4:6:7: Difference between revisions
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{{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}'''4:6:7''' is a 7-limit chord found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first | {{Infobox Chord|ColorName=yo zo-7 no-5 or y,z7no5, har-7 no-5 or h7no5}}'''4:6:7''' is a [[7-limit]] [[chord]] found as a subset of the harmonic seventh chord, [[4:5:6:7]]. Due to having no fives, it is the first otonal chord that deviates from tonal music theory. As such, it is a candidate for [[metallic harmony]], a form of [[extraclassical tonality]] that employs 7 instead of 5 as its other prime. | ||
== | == Rotations around the octave == | ||
[[File:SculpEufaDem4-6-7-onD.mp3|none|thumb|4:6:7 "Root position"]] | [[File:SculpEufaDem4-6-7-onD.mp3|none|thumb|4:6:7 "Root position"]] | ||
[[File:SculpEufaDem6-7-8-onD.mp3|none|thumb|6:7:8 "1st inversion"]] | [[File:SculpEufaDem6-7-8-onD.mp3|none|thumb|6:7:8 "1st inversion"]] | ||
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Chords related to this triad: | Chords related to this triad: | ||
* 3:4:7 | * 3:4:7 – open voicing | ||
* [[4:5:7]] | * [[4:5:7]] – no threes version | ||
* [[4:5:6:7]] | * [[4:5:6:7]] – full tetrad | ||
Revision as of 10:05, 10 November 2025
| Chord information |
har-7 no-5 or h7no5
4:6:7 is a 7-limit chord found as a subset of the harmonic seventh chord, 4:5:6:7. Due to having no fives, it is the first otonal chord that deviates from tonal music theory. As such, it is a candidate for metallic harmony, a form of extraclassical tonality that employs 7 instead of 5 as its other prime.
Rotations around the octave
Related chords
Chords related to this triad: