14edo: Difference between revisions

Wikispaces>phylingual
**Imported revision 391832112 - Original comment: **
Wikispaces>Osmiorisbendi
**Imported revision 391857126 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:phylingual|phylingual]] and made on <tt>2012-12-12 22:14:45 UTC</tt>.<br>
: This revision was by author [[User:Osmiorisbendi|Osmiorisbendi]] and made on <tt>2012-12-13 00:54:42 UTC</tt>.<br>
: The original revision id was <tt>391832112</tt>.<br>
: The original revision id was <tt>391857126</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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//The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.//
//The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.//


The following chart (made by [[Tútim Deft Wafil|TMDW]]) shows this recommendation as "standard notation" as well as a proposed alternative.
The following chart (made by [[Tútim Dennsuul Wafiil|TDW]]) shows this recommendation as "standard notation" as well as a proposed alternative.


[[image:Ciclo_Tetradecafonía.png width="456" height="468" caption="Intervallic Cycle of 14 steps Equal per Octave"]]
[[image:Ciclo_Tetradecafonía.png width="456" height="468" caption="Intervallic Cycle of 14 steps Equal per Octave"]]
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==Instruments:==  
==Instruments:==  
[[image:http://4.bp.blogspot.com/_7rDA1Q80rL8/S9M8H2YTpaI/AAAAAAAAAHM/Qkxp5gioOF0/s1600/14edo+guitar+%282%29.jpg width="750" height="256"]]
[[image:http://4.bp.blogspot.com/_7rDA1Q80rL8/S9M8H2YTpaI/AAAAAAAAAHM/Qkxp5gioOF0/s1600/14edo+guitar+%282%29.jpg width="750" height="256"]]
//A Tetradecaphonic Guitar. 14-EDO Guitar by Ron Sword (dots photoshopped in, and image reflected across the horizontal axis, by Tutim).//
//A Tetradecaphonic Guitar. 14-EDO Guitar by Ron Sword (dots photoshopped in, and image reflected across the horizontal axis, by Tútim).//


==**Books:**==  
==**Books:**==  
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==**Music:**==  
==**Music:**==  
[[media type="custom" key="9748118"]]
[[media type="custom" key="9748118"]]
&lt;span class="ymp-btn-page-play ymp-media-4c2dab90062954a92dc59831018d92d9"&gt;////[[http://micro.soonlabel.com/14-et/daily20110610-sax-Riding_The_L.mp3|Riding the L]]////&lt;/span&gt; by [[@http://chrisvaisvil.com/?p=943|Chris Vaisvil]]
&lt;span class="ymp-btn-page-play ymp-media-4c2dab90062954a92dc59831018d92d9"&gt;//[[http://micro.soonlabel.com/14-et/daily20110610-sax-Riding_The_L.mp3|Riding the L]]//&lt;/span&gt; by [[@http://chrisvaisvil.com/?p=943|Chris Vaisvil]]
&lt;span class="ymp-btn-page-play ymp-media-579db51554bd270599a9397e8446cdb9"&gt;////[[http://clones.soonlabel.com/public/micro/jon-lyle-smith/Thorium%20Road.mp3|Thorium Road]]////&lt;/span&gt; by [[Jon Lyle Smith]]
&lt;span class="ymp-btn-page-play ymp-media-579db51554bd270599a9397e8446cdb9"&gt;//[[http://clones.soonlabel.com/public/micro/jon-lyle-smith/Thorium%20Road.mp3|Thorium Road]]//&lt;/span&gt; by [[Jon Lyle Smith]]
////[[http://archive.org/download/tranSentient/tranSentient.mp3|tranSentient]]//// by [[Jon Lyle Smith]]
//[[http://archive.org/download/tranSentient/tranSentient.mp3|tranSentient]]// by [[Jon Lyle Smith]]
////[[http://archive.org/download/TheSpectrumOfDesire/the_spectrum_of_desire.mp3|the spectrum of desire]]//// by [[Jon Lyle Smith]]
//[[http://archive.org/download/TheSpectrumOfDesire/the_spectrum_of_desire.mp3|the spectrum of desire]]// by [[Jon Lyle Smith]]
[[https://sites.google.com/site/teamouse/home|This Way to the Egress]] &lt;span class="ymp-btn-page-play ymp-media-0135aaddbe40aa681d77552715064991"&gt;////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Herman/egress-gpo.mp3|play]]////&lt;/span&gt; by [[http://www.io.com/%7Ehmiller/music/index.html|Herman Miller]]
[[https://sites.google.com/site/teamouse/home|This Way to the Egress]] &lt;span class="ymp-btn-page-play ymp-media-0135aaddbe40aa681d77552715064991"&gt;//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Herman/egress-gpo.mp3|play]]//&lt;/span&gt; by [[http://www.io.com/%7Ehmiller/music/index.html|Herman Miller]]
[[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=3680443|Hyperimprovisation 'Tasty']] &lt;span class="ymp-btn-page-play ymp-media-882819e185058b65278d03572ba40da1"&gt;////[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Hyperimprovisation%20Tasty.mp3|play]]////&lt;/span&gt; by [[Jacob Barton]]
[[http://www.soundclick.com/bands/page_songInfo.cfm?bandID=145852&amp;songID=3680443|Hyperimprovisation 'Tasty']] &lt;span class="ymp-btn-page-play ymp-media-882819e185058b65278d03572ba40da1"&gt;//[[http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Barton/Hyperimprovisation%20Tasty.mp3|play]]//&lt;/span&gt; by [[Jacob Barton]]
