Superparticular-Nonoctave-MOS: Difference between revisions

Wikispaces>seraph57
**Imported revision 22854007 - Original comment: almost 12tET. Good for ragtime!**
Wikispaces>hstraub
**Imported revision 22890425 - Original comment: MOS link**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:seraph57|seraph57]] and made on <tt>2008-04-27 16:54:36 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2008-04-28 03:37:08 UTC</tt>.<br>
: The original revision id was <tt>22854007</tt>.<br>
: The original revision id was <tt>22890425</tt>.<br>
: The revision comment was: <tt>almost 12tET. Good for ragtime!</tt><br>
: The revision comment was: <tt>MOS link</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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2. [[Nonoctave]] - meaning that th scale repeats at an interval other than an octave. In fact, for this project I wanted near-octaves, intervals like 1193 cents, 1221 cents, &amp; so on. These intervals can sound very harsh, but they can also sound incredibly rich &amp; dynamic. Timbre plays an important role here in making these near-octave intervals function as octaves.
2. [[Nonoctave]] - meaning that th scale repeats at an interval other than an octave. In fact, for this project I wanted near-octaves, intervals like 1193 cents, 1221 cents, &amp; so on. These intervals can sound very harsh, but they can also sound incredibly rich &amp; dynamic. Timbre plays an important role here in making these near-octave intervals function as octaves.


3. [[Moment of Symmetry]] - meaning that th scale contain exactly two step sizes, spaced out as evenly as possible w/i th scale. Normally, you build MOS scales by continuously adding notes a given interval, called th generator, away from one another in one long chain until th resulting scale has only two step sizes. Pythagorean scales use 3/2 (th perfect fifth) as th generator. In 12edo, we can identify th standard pentatonic scale &amp; th various diatonic scales as MOS scales because you can build them using a chain of fifths.
3. [[MOSScales|Moment of Symmetry]] - meaning that th scale contain exactly two step sizes, spaced out as evenly as possible w/i th scale. Normally, you build MOS scales by continuously adding notes a given interval, called th generator, away from one another in one long chain until th resulting scale has only two step sizes. Pythagorean scales use 3/2 (th perfect fifth) as th generator. In 12edo, we can identify th standard pentatonic scale &amp; th various diatonic scales as MOS scales because you can build them using a chain of fifths.


Jacky Ligon's scale meets these three criteria. I will use it as an example:
Jacky Ligon's scale meets these three criteria. I will use it as an example:
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2. &lt;a class="wiki_link" href="/Nonoctave"&gt;Nonoctave&lt;/a&gt; - meaning that th scale repeats at an interval other than an octave. In fact, for this project I wanted near-octaves, intervals like 1193 cents, 1221 cents, &amp;amp; so on. These intervals can sound very harsh, but they can also sound incredibly rich &amp;amp; dynamic. Timbre plays an important role here in making these near-octave intervals function as octaves.&lt;br /&gt;
2. &lt;a class="wiki_link" href="/Nonoctave"&gt;Nonoctave&lt;/a&gt; - meaning that th scale repeats at an interval other than an octave. In fact, for this project I wanted near-octaves, intervals like 1193 cents, 1221 cents, &amp;amp; so on. These intervals can sound very harsh, but they can also sound incredibly rich &amp;amp; dynamic. Timbre plays an important role here in making these near-octave intervals function as octaves.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
3. &lt;a class="wiki_link" href="/Moment%20of%20Symmetry"&gt;Moment of Symmetry&lt;/a&gt; - meaning that th scale contain exactly two step sizes, spaced out as evenly as possible w/i th scale. Normally, you build MOS scales by continuously adding notes a given interval, called th generator, away from one another in one long chain until th resulting scale has only two step sizes. Pythagorean scales use 3/2 (th perfect fifth) as th generator. In 12edo, we can identify th standard pentatonic scale &amp;amp; th various diatonic scales as MOS scales because you can build them using a chain of fifths.&lt;br /&gt;
3. &lt;a class="wiki_link" href="/MOSScales"&gt;Moment of Symmetry&lt;/a&gt; - meaning that th scale contain exactly two step sizes, spaced out as evenly as possible w/i th scale. Normally, you build MOS scales by continuously adding notes a given interval, called th generator, away from one another in one long chain until th resulting scale has only two step sizes. Pythagorean scales use 3/2 (th perfect fifth) as th generator. In 12edo, we can identify th standard pentatonic scale &amp;amp; th various diatonic scales as MOS scales because you can build them using a chain of fifths.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Jacky Ligon's scale meets these three criteria. I will use it as an example:&lt;br /&gt;
Jacky Ligon's scale meets these three criteria. I will use it as an example:&lt;br /&gt;