Scores: Difference between revisions
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-08-20 07: | : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-08-20 07:04:11 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>557026007</tt>.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==A word about scores== | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==A word about scores== | ||
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. | When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings. | ||
[[toc|flat]] | |||
---- | |||
=Historically significant microtonal scores= | |||
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it. | ||
* Charles Ives's Three Quarter Tone Pieces (1913-1924) | * Charles Ives's Three Quarter Tone Pieces (1913-1924) | ||
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* this list is so obviously incomplete that you should help finish it. | * this list is so obviously incomplete that you should help finish it. | ||
=Links to Microtonal Scores, by Composer= | |||
Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. | Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for "notable" compositions; the wiki supports file attachments up to 10 MB each. | ||
===Jacob Barton=== | ===Jacob Barton=== | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-A word about scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->A word about scores</h2> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Scores</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-A word about scores"></a><!-- ws:end:WikiTextHeadingRule:0 -->A word about scores</h2> | ||
When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.<br /> | When a piece of music wants to be performed repeatedly the same way, (or) by people who weren't the originators of the piece, it helps to have a score. In the history of objectifying music, scores were the currency until they were displaced by recordings.<br /> | ||
< | <!-- ws:start:WikiTextTocRule:30:&lt;img id=&quot;wikitext@@toc@@flat&quot; class=&quot;WikiMedia WikiMediaTocFlat&quot; title=&quot;Table of Contents&quot; src=&quot;/site/embedthumbnail/toc/flat?w=100&amp;h=16&quot;/&gt; --><!-- ws:end:WikiTextTocRule:30 --><!-- ws:start:WikiTextTocRule:31: --><!-- ws:end:WikiTextTocRule:31 --><!-- ws:start:WikiTextTocRule:32: --> | <a href="#Historically significant microtonal scores">Historically significant microtonal scores</a><!-- ws:end:WikiTextTocRule:32 --><!-- ws:start:WikiTextTocRule:33: --> | <a href="#Links to Microtonal Scores, by Composer">Links to Microtonal Scores, by Composer</a><!-- ws:end:WikiTextTocRule:33 --><!-- ws:start:WikiTextTocRule:34: --><!-- ws:end:WikiTextTocRule:34 --><!-- ws:start:WikiTextTocRule:35: --><!-- ws:end:WikiTextTocRule:35 --><!-- ws:start:WikiTextTocRule:36: --><!-- ws:end:WikiTextTocRule:36 --><!-- ws:start:WikiTextTocRule:37: --><!-- ws:end:WikiTextTocRule:37 --><!-- ws:start:WikiTextTocRule:38: --><!-- ws:end:WikiTextTocRule:38 --><!-- ws:start:WikiTextTocRule:39: --><!-- ws:end:WikiTextTocRule:39 --><!-- ws:start:WikiTextTocRule:40: --><!-- ws:end:WikiTextTocRule:40 --><!-- ws:start:WikiTextTocRule:41: --><!-- ws:end:WikiTextTocRule:41 --><!-- ws:start:WikiTextTocRule:42: --><!-- ws:end:WikiTextTocRule:42 --><!-- ws:start:WikiTextTocRule:43: --><!-- ws:end:WikiTextTocRule:43 --><!-- ws:start:WikiTextTocRule:44: --><!-- ws:end:WikiTextTocRule:44 --><!-- ws:start:WikiTextTocRule:45: --><!-- ws:end:WikiTextTocRule:45 --><!-- ws:start:WikiTextTocRule:46: --> | ||
<!-- ws:start: | <!-- ws:end:WikiTextTocRule:46 --><hr /> | ||
<!-- ws:start:WikiTextHeadingRule:2:&lt;h1&gt; --><h1 id="toc1"><a name="Historically significant microtonal scores"></a><!-- ws:end:WikiTextHeadingRule:2 -->Historically significant microtonal scores</h1> | |||
Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br /> | Check your local gigantic university library. If they don't have it, they could probably be persuaded to get it.<br /> | ||
<ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br /> | <ul><li>Charles Ives's Three Quarter Tone Pieces (1913-1924)</li><li>Harry Partch</li><li>Ben Johnston, esp. string quartets</li><li>Alois Hába, esp. string quartets</li><li>Easley Blackwood, esp. Twelve Microtonal Etudes for Electronic Music Media, op. 28</li><li>publishings of <a class="wiki_link_ext" href="http://diapason.xentonic.org/" rel="nofollow">Diapason Press</a></li><li>this list is so obviously incomplete that you should help finish it.</li></ul><br /> | ||
<!-- ws:start:WikiTextHeadingRule: | <!-- ws:start:WikiTextHeadingRule:4:&lt;h1&gt; --><h1 id="toc2"><a name="Links to Microtonal Scores, by Composer"></a><!-- ws:end:WikiTextHeadingRule:4 -->Links to Microtonal Scores, by Composer</h1> | ||
Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for &quot;notable&quot; compositions; the wiki supports file attachments up to 10 MB each.<br /> | Please contribute to this list of scores that are available (i.e. downloadable). This is meant as a resource for performers interested in microtonal music. Feel free to make wiki pages for &quot;notable&quot; compositions; the wiki supports file attachments up to 10 MB each.<br /> | ||
<!-- ws:start:WikiTextHeadingRule: | <!-- ws:start:WikiTextHeadingRule:6:&lt;h3&gt; --><h3 id="toc3"><a name="Links to Microtonal Scores, by Composer--Jacob Barton"></a><!-- ws:end:WikiTextHeadingRule:6 -->Jacob Barton</h3> | ||
<ul><li>De-quinin' for two Bb clarinets (one tuned 33¢ flat)</li><li>Moods for 3 keyboards</li><li>Kluh for 11 performers on 21 tuned bottles</li><li><a class="wiki_link" href="/Eighty-one%20ninth%20chords">Eighty-one ninth chords</a> for 2 pianos, <a class="wiki_link" href="/17edo">17edo</a></li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>De-quinin' for two Bb clarinets (one tuned 33¢ flat)</li><li>Moods for 3 keyboards</li><li>Kluh for 11 performers on 21 tuned bottles</li><li><a class="wiki_link" href="/Eighty-one%20ninth%20chords">Eighty-one ninth chords</a> for 2 pianos, <a class="wiki_link" href="/17edo">17edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:8:&lt;h3&gt; --><h3 id="toc4"><a name="Links to Microtonal Scores, by Composer--David Canright"></a><!-- ws:end:WikiTextHeadingRule:8 -->David Canright</h3> | ||
<ul><li><a class="wiki_link_ext" href="http://www.redshift.com/%7Edcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li><a class="wiki_link_ext" href="http://www.redshift.com/%7Edcanright/suite/index.htm" rel="nofollow">Fibonacci Suite</a> (piano retuned to 7-limit JI, seven hands)</li></ul><!-- ws:start:WikiTextHeadingRule:10:&lt;h3&gt; --><h3 id="toc5"><!-- ws:end:WikiTextHeadingRule:10 --> </h3> | ||
<!-- ws:start:WikiTextHeadingRule: | <!-- ws:start:WikiTextHeadingRule:12:&lt;h3&gt; --><h3 id="toc6"><a name="Links to Microtonal Scores, by Composer--William Copper"></a><!-- ws:end:WikiTextHeadingRule:12 --><a class="wiki_link_ext" href="http://www.williamcopper.com" rel="nofollow" target="_blank">William Copper</a></h3> | ||
