Starling temperaments: Difference between revisions

Line 1:

<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>

: This revision was by author [[User:~~Gedankenwelt~~|~~Gedankenwelt~~]] and made on <tt>2014-03-~~02 10~~:22:20 UTC</tt>.<br>

: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2014-04-23 20:05:23 UTC</tt>.<br>

: The original revision id was <tt>~~492992982~~</tt>.<br>

: The original revision id was <tt>504174998</tt>.<br>

: The revision comment was: <tt></tt><br>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>

Line 8:

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc]]

=Starling comma=

This page discusses some of the temperaments tempering out [[126_125|126/125]], the [[starling comma]] or [[septimal semicomma]]. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the [[starling tetrad]], the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before [[12edo]] established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.

This page discusses some of the rank two temperaments tempering out [[126_125|126/125]], the [[starling comma]] or [[septimal semicomma]]. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the [[starling tetrad]], the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before [[12edo]] established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.

=Myna temperament=

Line 593:

</div>

<h1 id="toc0"><a name="Starling comma"></a>Starling comma</h1>

This page discusses some of the temperaments tempering out <a class="wiki_link" href="/126_125">126/125</a>, the <a class="wiki_link" href="/starling%20comma">starling comma</a> or <a class="wiki_link" href="/septimal%20semicomma">septimal semicomma</a>. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the <a class="wiki_link" href="/starling%20tetrad">starling tetrad</a>, the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before <a class="wiki_link" href="/12edo">12edo</a> established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.<br />

This page discusses some of the rank two temperaments tempering out <a class="wiki_link" href="/126_125">126/125</a>, the <a class="wiki_link" href="/starling%20comma">starling comma</a> or <a class="wiki_link" href="/septimal%20semicomma">septimal semicomma</a>. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the <a class="wiki_link" href="/starling%20tetrad">starling tetrad</a>, the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before <a class="wiki_link" href="/12edo">12edo</a> established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.<br />

<br />

<h1 id="toc1"><a name="Myna temperament"></a>Myna temperament</h1>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:Gedankenwelt|Gedankenwelt]] and made on <tt>2014-03-02 10:22:20 UTC</tt>.<br>
+: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2014-04-23 20:05:23 UTC</tt>.<br>
-: The original revision id was <tt>492992982</tt>.<br>
+: The original revision id was <tt>504174998</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc]]
 =Starling comma=
-This page discusses some of the temperaments tempering out [[126_125|126/125]], the [[starling comma]] or [[septimal semicomma]]. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the [[starling tetrad]], the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before [[12edo]] established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.
+This page discusses some of the rank two temperaments tempering out [[126_125|126/125]], the [[starling comma]] or [[septimal semicomma]]. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the [[starling tetrad]], the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before [[12edo]] established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.
 =Myna temperament=
@@ Line 593: / Line 593: @@
 &lt;!-- ws:end:WikiTextTocRule:159 --&gt;&lt;!-- ws:start:WikiTextTocRule:160: --&gt;&lt;/div&gt;
 &lt;!-- ws:end:WikiTextTocRule:160 --&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Starling comma"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Starling comma&lt;/h1&gt;
-  This page discusses some of the temperaments tempering out &lt;a class="wiki_link" href="/126_125"&gt;126/125&lt;/a&gt;, the &lt;a class="wiki_link" href="/starling%20comma"&gt;starling comma&lt;/a&gt; or &lt;a class="wiki_link" href="/septimal%20semicomma"&gt;septimal semicomma&lt;/a&gt;. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the &lt;a class="wiki_link" href="/starling%20tetrad"&gt;starling tetrad&lt;/a&gt;, the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.&lt;br /&gt;
+  This page discusses some of the rank two temperaments tempering out &lt;a class="wiki_link" href="/126_125"&gt;126/125&lt;/a&gt;, the &lt;a class="wiki_link" href="/starling%20comma"&gt;starling comma&lt;/a&gt; or &lt;a class="wiki_link" href="/septimal%20semicomma"&gt;septimal semicomma&lt;/a&gt;. Since (6/5)^3 = 126/125 * 12/7, these temperaments tend to have a relatively small complexity for 6/5. They also possess the &lt;a class="wiki_link" href="/starling%20tetrad"&gt;starling tetrad&lt;/a&gt;, the 6/5-6/5-6/5-7/6 versions of the diminished seventh chord. Since this is a chord of meantone temperament in wide use in Western common practice harmony long before &lt;a class="wiki_link" href="/12edo"&gt;12edo&lt;/a&gt; established itself as the standard tuning, it is arguably more authentic to tune it as three stacked minor thirds and an augmented second, which is what it is in meantone, than as the modern version of four stacked very flat minor thirds.&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc1"&gt;&lt;a name="Myna temperament"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Myna temperament&lt;/h1&gt;