12edt: Difference between revisions
Wikispaces>JosephRuhf **Imported revision 593932792 - Original comment: ** |
Wikispaces>JosephRuhf **Imported revision 593933388 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-10-03 16: | : This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2016-10-03 16:45:31 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>593933388</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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=Exactly analogous to meantone= | =Exactly analogous to meantone= | ||
In octave land, these simple temperaments, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 3.13.17.19 | In octave land, these simple temperaments, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 2.3.5.13.17.19 -- AND! it is a multiple of 4edt which is the simplest BP equal temperament. Now, exactly analogous to meantone, in which (3/2)^4=5/1, here (17/9)^4=(19/10)^4=13/1, tempering out the 171/170, 85293/83521 and [[tel:130321/130000|130321/130000]] commas. In fact, even the MOS pattern is the same for this higher limit meantone! Relish the sweet 9:13:17 and 20:27:38 chords. | ||
Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord. | Another example of a macrodiatonic scale is [[17ed5|hyperpyth]] which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord. | ||
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<!-- ws:start:WikiTextHeadingRule:5:&lt;h1&gt; --><h1 id="toc2"><a name="Exactly analogous to meantone"></a><!-- ws:end:WikiTextHeadingRule:5 -->Exactly analogous to meantone</h1> | <!-- ws:start:WikiTextHeadingRule:5:&lt;h1&gt; --><h1 id="toc2"><a name="Exactly analogous to meantone"></a><!-- ws:end:WikiTextHeadingRule:5 -->Exactly analogous to meantone</h1> | ||
In octave land, these simple temperaments, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 3.13.17.19 | In octave land, these simple temperaments, 12edo handles the 2.3.5 subgroup and 11edo handles the 2.7.11 subgroup - ie. meantone and orgone temperaments. In tritave land however, 13edt handles the 3.5.7 territory (Bohlen-Pierce) and 12edt handles the 2.3.5.13.17.19 -- AND! it is a multiple of 4edt which is the simplest BP equal temperament. Now, exactly analogous to meantone, in which (3/2)^4=5/1, here (17/9)^4=(19/10)^4=13/1, tempering out the 171/170, 85293/83521 and [[tel:130321/130000|130321/130000]] commas. In fact, even the MOS pattern is the same for this higher limit meantone! Relish the sweet 9:13:17 and 20:27:38 chords.<br /> | ||
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Another example of a macrodiatonic scale is <a class="wiki_link" href="/17ed5">hyperpyth</a> which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord.<br /> | Another example of a macrodiatonic scale is <a class="wiki_link" href="/17ed5">hyperpyth</a> which is found in the fifth harmonic and is based on the 5:9:13:(17):(21) chord.<br /> | ||