&lt;span class="ymp-btn-page-play ymp-media-285313eab060867d8d5d941dea1d4152"&gt;////[[http://www.h-pi.com/mp3/14ETPrelude.mp3|14ETPrelude]]////&lt;/span&gt; by [[Aaron Andrew Hunt]]</pre></div>
&lt;span class="ymp-btn-page-play ymp-media-285313eab060867d8d5d941dea1d4152"&gt;//[[http://www.h-pi.com/mp3/14ETPrelude.mp3|14ETPrelude]]//&lt;/span&gt; by [[Aaron Andrew Hunt]]</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;14edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x14 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;&lt;span style="color: #790025; font-family: 'Times New Roman',Times,serif; font-size: 109%;"&gt;&lt;!-- ws:start:WikiTextMediaRule:2:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/10021329?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;10021329&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;14edo&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="x14 tone equal temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;&lt;span style="color: #790025; font-family: 'Times New Roman',Times,serif; font-size: 109%;"&gt;&lt;!-- ws:start:WikiTextMediaRule:2:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/10021329?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;10021329&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://webplayer.yahooapis.com/player.js"&gt;
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&lt;em&gt;The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;The 14-tone scale presents a new situation: while one might use ordinary sharps and flats in addition to conventional naturals for the notes of the 7-tone-equal temperament, it would be misleading and confusing to do so, because there is a 7-tone circle of fifths (admittedly quite distorted) already notatable and nameable as F C G D A E B in the usual manner. But there is no 14-tone circle of fifths. There is simply a second set of 7 fifths in a circle which does not intersect the with the first set. Thus is we think of B-flat and B, or B-natural and F-sharp, the 14-tone-system interval would NOT be a fifth of that system and would not sound like one, since B F would be the very same kind of distorted fifth that C G or A E happens to be in 7 or 14. Our suggestion is to call the new notes of 14, the second set of 7, F* C* G* D* A* E* B*, and use asterisks or arrows or whatever you please on the staff. Or just number the tones as for 13.&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
The following chart (made by &lt;a class="wiki_link" href="/T%C3%BAtim%20Deft%20Wafil"&gt;TMDW&lt;/a&gt;) shows this recommendation as &amp;quot;standard notation&amp;quot; as well as a proposed alternative.&lt;br /&gt;
The following chart (made by &lt;a class="wiki_link" href="/T%C3%BAtim%20Dennsuul%20Wafiil"&gt;TDW&lt;/a&gt;) shows this recommendation as &amp;quot;standard notation&amp;quot; as well as a proposed alternative.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:410:&amp;lt;img src=&amp;quot;/file/view/Ciclo_Tetradecafon%C3%ADa.png/233692646/456x468/Ciclo_Tetradecafon%C3%ADa.png&amp;quot; alt=&amp;quot;Intervallic Cycle of 14 steps Equal per Octave&amp;quot; title=&amp;quot;Intervallic Cycle of 14 steps Equal per Octave&amp;quot; style=&amp;quot;height: 468px; width: 456px;&amp;quot; /&amp;gt; --&gt;&lt;table class="captionBox"&gt;&lt;tr&gt;&lt;td class="captionedImage"&gt;&lt;img src="/file/view/Ciclo_Tetradecafon%C3%ADa.png/233692646/456x468/Ciclo_Tetradecafon%C3%ADa.png" alt="Ciclo_Tetradecafonía.png" title="Ciclo_Tetradecafonía.png" style="height: 468px; width: 456px;" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="imageCaption"&gt;Intervallic Cycle of 14 steps Equal per Octave&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;!-- ws:end:WikiTextLocalImageRule:410 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextLocalImageRule:410:&amp;lt;img src=&amp;quot;/file/view/Ciclo_Tetradecafon%C3%ADa.png/233692646/456x468/Ciclo_Tetradecafon%C3%ADa.png&amp;quot; alt=&amp;quot;Intervallic Cycle of 14 steps Equal per Octave&amp;quot; title=&amp;quot;Intervallic Cycle of 14 steps Equal per Octave&amp;quot; style=&amp;quot;height: 468px; width: 456px;&amp;quot; /&amp;gt; --&gt;&lt;table class="captionBox"&gt;&lt;tr&gt;&lt;td class="captionedImage"&gt;&lt;img src="/file/view/Ciclo_Tetradecafon%C3%ADa.png/233692646/456x468/Ciclo_Tetradecafon%C3%ADa.png" alt="Ciclo_Tetradecafonía.png" title="Ciclo_Tetradecafonía.png" style="height: 468px; width: 456px;" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td class="imageCaption"&gt;Intervallic Cycle of 14 steps Equal per Octave&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;!-- ws:end:WikiTextLocalImageRule:410 --&gt;&lt;br /&gt;
