Non radical intervals with musical significance: Difference between revisions
Wikispaces>Sarzadoce **Imported revision 586762787 - Original comment: ** |
Wikispaces>Sarzadoce **Imported revision 586762957 - Original comment: ** |
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<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:Sarzadoce|Sarzadoce]] and made on <tt>2016-07-10 | : This revision was by author [[User:Sarzadoce|Sarzadoce]] and made on <tt>2016-07-10 20:01:53 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>586762957</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Musicians are typically interested in musical intervals that are rational (i.e. justly intoned ratios), or equal divisions of these intervals. However, not all intervals fit into this box. | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Musicians are typically interested in musical intervals that are rational (i.e. justly intoned ratios), or equal divisions of these intervals. However, not all intervals fit into this box. | ||
There are many non-radical intervals which have musical significance. By **non-radical** is meant a number that cannot be written in the form | There are many non-radical intervals which have musical significance. By **non-radical** is meant a number that cannot be written in the form [[math]] a^{1/b} [[math]], where a and b are integers. What follows is a list of musically significant non-radical intervals. | ||
, where a and b are integers. What follows is a list of musically significant non-radical intervals. | |||
|| **Ratio** || **Cents** || **Name** || **Musical Significance** || | || **Ratio** || **Cents** || **Name** || **Musical Significance** || | ||
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[[math]] || 833.09 || [[math]] | [[math]] || 833.09 || [[math]] | ||
\text{Phi } (\phi) | \text{Phi } (\phi) | ||
[[math]] || "Linear phi," the unique interval whose continued fraction | [[math]] || "Linear phi," the unique interval whose continued fraction approximations converge more slowly than any other number. This is due to the continued fraction representation only containing 1's, as well as a general consequence of [[https://en.wikipedia.org/wiki/Diophantine_approximation#General_upper_bound|Dirichlet's Approximation Theorem]]. || | ||
|| [[math]] | || [[math]] | ||
e \approx 2.7183 | e \approx 2.7183 | ||
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Non radical intervals with musical significance</title></head><body>Musicians are typically interested in musical intervals that are rational (i.e. justly intoned ratios), or equal divisions of these intervals. However, not all intervals fit into this box.<br /> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Non radical intervals with musical significance</title></head><body>Musicians are typically interested in musical intervals that are rational (i.e. justly intoned ratios), or equal divisions of these intervals. However, not all intervals fit into this box.<br /> | ||
<br /> | <br /> | ||
There are many non-radical intervals which have musical significance. By <strong>non-radical</strong> is meant a number that cannot be written in the form< | There are many non-radical intervals which have musical significance. By <strong>non-radical</strong> is meant a number that cannot be written in the form <a class="wiki_link" href="/math">math</a> a^{1/b} <a class="wiki_link" href="/math">math</a>, where a and b are integers. What follows is a list of musically significant non-radical intervals.<br /> | ||
, where a and b are integers. What follows is a list of musically significant non-radical intervals.<br /> | |||
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--><script type="math/tex">\text{Phi } (\phi)</script><!-- ws:end:WikiTextMathRule:2 --><br /> | --><script type="math/tex">\text{Phi } (\phi)</script><!-- ws:end:WikiTextMathRule:2 --><br /> | ||
</td> | </td> | ||
<td>&quot;Linear phi,&quot; the unique interval whose continued fraction | <td>&quot;Linear phi,&quot; the unique interval whose continued fraction approximations converge more slowly than any other number. This is due to the continued fraction representation only containing 1's, as well as a general consequence of <a class="wiki_link_ext" href="https://en.wikipedia.org/wiki/Diophantine_approximation#General_upper_bound" rel="nofollow">Dirichlet's Approximation Theorem</a>.<br /> | ||
</td> | </td> | ||
</tr> | </tr> | ||