User:Romeolz/Isomorphic layouts/Harmonic Table extensions: Difference between revisions
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[[File:"HT" (3-1)^(1-7).png|none|thumb|600x600px|A powerful temperament for even 11-limit just intonation, but the layout is quite spread apart...]]To be continued... (alternate sixths etc., fourths, hemififths...) | [[File:"HT" (3-1)^(1-7).png|none|thumb|600x600px|A powerful temperament for even 11-limit just intonation, but the layout is quite spread apart...]]To be continued... (alternate sixths etc., fourths, hemififths...) | ||
== Alternate sixths (related but not necessarily part of HT) == | == Alternate sixths/seconds (related but not necessarily part of HT) == | ||
Using sixths instead of thirds has the effect that thirds are shifted towards lower octaves. These can resemble layouts akin to Lumatone's "Melodic Mode", with a clear albitonic scale. | Using sixths instead of thirds has the effect that thirds are shifted towards lower octaves. These can resemble layouts akin to Lumatone's "Melodic Mode", with a clear albitonic scale. | ||
Every sixth has a second of the same quality one fifth below. The sixth-layouts can be sheared along the fifths-axis to get the secundal equivalent. | |||
=== Semaphore/Barbados (again) === | === Semaphore/Barbados (again) === | ||
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[[File:"HT" (243-16)^(1-6).png|none|thumb|600x600px|i've had enough for now]] | [[File:"HT" (243-16)^(1-6).png|none|thumb|600x600px|i've had enough for now]] | ||
ok | ok | ||
== Alternate fourths/fifths == | |||
todo | |||
== Fourths-axial == | |||
fourths instead of fifths on the axis todo | |||
alternate thirds sixths n stuff for this one too | |||
== Hemifourths/fifths (???) == | |||