Porcupine: Difference between revisions

Wikispaces>Andrew_Heathwaite
**Imported revision 288421854 - Original comment: **
Wikispaces>Andrew_Heathwaite
**Imported revision 288421894 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-12-24 22:29:16 UTC</tt>.<br>
: This revision was by author [[User:Andrew_Heathwaite|Andrew_Heathwaite]] and made on <tt>2011-12-24 22:32:09 UTC</tt>.<br>
: The original revision id was <tt>288421854</tt>.<br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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The 11/9 interval, usually considered a "neutral third", is in porcupine identical to the 6/5 "minor third". This means that the 27/20 "wolf fifth" of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).
The 11/9 interval, usually considered a "neutral third", is in porcupine identical to the 6/5 "minor third". This means that the 27/20 "wolf fifth" of the JI diatonic scale is equivalent to 11/8 (rather than becoming 4/3 as in meantone).
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &lt;50 to 80 cents in general, represents both 25/24 and 81/80.
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &lt;50 to 80 cents in general, represents both 25/24 and 81/80.
==History==
&lt;span class="commentBody"&gt;Porcupine temperament/scales were discovered by [[Dave Keenan]], but didn't have a name until [[Herman Miller]] mentioned that his Mizarian Porcupine Overture in 15-tET had a section where it "pumps" the 250:243 "comma." Although this music did not use a Porcupine MOS or MODMOS (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of DE scales was fully evident. It was clear that even though Herman's piece was in 15, 22 was a porcupine tuning par excellence, and that was an interesting development in itself.&lt;/span&gt;


==Musical examples==  
==Musical examples==  
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The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &amp;lt;50 to 80 cents in general, represents both 25/24 and 81/80.&lt;br /&gt;
The characteristic small interval of porcupine, which is 60.75 cents in this tuning but can range from &amp;lt;50 to 80 cents in general, represents both 25/24 and 81/80.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Musical examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Musical examples&lt;/h2&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-History"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;History&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://sites.google.com/site/teamouse/home#TOC-Mizarian-music" rel="nofollow"&gt;Mizarian Porcupine Overture&lt;/a&gt;&amp;quot;, Herman Miller, 1999. (15edo, namesake of the temperament)&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&amp;quot;, Paul Erlich, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; (at least the beginning part is in porcupine).&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&amp;quot;, Gene Ward Smith and Modest Mussorgsky, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://soundclick.com/share.cfm?id=8839060" rel="nofollow"&gt;being a&lt;/a&gt;&amp;quot;, Andrew Heathwaite, 2010.&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Images&lt;/h2&gt;
&lt;span class="commentBody"&gt;Porcupine temperament/scales were discovered by &lt;a class="wiki_link" href="/Dave%20Keenan"&gt;Dave Keenan&lt;/a&gt;, but didn't have a name until &lt;a class="wiki_link" href="/Herman%20Miller"&gt;Herman Miller&lt;/a&gt; mentioned that his Mizarian Porcupine Overture in 15-tET had a section where it &amp;quot;pumps&amp;quot; the 250:243 &amp;quot;comma.&amp;quot; Although this music did not use a Porcupine MOS or MODMOS (which would have 7 or 8 notes), the name was adopted for such scales as well, once the essentially one-to-one relationship between vanishing commas and sequences of DE scales was fully evident. It was clear that even though Herman's piece was in 15, 22 was a porcupine tuning par excellence, and that was an interesting development in itself.&lt;/span&gt;&lt;br /&gt;
  &lt;!-- ws:start:WikiTextLocalImageRule:74:&amp;lt;img src=&amp;quot;/file/view/porcupine8.jpg/272051226/porcupine8.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine8.jpg/272051226/porcupine8.jpg" alt="porcupine8.jpg" title="porcupine8.jpg" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:74 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc2"&gt;&lt;a name="x-Musical examples"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Musical examples&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://sites.google.com/site/teamouse/home#TOC-Mizarian-music" rel="nofollow"&gt;Mizarian Porcupine Overture&lt;/a&gt;&amp;quot;, Herman Miller, 1999. (15edo, namesake of the temperament)&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.myspace.com/paulerlich/music/songs/glassic-in-22-tone-equal-temperament-45202095" rel="nofollow"&gt;Glassic&lt;/a&gt;&amp;quot;, Paul Erlich, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt; (at least the beginning part is in porcupine).&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://www.archive.org/download/NightOnPorcupineMountain/Genewardsmithmussorgsky-NightOnPorcupineMountain.mp3" rel="nofollow"&gt;Night on Porcupine Mountain&lt;/a&gt;&amp;quot;, Gene Ward Smith and Modest Mussorgsky, &lt;a class="wiki_link" href="/22edo"&gt;22edo&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;&amp;quot;&lt;a class="wiki_link_ext" href="http://soundclick.com/share.cfm?id=8839060" rel="nofollow"&gt;being a&lt;/a&gt;&amp;quot;, Andrew Heathwaite, 2010.&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc3"&gt;&lt;a name="x-Images"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;Images&lt;/h2&gt;
  &lt;!-- ws:start:WikiTextLocalImageRule:76:&amp;lt;img src=&amp;quot;/file/view/porcupine8.jpg/272051226/porcupine8.jpg&amp;quot; alt=&amp;quot;&amp;quot; title=&amp;quot;&amp;quot; /&amp;gt; --&gt;&lt;img src="/file/view/porcupine8.jpg/272051226/porcupine8.jpg" alt="porcupine8.jpg" title="porcupine8.jpg" /&gt;&lt;!-- ws:end:WikiTextLocalImageRule:76 --&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>