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| <h2>IMPORTED REVISION FROM WIKISPACES</h2>
| | In 2/7-comma meantone, the JI fifth of 3/2 is flattened by 2/7 of a syntonic comma (81/80.) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and 25/24 purely. |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2011-09-30 20:51:19 UTC</tt>.<br>
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| : The original revision id was <tt>260397316</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">In 2/7-comma meantone, the JI fifth of 3/2 is flattened by 2/7 of a syntonic comma (81/80.) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and 25/24 purely.
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| [[http://www.tonalsoft.com/enc/number/2-7cmt.aspx|Tonalsoft article on 2/7 comma meantone]]</pre></div>
| | [http://www.tonalsoft.com/enc/number/2-7cmt.aspx Tonalsoft article on 2/7 comma meantone] |
| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>2-7 Syntonic Comma Meantone</title></head><body>In 2/7-comma meantone, the JI fifth of 3/2 is flattened by 2/7 of a syntonic comma (81/80.) It is one of the meantone tunings proposed early on, by Gioseffo Zarlino, Francisco Salinas and Vincenzo Galilei. It may also be described as the regular tuning which tempers out 81/80 and tunes 2 and 25/24 purely.<br />
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| <a class="wiki_link_ext" href="http://www.tonalsoft.com/enc/number/2-7cmt.aspx" rel="nofollow">Tonalsoft article on 2/7 comma meantone</a></body></html></pre></div>
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