Otonality and utonality: Difference between revisions

Wikispaces>genewardsmith
**Imported revision 303823170 - Original comment: **
Wikispaces>hstraub
**Imported revision 570739099 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2012-02-21 17:47:41 UTC</tt>.<br>
: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2015-12-24 13:11:46 UTC</tt>.<br>
: The original revision id was <tt>303823170</tt>.<br>
: The original revision id was <tt>570739099</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">[[toc|flat]]
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">&lt;span style="text-align: right;
display: block;"&gt;[[OtonalityとUtonality|日本語]]&lt;/span&gt;
[[toc|flat]]


=Introduction=
=Introduction=
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=Essentially tempered chords=
=Essentially tempered chords=
This kind of reduction can also be used to analyze [[Dyadic chord|essentially tempered chords]]. Consider for example the [[sinbadmic tetrad]], which is the 1001/1000-tempering of 1-11/10-13/10-10/7. The reduction of the JI version of this chord is {25, 35, 77, 91}; discarding the lowest number, 25, and reducing again gives {5, 11, 13}. This tells us the chord can be analyzed as an otonbal 1-11/10-13/10 chord plus a 10/7 addition requiring essential tempering.</pre></div>
This kind of reduction can also be used to analyze [[Dyadic chord|essentially tempered chords]]. Consider for example the [[sinbadmic tetrad]], which is the 1001/1000-tempering of 1-11/10-13/10-10/7. The reduction of the JI version of this chord is {25, 35, 77, 91}; discarding the lowest number, 25, and reducing again gives {5, 11, 13}. This tells us the chord can be analyzed as an otonbal 1-11/10-13/10 chord plus a 10/7 addition requiring essential tempering.ed </pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Otonality and utonality&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextTocRule:18:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;a href="#Introduction"&gt;Introduction&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt; | &lt;a href="#Precise definitions"&gt;Precise definitions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Properties of types of chords"&gt;Properties of types of chords&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt; | &lt;a href="#Ambitonal chord theorem"&gt;Ambitonal chord theorem&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:25 --&gt;&lt;!-- ws:start:WikiTextTocRule:26: --&gt; | &lt;a href="#Scales"&gt;Scales&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:26 --&gt;&lt;!-- ws:start:WikiTextTocRule:27: --&gt; | &lt;a href="#Essentially tempered chords"&gt;Essentially tempered chords&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:27 --&gt;&lt;!-- ws:start:WikiTextTocRule:28: --&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Otonality and utonality&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;span style="text-align: right;
display: block;"&gt;&lt;a class="wiki_link" href="/Otonality%E3%81%A8Utonality"&gt;日本語&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextTocRule:18:&amp;lt;img id=&amp;quot;wikitext@@toc@@flat&amp;quot; class=&amp;quot;WikiMedia WikiMediaTocFlat&amp;quot; title=&amp;quot;Table of Contents&amp;quot; src=&amp;quot;/site/embedthumbnail/toc/flat?w=100&amp;amp;h=16&amp;quot;/&amp;gt; --&gt;&lt;!-- ws:end:WikiTextTocRule:18 --&gt;&lt;!-- ws:start:WikiTextTocRule:19: --&gt;&lt;a href="#Introduction"&gt;Introduction&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:19 --&gt;&lt;!-- ws:start:WikiTextTocRule:20: --&gt; | &lt;a href="#Precise definitions"&gt;Precise definitions&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:20 --&gt;&lt;!-- ws:start:WikiTextTocRule:21: --&gt; | &lt;a href="#Properties of types of chords"&gt;Properties of types of chords&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:21 --&gt;&lt;!-- ws:start:WikiTextTocRule:22: --&gt;&lt;!-- ws:end:WikiTextTocRule:22 --&gt;&lt;!-- ws:start:WikiTextTocRule:23: --&gt;&lt;!-- ws:end:WikiTextTocRule:23 --&gt;&lt;!-- ws:start:WikiTextTocRule:24: --&gt;&lt;!-- ws:end:WikiTextTocRule:24 --&gt;&lt;!-- ws:start:WikiTextTocRule:25: --&gt; | &lt;a href="#Ambitonal chord theorem"&gt;Ambitonal chord theorem&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:25 --&gt;&lt;!-- ws:start:WikiTextTocRule:26: --&gt; | &lt;a href="#Scales"&gt;Scales&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:26 --&gt;&lt;!-- ws:start:WikiTextTocRule:27: --&gt; | &lt;a href="#Essentially tempered chords"&gt;Essentially tempered chords&lt;/a&gt;&lt;!-- ws:end:WikiTextTocRule:27 --&gt;&lt;!-- ws:start:WikiTextTocRule:28: --&gt;
&lt;!-- ws:end:WikiTextTocRule:28 --&gt;&lt;br /&gt;
&lt;!-- ws:end:WikiTextTocRule:28 --&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Introduction"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Introduction&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Introduction"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Introduction&lt;/h1&gt;
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&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Essentially tempered chords"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Essentially tempered chords&lt;/h1&gt;
&lt;!-- ws:start:WikiTextHeadingRule:16:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc8"&gt;&lt;a name="Essentially tempered chords"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:16 --&gt;Essentially tempered chords&lt;/h1&gt;
This kind of reduction can also be used to analyze &lt;a class="wiki_link" href="/Dyadic%20chord"&gt;essentially tempered chords&lt;/a&gt;. Consider for example the &lt;a class="wiki_link" href="/sinbadmic%20tetrad"&gt;sinbadmic tetrad&lt;/a&gt;, which is the 1001/1000-tempering of 1-11/10-13/10-10/7. The reduction of the JI version of this chord is {25, 35, 77, 91}; discarding the lowest number, 25, and reducing again gives {5, 11, 13}. This tells us the chord can be analyzed as an otonbal 1-11/10-13/10 chord plus a 10/7 addition requiring essential tempering.&lt;/body&gt;&lt;/html&gt;</pre></div>
This kind of reduction can also be used to analyze &lt;a class="wiki_link" href="/Dyadic%20chord"&gt;essentially tempered chords&lt;/a&gt;. Consider for example the &lt;a class="wiki_link" href="/sinbadmic%20tetrad"&gt;sinbadmic tetrad&lt;/a&gt;, which is the 1001/1000-tempering of 1-11/10-13/10-10/7. The reduction of the JI version of this chord is {25, 35, 77, 91}; discarding the lowest number, 25, and reducing again gives {5, 11, 13}. This tells us the chord can be analyzed as an otonbal 1-11/10-13/10 chord plus a 10/7 addition requiring essential tempering.ed&lt;/body&gt;&lt;/html&gt;</pre></div>