Microtonal Design Unconference 2011: Difference between revisions

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@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.
@Rob - I am very interested in timbre, and although no expert at all, am aware of things such as the enormous difference between real cymbals and sampled ones with just velocity control rather than the timbre control you get from the different locations to strike, ways of striking and different materials to strike with. Sampled drums have lost a lot. I've never had a chance to talk about this stuff so I have no language for any of it. Definitely interested in learning more about your insights into the detailed inner architecture of cymbal timbre.


I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [http://www.youtube.com/watch?v=o8dIJmpt8IY Carlo's ribbon controller] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <span style="">- [[http://www.wikispaces.com/user/view/xjscott
I find things like gesture and interactions with instruments to be interesting, particularly ethnic instruments and modern ones (and not stuff like piano, dull). Things like [http://www.youtube.com/watch?v=o8dIJmpt8IY Carlo's ribbon controller] as an instrument, or the Continuum. Hopefully we might have some informal discussions about these things, and seeing how people work and interact with pitch for example. I mean beyond fixed preset tunings. Jacob squeezes the teats of his udders, for example and that can be any pitch he likes. I'd also look forward to hearing Andrew's cumbus work close up. <span style="">- [http://www.wikispaces.com/user/view/xjscott xjscott] <small>Mar 26, 2011</small></span>
 
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]] [http://www.wikispaces.com/user/view/xjscott xjscott] <small>Mar 26, 2011</small></span>


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