Horn: Difference between revisions

Wikispaces>RicardoMatosinhos
**Imported revision 447535608 - Original comment: **
Wikispaces>mbattaglia1
**Imported revision 447782654 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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: This revision was by author [[User:RicardoMatosinhos|RicardoMatosinhos]] and made on <tt>2013-08-29 20:49:48 UTC</tt>.<br>
: This revision was by author [[User:mbattaglia1|mbattaglia1]] and made on <tt>2013-08-31 06:59:35 UTC</tt>.<br>
: The original revision id was <tt>447535608</tt>.<br>
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The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==What in tarnation is a "horn"?==  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==What in tarnation is a "horn"?==  


I mean a conical-bore brass instrument buzzed with the lips. But not a tuba.
I&lt;span style="font-size: 80%; vertical-align: super;"&gt;[[microtonal horn#note1|(1)]]&lt;/span&gt; mean a conical-bore brass instrument buzzed with the lips. But not a tuba.


We can speak of //natural horns// and //valved horns//. Natural horns have no valves, and are naturally near the harmonic series in their series of tones:
We can speak of //natural horns// and //valved horns//. Natural horns have no valves, and are naturally near the harmonic series in their series of tones:
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* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", //Xenharmonikôn// vol. 5, spring 1976, pp. 1-3.
* Secor, George D. "An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn", //Xenharmonikôn// vol. 5, spring 1976, pp. 1-3.
* Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* Whaley, David Robert. //The Microtonal Capability of the Horn//. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.
* Heim, David Bruce. //Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance//. Master thesis, University of Tulsa, 1990.</pre></div>
* Heim, David Bruce. //Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance//. Master thesis, University of Tulsa, 1990.
 
==Notes==
# [[#note1]]Jacob Barton, I&lt;span style="font-size: 80%; vertical-align: super;"&gt;[[microtonal horn#note2|(2)]]&lt;/span&gt;&lt;span style="line-height: 1.5;"&gt; think&lt;/span&gt;
# &lt;span style="line-height: 1.5;"&gt;[[#note2]]Mike Battaglia&lt;/span&gt;</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;microtonal horn&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-What in tarnation is a &amp;quot;horn&amp;quot;?"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;What in tarnation is a &amp;quot;horn&amp;quot;?&lt;/h2&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;microtonal horn&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-What in tarnation is a &amp;quot;horn&amp;quot;?"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;What in tarnation is a &amp;quot;horn&amp;quot;?&lt;/h2&gt;
  &lt;br /&gt;
  &lt;br /&gt;
I mean a conical-bore brass instrument buzzed with the lips. But not a tuba.&lt;br /&gt;
I&lt;span style="font-size: 80%; vertical-align: super;"&gt;&lt;a class="wiki_link" href="/microtonal%20horn#note1"&gt;(1)&lt;/a&gt;&lt;/span&gt; mean a conical-bore brass instrument buzzed with the lips. But not a tuba.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
We can speak of &lt;em&gt;natural horns&lt;/em&gt; and &lt;em&gt;valved horns&lt;/em&gt;. Natural horns have no valves, and are naturally near the harmonic series in their series of tones:&lt;br /&gt;
We can speak of &lt;em&gt;natural horns&lt;/em&gt; and &lt;em&gt;valved horns&lt;/em&gt;. Natural horns have no valves, and are naturally near the harmonic series in their series of tones:&lt;br /&gt;