<ul><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0400_romance.pdf" rel="nofollow" target="_blank">Romance for Violin and Orchestra</a></li><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0499_holyday_overture.pdf" rel="nofollow" target="_blank">Holy Day Overture</a></li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0400_romance.pdf" rel="nofollow" target="_blank">Romance for Violin and Orchestra</a></li><li><a class="wiki_link_ext" href="http://www.hartenshield.com/0499_holyday_overture.pdf" rel="nofollow" target="_blank">Holy Day Overture</a></li></ul><!-- ws:start:WikiTextHeadingRule:14:&lt;h3&gt; --><h3 id="toc7"><a name="Links to Microtonal Scores, by Composer--Kyle Gann"></a><!-- ws:end:WikiTextHeadingRule:14 --><a class="wiki_link_ext" href="http://kylegann.com/Gannmusic.html" rel="nofollow">Kyle Gann</a></h3> | ||
<ul><li>The Day Revisited for flute, clarinet, electric bass, 2 keyboards</li><li>Charing Cross for keyboard and tape</li><li>New Aunts for keyboard</li><li>Triskaidekaphonia for keyboard</li><li>Fugitive Objects for keyboard</li><li>Custer and Sitting Bull, &quot;electronic cantata&quot;</li><li>Love Scene for string quartet</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>The Day Revisited for flute, clarinet, electric bass, 2 keyboards</li><li>Charing Cross for keyboard and tape</li><li>New Aunts for keyboard</li><li>Triskaidekaphonia for keyboard</li><li>Fugitive Objects for keyboard</li><li>Custer and Sitting Bull, &quot;electronic cantata&quot;</li><li>Love Scene for string quartet</li></ul><!-- ws:start:WikiTextHeadingRule:16:&lt;h3&gt; --><h3 id="toc8"><a name="Links to Microtonal Scores, by Composer--Robert Hasegawa"></a><!-- ws:end:WikiTextHeadingRule:16 --><strong><a class="wiki_link_ext" href="http://roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a></strong></h3> | ||
<ul><li>Spiral for chamber ensemble</li><li>Chaconne for James Tenney for chamber ensemble (JI/<a class="wiki_link" href="/96edo">96edo</a></li><li>Due Corde for 2 pianos, <a class="wiki_link" href="/19edo">19edo</a></li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>Spiral for chamber ensemble</li><li>Chaconne for James Tenney for chamber ensemble (JI/<a class="wiki_link" href="/96edo">96edo</a></li><li>Due Corde for 2 pianos, <a class="wiki_link" href="/19edo">19edo</a></li></ul><!-- ws:start:WikiTextHeadingRule:18:&lt;h3&gt; --><h3 id="toc9"><a name="Links to Microtonal Scores, by Composer--Paul Kotheimer"></a><!-- ws:end:WikiTextHeadingRule:18 --><span style="color: #000000; text-decoration: none;"><a class="wiki_link_ext" href="http://www.handmaderecords.com/" rel="nofollow">Paul Kotheimer </a></span></h3> | ||
<ul><li>Goes to Eleven (2009) for ensemble, 11-limit JI</li><li>Three Short Poems (2008) for voices and drones, 5- and 7-limit JI</li><li>Mercy (2008) for voice and drone (and udderbot), 13-limit JI</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>Goes to Eleven (2009) for ensemble, 11-limit JI</li><li>Three Short Poems (2008) for voices and drones, 5- and 7-limit JI</li><li>Mercy (2008) for voice and drone (and udderbot), 13-limit JI</li></ul><!-- ws:start:WikiTextHeadingRule:20:&lt;h3&gt; --><h3 id="toc10"><a name="Links to Microtonal Scores, by Composer--Tui St. George Tucker"></a><!-- ws:end:WikiTextHeadingRule:20 --><strong><a class="wiki_link_ext" href="http://www.tuistgeorgetucker.com/scores1.html" rel="nofollow">Tui St. George Tucker</a></strong></h3> | ||
