Glossary of scale properties: Difference between revisions

Wikispaces>mbattaglia1
**Imported revision 314086902 - Original comment: **
Wikispaces>Sarzadoce
**Imported revision 314091734 - Original comment: **
Line 1: Line 1:
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2012-03-23 15:40:25 UTC</tt>.<br>
: This revision was by author [[User:Sarzadoce|Sarzadoce]] and made on <tt>2012-03-23 15:58:50 UTC</tt>.<br>
: The original revision id was <tt>314086902</tt>.<br>
: The original revision id was <tt>314091734</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
Line 28: Line 28:
* **Epimorphic:** Something silly that basically means your scale is non-negative, or something like that. The diatonic scale is epimorphic in general. The diatonic scale in 12-EDO is only considered to be epimorphic if it's being viewed as a set of notes in an infinite rank-2 space, in which some notes just happen to be tuned the same.
* **Epimorphic:** Something silly that basically means your scale is non-negative, or something like that. The diatonic scale is epimorphic in general. The diatonic scale in 12-EDO is only considered to be epimorphic if it's being viewed as a set of notes in an infinite rank-2 space, in which some notes just happen to be tuned the same.


**Maximal Evenness:** A scale is Maximally Even if there are no more than two Interval sizes for each Generic Interval class (e.g. Major/Minor thirds, Perfect/Augmented fourths, etc). Usually when someone is talking about Maximal Evenness, they are talking about Equal Divisions of the Octave. The definition can be extended to other scales, however.
**Distributional Evenness:** A scale is Distributionally Even if there are no more than two Interval sizes for each Generic Interval class (e.g. Major/Minor thirds, Perfect/Augmented fourths, etc).
* **Myhill's Property:** A scale has Myhill's property if every Generic Interval class contains exactly two Interval sizes (bar periods/octaves). The 12-tone diatonic scale has Myhill's property, and is also Maximally Even.
* **Myhill's Property:** A scale has Myhill's property if every Generic Interval class contains exactly two Interval sizes (bar periods/octaves). The 12-tone diatonic scale has Myhill's property, and is also Distributionally Even.


**Trivalence Property:** Same as Myhill's property, but replace "two Interval sizes" with "three Interval sizes." If we form a scale from the notes of a Dominant 7th chord, (e.g. C-E-G-Bb-C) this scale has the Trivalence Property.
**Trivalence Property:** Same as Myhill's property, but replace "two Interval sizes" with "three Interval sizes." If we form a scale from the notes of a Dominant 7th chord, (e.g. C-E-G-Bb-C) this scale has the Trivalence Property.
Line 55: Line 55:
&lt;strong&gt;Weakly Epimorphic:&lt;/strong&gt; A scale is weakly epimorphic if, under some val, all scale degrees are &amp;quot;filled,&amp;quot; no matter which note you choose as the fundamental.&lt;br /&gt;
&lt;strong&gt;Weakly Epimorphic:&lt;/strong&gt; A scale is weakly epimorphic if, under some val, all scale degrees are &amp;quot;filled,&amp;quot; no matter which note you choose as the fundamental.&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Epimorphic:&lt;/strong&gt; Something silly that basically means your scale is non-negative, or something like that. The diatonic scale is epimorphic in general. The diatonic scale in 12-EDO is only considered to be epimorphic if it's being viewed as a set of notes in an infinite rank-2 space, in which some notes just happen to be tuned the same.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Epimorphic:&lt;/strong&gt; Something silly that basically means your scale is non-negative, or something like that. The diatonic scale is epimorphic in general. The diatonic scale in 12-EDO is only considered to be epimorphic if it's being viewed as a set of notes in an infinite rank-2 space, in which some notes just happen to be tuned the same.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;strong&gt;Maximal Evenness:&lt;/strong&gt; A scale is Maximally Even if there are no more than two Interval sizes for each Generic Interval class (e.g. Major/Minor thirds, Perfect/Augmented fourths, etc). Usually when someone is talking about Maximal Evenness, they are talking about Equal Divisions of the Octave. The definition can be extended to other scales, however.&lt;br /&gt;
&lt;strong&gt;Distributional Evenness:&lt;/strong&gt; A scale is Distributionally Even if there are no more than two Interval sizes for each Generic Interval class (e.g. Major/Minor thirds, Perfect/Augmented fourths, etc).&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Myhill's Property:&lt;/strong&gt; A scale has Myhill's property if every Generic Interval class contains exactly two Interval sizes (bar periods/octaves). The 12-tone diatonic scale has Myhill's property, and is also Maximally Even.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Myhill's Property:&lt;/strong&gt; A scale has Myhill's property if every Generic Interval class contains exactly two Interval sizes (bar periods/octaves). The 12-tone diatonic scale has Myhill's property, and is also Distributionally Even.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;strong&gt;Trivalence Property:&lt;/strong&gt; Same as Myhill's property, but replace &amp;quot;two Interval sizes&amp;quot; with &amp;quot;three Interval sizes.&amp;quot; If we form a scale from the notes of a Dominant 7th chord, (e.g. C-E-G-Bb-C) this scale has the Trivalence Property.&lt;br /&gt;
&lt;strong&gt;Trivalence Property:&lt;/strong&gt; Same as Myhill's property, but replace &amp;quot;two Interval sizes&amp;quot; with &amp;quot;three Interval sizes.&amp;quot; If we form a scale from the notes of a Dominant 7th chord, (e.g. C-E-G-Bb-C) this scale has the Trivalence Property.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;strong&gt;Symmetrical:&lt;/strong&gt; A scale is symmetrical if at least one mode of the scale is symmetrical. Therefore, every interval of that mode must have an inverse. These scales will always have an odd number of notes per &lt;u&gt;period&lt;/u&gt;. They may not always have an odd number of notes per &lt;u&gt;octave&lt;/u&gt;, however. The 12-tone diatonic scale is symmetrical.&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;strong&gt;Symmetrical:&lt;/strong&gt; A scale is symmetrical if at least one mode of the scale is symmetrical. Therefore, every interval of that mode must have an inverse. These scales will always have an odd number of notes per &lt;u&gt;period&lt;/u&gt;. They may not always have an odd number of notes per &lt;u&gt;octave&lt;/u&gt;, however. The 12-tone diatonic scale is symmetrical.&lt;/body&gt;&lt;/html&gt;</pre></div>