Unusual microtonal chords: Difference between revisions
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Wikispaces>k9assassin **Imported revision 548354288 - Original comment: ** |
Wikispaces>k9assassin **Imported revision 548354400 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01: | : This revision was by author [[User:k9assassin|k9assassin]] and made on <tt>2015-04-23 01:25:39 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>548354400</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords. | ||
==Suspended Seven Chord== | ==Suspended Seven Chord== | ||
Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords. | Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords. | ||
Listen to the Sus7 chord | Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3"]]</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords. <br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:1:&lt;h2&gt; --><h2 id="toc0"><a name="x-Suspended Seven Chord"></a><!-- ws:end:WikiTextHeadingRule:1 -->Suspended Seven Chord</h2> | <!-- ws:start:WikiTextHeadingRule:1:&lt;h2&gt; --><h2 id="toc0"><a name="x-Suspended Seven Chord"></a><!-- ws:end:WikiTextHeadingRule:1 -->Suspended Seven Chord</h2> | ||
Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords. <br /> | Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.<br /> | ||
Listen to the Sus7 chord | Listen to the Sus7 chord <!-- ws:start:WikiTextMediaRule:0:&lt;img src=&quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/Sus7%20chord%20midi.mp3?h=20&amp;w=240&quot; class=&quot;WikiMedia WikiMediaFile&quot; id=&quot;wikitext@@media@@type=&amp;quot;file&amp;quot; key=&amp;quot;Sus7 chord midi.mp3&amp;quot;&quot; title=&quot;Local Media File&quot;height=&quot;20&quot; width=&quot;240&quot;/&gt; --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --></body></html></pre></div> | ||
Revision as of 01:25, 23 April 2015
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author k9assassin and made on 2015-04-23 01:25:39 UTC.
- The original revision id was 548354400.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords. ==Suspended Seven Chord== Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords. Listen to the Sus7 chord [[media type="file" key="Sus7 chord midi.mp3"]]
Original HTML content:
<html><head><title>Unusual Microtonal Chords</title></head><body>This page talks about odd terminology and interesting chords that exist in microtonal tunings. Specifically, chords which work as altered versions of 12 EDO chords.<br /> <br /> <!-- ws:start:WikiTextHeadingRule:1:<h2> --><h2 id="toc0"><a name="x-Suspended Seven Chord"></a><!-- ws:end:WikiTextHeadingRule:1 -->Suspended Seven Chord</h2> Anybody familiar with 12 ET pop music has heard of suspended chords which come in either sus4 or sus2 variety. In this sense, both chords form a suspension which originally meant to resolve to the third in the chord. Some xen musicians consider 11/6 to be a new sort of suspended, neutral like sound which can work too as a suspension resolving to either the octave or the major/minor seventh of a chord. While it throws a new quality and color in the chord compared to sus4 or sus2, sus7 chords generally have a somewhat reminiscent quality of suspended chords.<br /> Listen to the Sus7 chord <!-- ws:start:WikiTextMediaRule:0:<img src="http://www.wikispaces.com/site/embedthumbnail/file-audio/Sus7%20chord%20midi.mp3?h=20&w=240" class="WikiMedia WikiMediaFile" id="wikitext@@media@@type=&quot;file&quot; key=&quot;Sus7 chord midi.mp3&quot;" title="Local Media File"height="20" width="240"/> --><embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FSus7%252Bchord%252Bmidi.mp3?file_extension=mp3&autostart=false&repeat=false&showdigits=true&showfsbutton=false&width=240&height=20"></embed><!-- ws:end:WikiTextMediaRule:0 --></body></html>