Flattone: Difference between revisions

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<nowiki/>* In 13-limit CTE tuning, octave reduced
<nowiki>*</nowiki> In 13-limit CTE tuning, octave reduced
 
== Flattone intervals ==
Flattone is best analyzed as a 7-form system. It is melodically intuitive compared to standard meantone, in that 7-limit intervals are found as augmented and diminished versions of the category they "should" belong to (that is, the quartertone represents both 25/24 and 64/63).
{| class="wikitable"
! rowspan="2" |Interval category
! colspan="2" |-2 quartertones
! colspan="2" |-1 quartertone
! colspan="2" |0 quartertones
! colspan="2" |1 quartertone
! colspan="2" |2 quartertones
|-
!Cents*
!Approximate ratios
!Cents*
!Approximate ratios
!Cents*
!Approximate ratios
!Cents*
!Approximate ratios
!Cents*
!Approximate ratios
|-
|Unison
|1098
|28/15
|1149
|48/25, 52/27, 64/33, 35/18, 98/55, 63/32
|0
|1/1
|51
|25/24, 27/26, 33/32, 36/35, 55/54, 64/63
|102
|15/14
|-
|Second
|84
|28/27, 21/20
|135
|16/15, 12/11, 13/12, 14/13
|186
|9/8, 10/9, 11/10
|237
|8/7, 15/13
|288
|
|-
|Third
|219
|
|270
|7/6
|321
|6/5
|372
|5/4, 16/13, 26/21
|423
|9/7
|-
|Fourth
|405
|
|456
|13/10, 21/16
|507
|4/3
|558
|11/8, 18/13
|609
|10/7
|-
|Fifth
|591
|7/5
|642
|16/11, 13/9
|693
|3/2
|744
|20/13, 32/21
|795
|
|-
|Sixth
|777
|14/9
|828
|8/5, 13/8, 21/13
|879
|5/3
|930
|12/7
|981
|
|-
|Seventh
|912
|
|963
|7/4, 26/15
|1014
|9/5, 16/9
|1065
|15/8, 11/6, 13/7, 24/13
|1116
|40/21, 27/14
|}


== Scales ==
== Scales ==