Horn: Difference between revisions
Wikispaces>Monty_Cantsin **Imported revision 5293999 - Original comment: ** |
Wikispaces>xenjacob **Imported revision 8173083 - Original comment: ** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2007-09-19 04:05:44 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>8173083</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt></tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
| Line 40: | Line 40: | ||
==That's not good enough! We need new instruments!== | ==That's not good enough! We need new instruments!== | ||
You're right! George Secor especially has done some thinking about valve systems extended to alternate EDOs. See the bottom of [[http://sonic-arts.org/monzo/trumpet/trumpet-intonation.htm|this page.]] | You're right! George Secor especially has done some thinking about valve systems extended to alternate EDOs. See the bottom of [[http://sonic-arts.org/monzo/trumpet/trumpet-intonation.htm|this page.]] No cases of actual horns built...yet. | ||
==What existing music features the horn in a particularly microtonal way?== | ==What existing music features the horn in a particularly microtonal way?== | ||
* György Ligeti's [[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174|Hamburg Concerto]] "for horn & chamber orchestra with 4 obbligato natural horns" | * György Ligeti's //[[http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&n=5174|Hamburg Concerto]]// "for horn & chamber orchestra with 4 obbligato natural horns" | ||
* //Epilogue// (1985) from //Les Espaces Acoustiques// by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm | * //Epilogue// (1985) from //Les Espaces Acoustiques// by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm | ||
* | * //Horn// by Larry Polansky, score featured in Xenharmonikon 14 | ||
* [[http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245|Joseph Pehrson's]] | * [[http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245|Joseph Pehrson's]] //Harmonic Etude// for solo horn, //Nature's Harmony// for two horns | ||
* [[http://www.archive.org/details/JeffMorrisEtudeforHorn|Jeff Morris' Etude for Horn]] | * [[http://www.archive.org/details/JeffMorrisEtudeforHorn|Jeff Morris' Etude for Horn]] | ||
* [[http://www.roberthasegawa.com/|Robert Hasegawa]]: //the clear architecture of the nerves// (2000)</pre></div> | * Richard Burdick's [[http://www.i-ching-music.com/FREE102.html|opus 102 Planetary Ripples]] (1996) for 16 similar instruments, on a harmonic series up to the 27th partial | ||
* [[http://www.roberthasegawa.com/|Robert Hasegawa]]: //the clear architecture of the nerves// (2000) | |||
==Further reading== | |||
* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", //Xenharmonikôn// vol. 5, spring 1976, pp. 1-3. | |||
* Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975. | |||
* Heim, David Bruce. //Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance//. Master thesis, University of Tulsa, 1990.</pre></div> | |||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microtonal horn</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-What in tarnation is a &quot;horn&quot;?"></a><!-- ws:end:WikiTextHeadingRule:0 -->What in tarnation is a &quot;horn&quot;?</h2> | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>microtonal horn</title></head><body><!-- ws:start:WikiTextHeadingRule:0:&lt;h2&gt; --><h2 id="toc0"><a name="x-What in tarnation is a &quot;horn&quot;?"></a><!-- ws:end:WikiTextHeadingRule:0 -->What in tarnation is a &quot;horn&quot;?</h2> | ||
| Line 84: | Line 90: | ||
<!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-That's not good enough! We need new instruments!"></a><!-- ws:end:WikiTextHeadingRule:6 -->That's not good enough! We need new instruments!</h2> | <!-- ws:start:WikiTextHeadingRule:6:&lt;h2&gt; --><h2 id="toc3"><a name="x-That's not good enough! We need new instruments!"></a><!-- ws:end:WikiTextHeadingRule:6 -->That's not good enough! We need new instruments!</h2> | ||
<br /> | <br /> | ||
You're right! George Secor especially has done some thinking about valve systems extended to alternate EDOs. See the bottom of <a class="wiki_link_ext" href="http://sonic-arts.org/monzo/trumpet/trumpet-intonation.htm" rel="nofollow">this page.</a><br /> | You're right! George Secor especially has done some thinking about valve systems extended to alternate EDOs. See the bottom of <a class="wiki_link_ext" href="http://sonic-arts.org/monzo/trumpet/trumpet-intonation.htm" rel="nofollow">this page.</a> No cases of actual horns built...yet.<br /> | ||
<br /> | <br /> | ||
<!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="x-What existing music features the horn in a particularly microtonal way?"></a><!-- ws:end:WikiTextHeadingRule:8 -->What existing music features the horn in a particularly microtonal way?</h2> | <!-- ws:start:WikiTextHeadingRule:8:&lt;h2&gt; --><h2 id="toc4"><a name="x-What existing music features the horn in a particularly microtonal way?"></a><!-- ws:end:WikiTextHeadingRule:8 -->What existing music features the horn in a particularly microtonal way?</h2> | ||
<ul><li>György Ligeti's <a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;n=5174" rel="nofollow">Hamburg Concerto</a> &quot;for horn &amp; chamber orchestra with 4 obbligato natural horns&quot;</li><li><em>Epilogue</em> (1985) from <em>Les Espaces Acoustiques</em> by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm</li><li>& | <ul><li>György Ligeti's <em><a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;n=5174" rel="nofollow">Hamburg Concerto</a></em> &quot;for horn &amp; chamber orchestra with 4 obbligato natural horns&quot;</li><li><em>Epilogue</em> (1985) from <em>Les Espaces Acoustiques</em> by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm</li><li><em>Horn</em> by Larry Polansky, score featured in Xenharmonikon 14</li><li><a class="wiki_link_ext" href="http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245" rel="nofollow">Joseph Pehrson's</a> <em>Harmonic Etude</em> for solo horn, <em>Nature's Harmony</em> for two horns</li><li><a class="wiki_link_ext" href="http://www.archive.org/details/JeffMorrisEtudeforHorn" rel="nofollow">Jeff Morris' Etude for Horn</a></li><li>Richard Burdick's <a class="wiki_link_ext" href="http://www.i-ching-music.com/FREE102.html" rel="nofollow">opus 102 Planetary Ripples</a> (1996) for 16 similar instruments, on a harmonic series up to the 27th partial</li><li><a class="wiki_link_ext" href="http://www.roberthasegawa.com/" rel="nofollow">Robert Hasegawa</a>: <em>the clear architecture of the nerves</em> (2000)</li></ul><br /> | ||
<!-- ws:start:WikiTextHeadingRule:10:&lt;h2&gt; --><h2 id="toc5"><a name="x-Further reading"></a><!-- ws:end:WikiTextHeadingRule:10 -->Further reading</h2> | |||
<ul><li>Secor, George D. &quot;An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn&quot;, <em>Xenharmonikôn</em> vol. 5, spring 1976, pp. 1-3.</li><li>Whaley, David Robert. <em>The Microtonal Capability of the Horn</em>. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.</li><li>Heim, David Bruce. <em>Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance</em>. Master thesis, University of Tulsa, 1990.</li></ul></body></html></pre></div> | |||