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&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="x14 tone equal temperament-Instruments:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Instruments:&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:18:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc7"&gt;&lt;a name="x14 tone equal temperament-Instruments:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:18 --&gt;Instruments:&lt;/h2&gt;
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  &lt;!-- ws:start:WikiTextRemoteImageRule:412:&amp;lt;img src=&amp;quot;http://4.bp.blogspot.com/_7rDA1Q80rL8/S9M8H2YTpaI/AAAAAAAAAHM/Qkxp5gioOF0/s1600/14edo+guitar+%282%29.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; style=&amp;quot;height: 256px; width: 750px;&amp;quot; /&amp;gt; --&gt;&lt;img src="http://4.bp.blogspot.com/_7rDA1Q80rL8/S9M8H2YTpaI/AAAAAAAAAHM/Qkxp5gioOF0/s1600/14edo+guitar+%282%29.jpg" alt="external image 14edo+guitar+%282%29.jpg" title="external image 14edo+guitar+%282%29.jpg" style="height: 256px; width: 750px;" /&gt;&lt;!-- ws:end:WikiTextRemoteImageRule:412 --&gt;&lt;br /&gt;
&lt;em&gt;A Tetradecaphonic Guitar. 14-EDO Guitar by Ron Sword (dots photoshopped in, and image reflected across the horizontal axis, by Tutim).&lt;/em&gt;&lt;br /&gt;
&lt;em&gt;A Tetradecaphonic Guitar. 14-EDO Guitar by Ron Sword (dots photoshopped in, and image reflected across the horizontal axis, by Tútim).&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="x14 tone equal temperament-Books:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;strong&gt;Books:&lt;/strong&gt;&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:20:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc8"&gt;&lt;a name="x14 tone equal temperament-Books:"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:20 --&gt;&lt;strong&gt;Books:&lt;/strong&gt;&lt;/h2&gt;
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&lt;span class="ymp-btn-page-play ymp-media-4c2dab90062954a92dc59831018d92d9"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/14-et/daily20110610-sax-Riding_The_L.mp3" rel="nofollow"&gt;Riding the L&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=943" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-4c2dab90062954a92dc59831018d92d9"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/14-et/daily20110610-sax-Riding_The_L.mp3" rel="nofollow"&gt;Riding the L&lt;/a&gt;&lt;/em&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=943" rel="nofollow" target="_blank"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-579db51554bd270599a9397e8446cdb9"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/jon-lyle-smith/Thorium%20Road.mp3" rel="nofollow"&gt;Thorium Road&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;span class="ymp-btn-page-play ymp-media-579db51554bd270599a9397e8446cdb9"&gt;&lt;em&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/jon-lyle-smith/Thorium%20Road.mp3" rel="nofollow"&gt;Thorium Road&lt;/a&gt;&lt;/em&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://archive.org/download/tranSentient/tranSentient.mp3" rel="nofollow"&gt;tranSentient&lt;/a&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/tranSentient/tranSentient.mp3" rel="nofollow"&gt;tranSentient&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://archive.org/download/TheSpectrumOfDesire/the_spectrum_of_desire.mp3" rel="nofollow"&gt;the spectrum of desire&lt;/a&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;em&gt;&lt;a class="wiki_link_ext" href="http://archive.org/download/TheSpectrumOfDesire/the_spectrum_of_desire.mp3" rel="nofollow"&gt;the spectrum of desire&lt;/a&gt;&lt;/em&gt; by &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;&lt;br /&gt;
&lt;a class="wiki_link_ext" href="https://sites.google.com/site/teamouse/home" rel="nofollow"&gt;This Way to the Egress&lt;/a&gt; &lt;span class="ymp-btn-page-play ymp-media-0135aaddbe40aa681d77552715064991"&gt;&lt;a class="wiki_link_ext" href="http://clones.soonlabel.com/public/micro/gene_ward_smith/Others/Herman/egress-gpo.mp3" rel="nofollow"&gt;play&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link_ext" href="http://www.io.com/%7Ehmiller/music/index.html" rel="nofollow"&gt;Herman Miller&lt;/a&gt;&lt;br /&gt;
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