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  &lt;ul&gt;&lt;li&gt;György Ligeti's &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;amp;n=5174" rel="nofollow"&gt;Hamburg Concerto&lt;/a&gt;&lt;/em&gt; &amp;quot;for horn &amp;amp; chamber orchestra with 4 obbligato natural horns&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Epilogue&lt;/em&gt; (1985) from &lt;em&gt;Les Espaces Acoustiques&lt;/em&gt; by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm&lt;/li&gt;&lt;li&gt;&lt;em&gt;Horn&lt;/em&gt; by Larry Polansky, score featured in Xenharmonikon 14&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245" rel="nofollow"&gt;Joseph Pehrson's&lt;/a&gt; &lt;em&gt;Harmonic Etude&lt;/em&gt; for solo horn, &lt;em&gt;Nature's Harmony&lt;/em&gt; for two horns&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/details/JeffMorrisEtudeforHorn" rel="nofollow"&gt;Jeff Morris' Etude for Horn&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Richard Burdick's &lt;a class="wiki_link_ext" href="http://www.i-ching-music.com/FREE102.html" rel="nofollow"&gt;opus 102 Planetary Ripples&lt;/a&gt; (1996) for 16 similar instruments, on a harmonic series up to the 27th partial&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.roberthasegawa.com/" rel="nofollow"&gt;Robert Hasegawa&lt;/a&gt;: &lt;em&gt;the clear architecture of the nerves&lt;/em&gt; (2000)&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Bozza, Eugène (1905-1991) &lt;a class="wiki_link_ext" href="http://www.alphonseleduc.com/" rel="nofollow" target="_blank"&gt;Dix-Huit Etudes en forme d'Improvisation pour Cor&lt;/a&gt;(1961)&lt;/span&gt;&lt;span style="background-color: rgba(255,255,255,0);"&gt;microtonal writing on ¼ and ¾ tones&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Grabois, Daniel (1964-) &lt;a class="wiki_link_ext" href="http://www.danielgrabois.com/" rel="nofollow" target="_blank"&gt;Quarter Tone Manual for French Horn&lt;/a&gt; (2010) &lt;/span&gt;&lt;br /&gt;
  &lt;ul&gt;&lt;li&gt;György Ligeti's &lt;em&gt;&lt;a class="wiki_link_ext" href="http://www.amazon.com/gp/product/B00008UVCE/103-4149462-7074248?v=glance&amp;amp;n=5174" rel="nofollow"&gt;Hamburg Concerto&lt;/a&gt;&lt;/em&gt; &amp;quot;for horn &amp;amp; chamber orchestra with 4 obbligato natural horns&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;em&gt;Epilogue&lt;/em&gt; (1985) from &lt;em&gt;Les Espaces Acoustiques&lt;/em&gt; by Gerard Grisey is for orchestra with 4 solo horns, in a (crystallized) harmonic-series paradigm&lt;/li&gt;&lt;li&gt;&lt;em&gt;Horn&lt;/em&gt; by Larry Polansky, score featured in Xenharmonikon 14&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.soundclick.com/pro/view/01/default.cfm?bandid=104245" rel="nofollow"&gt;Joseph Pehrson's&lt;/a&gt; &lt;em&gt;Harmonic Etude&lt;/em&gt; for solo horn, &lt;em&gt;Nature's Harmony&lt;/em&gt; for two horns&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.archive.org/details/JeffMorrisEtudeforHorn" rel="nofollow"&gt;Jeff Morris' Etude for Horn&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Richard Burdick's &lt;a class="wiki_link_ext" href="http://www.i-ching-music.com/FREE102.html" rel="nofollow"&gt;opus 102 Planetary Ripples&lt;/a&gt; (1996) for 16 similar instruments, on a harmonic series up to the 27th partial&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://www.roberthasegawa.com/" rel="nofollow"&gt;Robert Hasegawa&lt;/a&gt;: &lt;em&gt;the clear architecture of the nerves&lt;/em&gt; (2000)&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Bozza, Eugène (1905-1991) &lt;a class="wiki_link_ext" href="http://www.alphonseleduc.com/" rel="nofollow" target="_blank"&gt;Dix-Huit Etudes en forme d'Improvisation pour Cor&lt;/a&gt;(1961)&lt;/span&gt;&lt;span style="background-color: rgba(255,255,255,0);"&gt;microtonal writing on ¼ and ¾ tones&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Grabois, Daniel (1964-) &lt;a class="wiki_link_ext" href="http://www.danielgrabois.com/" rel="nofollow" target="_blank"&gt;Quarter Tone Manual for French Horn&lt;/a&gt; (2010) &lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: rgba(255,255,255,0);"&gt;These etudes were written for gradually practicing microtonal notation.