22edt: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
'''22edt''' is the [[edt|equal division of the third harmonic]] into 22 tones, each 86.453 [[cent|cent]]s in size.
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2016-12-29 10:56:57 UTC</tt>.<br>
: The original revision id was <tt>602893600</tt>.<br>
: The revision comment was: <tt>removed tel-links</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**22edt** is the [[@edt|equal division of the third harmonic]] into 22 tones, each 86.453 [[@cent]]s in size.


22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.


Like [[@11edt]], both the [[@octave]] and [[@minor whole tone]] [[@10_9|10:9]] are about 10c off (sharp and flat respectively) dissonant but recognizable. Like [[16edt]] and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.
Like [[11edt|11edt]], both the [[Octave|octave]] and [[minor_whole_tone|minor whole tone]] [[10/9|10:9]] are about 10c off (sharp and flat respectively) dissonant but recognizable. Like [[16edt|16edt]] and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.


=**Intervals**=  
='''Intervals'''=
86.4525
86.4525
172.905
172.905
259.3575
259.3575
345.81
345.81
432.2625
432.2625
518.715
518.715
605.1675
605.1675
691.62
691.62
778.0725
778.0725
864.525
864.525
950.9775
950.9775
1037.43
1037.43
1123.8825
1123.8825
1210.335
1210.335
1296.7875
1296.7875
1383.24
1383.24
1469.6925
1469.6925
1556.145
1556.145
1642.5975
1642.5975
1729.05
1729.05
1815.5025
1815.5025
3/1
3/1


=Compositions=  
=Compositions=
[[@http://www.archive.org/details/TuneIn22Edt]] - Kosmorsky
[http://www.archive.org/details/TuneIn22Edt http://www.archive.org/details/TuneIn22Edt] - Kosmorsky
&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;[[@http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3|22 edt piano improvisation]]&lt;/span&gt; by [[@Chris Vaisvil]]
 
<span style="">[http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3 22 edt piano improvisation]</span> by [[Chris_Vaisvil|Chris Vaisvil]]


[[media type="custom" key="11601210"]]</pre></div>
[[Category:22edt]]
<h4>Original HTML content:</h4>
[[Category:edonoi]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;22edt&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;22edt&lt;/strong&gt; is the &lt;a class="wiki_link" href="/edt" target="_blank"&gt;equal division of the third harmonic&lt;/a&gt; into 22 tones, each 86.453 &lt;a class="wiki_link" href="/cent" target="_blank"&gt;cent&lt;/a&gt;s in size.&lt;br /&gt;
[[Category:edt]]
&lt;br /&gt;
[[Category:equal]]
22edt has good approximations of the 7th, 11th, 19th and 20th harmonics. It also has the 4L+5s MOS with L=3 and s=2 approximating 5/3 somewhat fuzzily.&lt;br /&gt;
[[Category:nonoctave]]
&lt;br /&gt;
Like &lt;a class="wiki_link" href="/11edt" target="_blank"&gt;11edt&lt;/a&gt;, both the &lt;a class="wiki_link" href="/octave" target="_blank"&gt;octave&lt;/a&gt; and &lt;a class="wiki_link" href="/minor%20whole%20tone" target="_blank"&gt;minor whole tone&lt;/a&gt; &lt;a class="wiki_link" href="/10_9" target="_blank"&gt;10:9&lt;/a&gt; are about 10c off (sharp and flat respectively) dissonant but recognizable. Like &lt;a class="wiki_link" href="/16edt"&gt;16edt&lt;/a&gt; and Blackwood, admitting the octave induces an interpretation into a tritave-based version of Whitewood temperament.&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:1:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Intervals"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:1 --&gt;&lt;strong&gt;Intervals&lt;/strong&gt;&lt;/h1&gt;
86.4525&lt;br /&gt;
172.905&lt;br /&gt;
259.3575&lt;br /&gt;
345.81&lt;br /&gt;
432.2625&lt;br /&gt;
518.715&lt;br /&gt;
605.1675&lt;br /&gt;
691.62&lt;br /&gt;
778.0725&lt;br /&gt;
864.525&lt;br /&gt;
950.9775&lt;br /&gt;
1037.43&lt;br /&gt;
1123.8825&lt;br /&gt;
1210.335&lt;br /&gt;
1296.7875&lt;br /&gt;
1383.24&lt;br /&gt;
1469.6925&lt;br /&gt;
1556.145&lt;br /&gt;
1642.5975&lt;br /&gt;
1729.05&lt;br /&gt;
1815.5025&lt;br /&gt;
3/1&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:3:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Compositions"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:3 --&gt;Compositions&lt;/h1&gt;
&lt;a class="wiki_link_ext" href="http://www.archive.org/details/TuneIn22Edt" rel="nofollow" target="_blank"&gt;http://www.archive.org/details/TuneIn22Edt&lt;/a&gt; - Kosmorsky&lt;br /&gt;
&lt;span class="ywp-page-play-pause ywp-page-audio ywp-link-hover ywp-page-img-link"&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/22-edt/daily20111206-22edt-improv.mp3" rel="nofollow" target="_blank"&gt;22 edt piano improvisation&lt;/a&gt;&lt;/span&gt; by &lt;a class="wiki_link" href="/Chris%20Vaisvil" target="_blank"&gt;Chris Vaisvil&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
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