22edt: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''22edt''' is the [[edt|equal division of the third harmonic]] into 22 tones, each 86.453 [[cent|cent]]s in size.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 10:56:57 UTC</tt>.<br>
: The original revision id was <tt>602893600</tt>.<br>
: The revision comment was: <tt>removed tel-links</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**22edt** is the [[@edt|equal division of the third harmonic]] into 22 tones, each 86.453 [[@cent]]s in size.


22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.


Like [[@11edt]], both the [[@octave]] and [[@minor whole tone]] [[@10_9|10:9]] are about 10c off (sharp and flat respectively) dissonant but recognizable. Like [[16edt]] and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.
Like [[11edt|11edt]], both the [[Octave|octave]] and [[minor_whole_tone|minor whole tone]] [[10/9|10:9]] are about 10c off (sharp and flat respectively) dissonant but recognizable. Like [[16edt|16edt]] and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.


=**Intervals**=  
='''Intervals'''=
86.4525
86.4525
172.905
172.905
259.3575
259.3575
345.81
345.81
432.2625
432.2625
518.715
518.715
605.1675
605.1675
691.62
691.62
778.0725
778.0725
864.525
864.525
950.9775
950.9775
1037.43
1037.43
1123.8825
1123.8825
1210.335
1210.335
1296.7875
1296.7875
1383.24
1383.24
1469.6925
1469.6925
1556.145
1556.145
1642.5975
1642.5975
1729.05
1729.05
1815.5025
1815.5025
3/1
3/1


=Compositions=  
=Compositions=
[[@http://www.archive.org/details/TuneIn22Edt]] - Kosmorsky
[http://www.archive.org/details/TuneIn22Edt http://www.archive.org/details/TuneIn22Edt] - Kosmorsky
&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;[[@http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3|22 edt piano improvisation]]&lt;/span&gt; by [[@Chris Vaisvil]]
 
<span style="">[http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3 22 edt piano improvisation]</span> by [[Chris_Vaisvil|Chris Vaisvil]]


[[media type="custom" key="11601210"]]</pre></div>
[[Category:22edt]]
<h4>Original HTML content:</h4>
[[Category:edonoi]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edt&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;22edt&lt;/strong&gt; is the &lt;a class="wiki_link" href="/edt" target="_blank"&gt;equal division of the third harmonic&lt;/a&gt; into 22 tones, each 86.453 &lt;a class="wiki_link" href="/cent" target="_blank"&gt;cent&lt;/a&gt;s in size.&lt;br /&gt;
[[Category:edt]]
&lt;br /&gt;
[[Category:equal]]
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.&lt;br /&gt;
[[Category:nonoctave]]
&lt;br /&gt;
Like &lt;a class="wiki_link" href="/11edt" target="_blank"&gt;11edt&lt;/a&gt;, both the &lt;a class="wiki_link" href="/octave" target="_blank"&gt;octave&lt;/a&gt; and &lt;a class="wiki_link" href="/minor%20whole%20tone" target="_blank"&gt;minor whole tone&lt;/a&gt; &lt;a class="wiki_link" href="/10_9" target="_blank"&gt;10:9&lt;/a&gt; are about 10c off (sharp and flat respectively) dissonant but recognizable. Like &lt;a class="wiki_link" href="/16edt"&gt;16edt&lt;/a&gt; and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;&lt;strong&gt;Intervals&lt;/strong&gt;&lt;/h1&gt;
86.4525&lt;br /&gt;
172.905&lt;br /&gt;
259.3575&lt;br /&gt;
345.81&lt;br /&gt;
432.2625&lt;br /&gt;
518.715&lt;br /&gt;
605.1675&lt;br /&gt;
691.62&lt;br /&gt;
778.0725&lt;br /&gt;
864.525&lt;br /&gt;
950.9775&lt;br /&gt;
1037.43&lt;br /&gt;
1123.8825&lt;br /&gt;
1210.335&lt;br /&gt;
1296.7875&lt;br /&gt;
1383.24&lt;br /&gt;
1469.6925&lt;br /&gt;
1556.145&lt;br /&gt;
1642.5975&lt;br /&gt;
1729.05&lt;br /&gt;
1815.5025&lt;br /&gt;
3/1&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Compositions&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://www.archive.org/details/TuneIn22Edt" rel="nofollow" target="_blank"&gt;http://www.archive.org/details/TuneIn22Edt&lt;/a&gt; - Kosmorsky&lt;br /&gt;
&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3" rel="nofollow" target="_blank"&gt;22 edt piano improvisation&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil" target="_blank"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextMediaRule:0:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/custom/11601210?h=0&amp;amp;w=0&amp;quot; class=&amp;quot;WikiMedia WikiMediaCustom&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;custom&amp;amp;quot; key=&amp;amp;quot;11601210&amp;amp;quot;&amp;quot; title=&amp;quot;Custom Media&amp;quot;/&amp;gt; --&gt;&lt;script type="text/javascript" src="http://mediaplayer.yahoo.com/js"&gt;
&lt;/script&gt;&lt;!-- ws:end:WikiTextMediaRule:0 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 00:00, 17 July 2018

22edt is the equal division of the third harmonic into 22 tones, each 86.453 cents in size.

22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.

Like 11edt, both the octave and minor whole tone 10:9 are about 10c off (sharp and flat respectively) dissonant but recognizable. Like 16edt and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.

Intervals

86.4525

172.905

259.3575

345.81

432.2625

518.715

605.1675

691.62

778.0725

864.525

950.9775

1037.43

1123.8825

1210.335

1296.7875

1383.24

1469.6925

1556.145

1642.5975

1729.05

1815.5025

3/1

Compositions

http://www.archive.org/details/TuneIn22Edt - Kosmorsky

22 edt piano improvisation by Chris Vaisvil