<ul><li>three Quartertone Lullabies for wind trios</li><li>Vigil I and Vigil II for organ</li><li>Little pieces for quartertone piano</li><li>Sarabande for quartertone harpsichord</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>three Quartertone Lullabies for wind trios</li><li>Vigil I and Vigil II for organ</li><li>Little pieces for quartertone piano</li><li>Sarabande for quartertone harpsichord</li></ul><!-- ws:start:WikiTextHeadingRule:22:&lt;h3&gt; --><h3 id="toc11"><a name="Links to Microtonal Scores, by Composer--Dante Rosati"></a><!-- ws:end:WikiTextHeadingRule:22 --><strong><a class="wiki_link_ext" href="http://users.rcn.com/dante.interport//justguitar.html" rel="nofollow">Dante Rosati</a></strong></h3> | ||
<ul><li>&quot;Arbor Low&quot; for 21-tone Just Intonation guitar</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>&quot;Arbor Low&quot; for 21-tone Just Intonation guitar</li></ul><!-- ws:start:WikiTextHeadingRule:24:&lt;h3&gt; --><h3 id="toc12"><a name="Links to Microtonal Scores, by Composer--Hans Straub"></a><!-- ws:end:WikiTextHeadingRule:24 --><a class="wiki_link_ext" href="http://home.datacomm.ch/straub/musik/index_e.html" rel="nofollow">Hans Straub</a></h3> | ||
<ul><li><a class="wiki_link_ext" href="http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf" rel="nofollow">Sharks</a> (2008) for 17-tone pianos</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li><a class="wiki_link_ext" href="http://homepage.hispeed.ch/hsstraub/musik/Sharks_2008-05-27.pdf" rel="nofollow">Sharks</a> (2008) for 17-tone pianos</li></ul><!-- ws:start:WikiTextHeadingRule:26:&lt;h3&gt; --><h3 id="toc13"><a name="Links to Microtonal Scores, by Composer--Thomas Edwin Scheurich III"></a><!-- ws:end:WikiTextHeadingRule:26 -->Thomas Edwin Scheurich III</h3> | ||
<ul><li>Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos</li><li>Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)</li><li>Story Worth Telling (2008) chamber operetta in <a class="wiki_link" href="/17edo">17edo</a></li><li>Xenharmonic Curiosities II (2009) for voices and viola</li></ul><!-- ws:start:WikiTextHeadingRule: | <ul><li>Three Lonely, Uninspired Ways to Play in 17tet (2006) for 2 pianos</li><li>Attention! Attention! Attention! (2007) for 17-tone ensemble (soprano, udderbot, slide whistles, violin, viola, cello, pianos, laptop, percussion)</li><li>Story Worth Telling (2008) chamber operetta in <a class="wiki_link" href="/17edo">17edo</a></li><li>Xenharmonic Curiosities II (2009) for voices and viola</li></ul><!-- ws:start:WikiTextHeadingRule:28:&lt;h3&gt; --><h3 id="toc14"><a name="Links to Microtonal Scores, by Composer--Daniel Wolf"></a><!-- ws:end:WikiTextHeadingRule:28 --><a class="wiki_link_ext" href="http://home.snafu.de/djwolf/WorksDescriptive.htm" rel="nofollow">Daniel Wolf</a></h3> | ||
<ul><li>Etudes for solo microtonal instruments in equal tunings 8-23</li><li>Figure and Ground for string trio</li></ul><a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a><br /> | <ul><li>Etudes for solo microtonal instruments in equal tunings 8-23</li><li>Figure and Ground for string trio</li></ul><a class="wiki_link" href="/Chris%20Vaisvil">Chris Vaisvil</a><br /> | ||
<ul><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf" rel="nofollow" target="_blank">Prelude for Centaur Tuned Piano</a></li><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf" rel="nofollow">Slumber of Thought</a> (for 65cent equal temperament tuned piano)</li></ul></body></html></pre></div> | <ul><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/Prelude_For_Centaur_Tuned_Piano.pdf" rel="nofollow" target="_blank">Prelude for Centaur Tuned Piano</a></li><li><a class="wiki_link_ext" href="http://micro.soonlabel.com/65cET_37ed4/slumber_of_thought/Slumber%20of%20Thought-20120513.pdf" rel="nofollow">Slumber of Thought</a> (for 65cent equal temperament tuned piano)</li></ul></body></html></pre></div> | ||