2).
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(1)Gayle Young, "The Pitch Organization of Harmonium for James Tenney," Perspectives of New Music, vol. 26, no. 2, summer 1988, pp. 204–12. Stable URL: http://www.jstor.org/stable/833190
(2)Young, private e-mail to Todd Harrop, 24 June 2018.