Pseudo-traditional harmonic functions of octatonic scale degrees: Difference between revisions
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Wikispaces>JosephRuhf **Imported revision 602374272 - Original comment: ** |
Wikispaces>diagonalia **Imported revision 602913866 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:diagonalia|diagonalia]] and made on <tt>2016-12-30 11:54:47 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>602913866</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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|| VII || Submediant || VII-I-IV || | || VII || Submediant || VII-I-IV || | ||
|| VIII || Leading tone | || VIII || Leading tone | ||
Subtonic || VIII-II-V ||</pre></div> | Subtonic || VIII-II-V || | ||
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Pseudo-traditional harmonic functions of octatonic scale degrees</title></head><body> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Pseudo-traditional harmonic functions of octatonic scale degrees</title></head><body> | ||
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</table> | </table> | ||
</body></html></pre></div> | <br /> | ||
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.</body></html></pre></div> | |||
Revision as of 11:54, 30 December 2016
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author diagonalia and made on 2016-12-30 11:54:47 UTC.
- The original revision id was 602913866.
- The revision comment was:
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
||~ Degree number ||~ Function ||~ Regular triad || || I || Tonic || I-III-VI || || II || Supertonic || II-IV-VII || || III || Mediant || III-V-VIII || || IV || Subdominant || IV-VI-I || || V || Antitonic || V-VII-II || || VI || Dominant || VI-VIII-III || || VII || Submediant || VII-I-IV || || VIII || Leading tone Subtonic || VIII-II-V || Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.
Original HTML content:
<html><head><title>Pseudo-traditional harmonic functions of octatonic scale degrees</title></head><body>
<table class="wiki_table">
<tr>
<th>Degree number<br />
</th>
<th>Function<br />
</th>
<th>Regular triad<br />
</th>
</tr>
<tr>
<td>I<br />
</td>
<td>Tonic<br />
</td>
<td>I-III-VI<br />
</td>
</tr>
<tr>
<td>II<br />
</td>
<td>Supertonic<br />
</td>
<td>II-IV-VII<br />
</td>
</tr>
<tr>
<td>III<br />
</td>
<td>Mediant<br />
</td>
<td>III-V-VIII<br />
</td>
</tr>
<tr>
<td>IV<br />
</td>
<td>Subdominant<br />
</td>
<td>IV-VI-I<br />
</td>
</tr>
<tr>
<td>V<br />
</td>
<td>Antitonic<br />
</td>
<td>V-VII-II<br />
</td>
</tr>
<tr>
<td>VI<br />
</td>
<td>Dominant<br />
</td>
<td>VI-VIII-III<br />
</td>
</tr>
<tr>
<td>VII<br />
</td>
<td>Submediant<br />
</td>
<td>VII-I-IV<br />
</td>
</tr>
<tr>
<td>VIII<br />
</td>
<td>Leading tone<br />
Subtonic<br />
</td>
<td>VIII-II-V<br />
</td>
</tr>
</table>
<br />
Due to regular triads not being able to simply skip every other note, the regular VIII triad uniquely contains both degrees which are dissonant to the tonic.</body></html>