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Kotulan, Jaroslav (1937-) &lt;a class="wiki_link_ext" href="http://www.bohne-schulz.de/" rel="nofollow" target="_blank"&gt;28 Moderne etüden für waldhorn, heft 2&lt;/a&gt; (1995)&lt;/li&gt;&lt;li&gt;Matosinhos, Ricardo - &lt;a class="wiki_link_ext" href="http://www.ricardomatosinhos.com/12etudes.html" rel="nofollow" target="_blank"&gt;12 Jazzy Etudes for Horn&lt;/a&gt; (2010) two of these etudes use quarter tones&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Salonen, Esa-Pekka (1958-) &lt;a class="wiki_link_ext" href="http://www.chesternovello.com/" rel="nofollow" target="_blank"&gt;Concert Étude for solo horn in F&lt;/a&gt; (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Thompson, Timothy F. (1953-) &lt;a class="wiki_link_ext" href="http://www.proquest.com/" rel="nofollow" target="_blank"&gt;Extended Techniques for the Horn An Historial Overview With pratical performance Applications&lt;/a&gt; (1997)&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x-Further reading"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Further reading&lt;/h2&gt;
&lt;span style="background-color: rgba(255,255,255,0);"&gt;These etudes were written for gradually practicing microtonal notation.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Kotulan, Jaroslav (1937-) &lt;a class="wiki_link_ext" href="http://www.bohne-schulz.de/" rel="nofollow" target="_blank"&gt;28 Moderne etüden für waldhorn, heft 2&lt;/a&gt; (1995)&lt;/li&gt;&lt;li&gt;Matosinhos, Ricardo - &lt;a class="wiki_link_ext" href="http://www.ricardomatosinhos.com/12etudes.html" rel="nofollow" target="_blank"&gt;12 Jazzy Etudes for Horn&lt;/a&gt; (2010) two of these etudes use quarter tones&lt;/li&gt;&lt;li&gt;&lt;span style="color: #333333; font-family: Helvetica; font-size: 16px;"&gt;Salonen, Esa-Pekka (1958-) &lt;a class="wiki_link_ext" href="http://www.chesternovello.com/" rel="nofollow" target="_blank"&gt;Concert Étude for solo horn in F&lt;/a&gt; (2000)&lt;/span&gt;&lt;/li&gt;&lt;li&gt;Thompson, Timothy F. (1953-) &lt;a class="wiki_link_ext" href="http://www.proquest.com/" rel="nofollow" target="_blank"&gt;Extended Techniques for the Horn An Historial Overview With pratical performance Applications&lt;/a&gt; (1997)&lt;/li&gt;&lt;/ul&gt;&lt;!-- ws:start:WikiTextHeadingRule:10:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc5"&gt;&lt;a name="x-Further reading"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:10 --&gt;Further reading&lt;/h2&gt;
  &lt;ul&gt;&lt;li&gt;Secor, George D. &amp;quot;An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn&amp;quot;, &lt;em&gt;Xenharmonikôn&lt;/em&gt; vol. 5, spring 1976, pp. 1-3.&lt;/li&gt;&lt;li&gt;Whaley, David Robert. &lt;em&gt;The Microtonal Capability of the Horn&lt;/em&gt;. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.&lt;/li&gt;&lt;li&gt;Heim, David Bruce. &lt;em&gt;Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance&lt;/em&gt;. Master thesis, University of Tulsa, 1990.&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
  &lt;ul&gt;&lt;li&gt;Secor, George D. &amp;quot;An Approach to the Construction of Microtonal Valved Brass Instruments - The French Horn&amp;quot;, &lt;em&gt;Xenharmonikôn&lt;/em&gt; vol. 5, spring 1976, pp. 1-3.&lt;/li&gt;&lt;li&gt;Whaley, David Robert. &lt;em&gt;The Microtonal Capability of the Horn&lt;/em&gt;. D.M.A. thesis, University of Illinois, 1975, 154 pages. University Microfilms, Ann Arbor MI, 1975.&lt;/li&gt;&lt;li&gt;Heim, David Bruce. &lt;em&gt;Practical Tuning, Temperament and Conditioning for Hornists and Other Wind Instrumentalists: Understanding and attaining intonational flexibility in musical performance&lt;/em&gt;. Master thesis, University of Tulsa, 1990.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:12:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc6"&gt;&lt;a name="x-Notes"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:12 --&gt;Notes&lt;/h2&gt;
&lt;ol&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextAnchorRule:14:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@note1&amp;quot; title=&amp;quot;Anchor: note1&amp;quot;/&amp;gt; --&gt;&lt;a name="note1"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:14 --&gt;Jacob Barton, I&lt;span style="font-size: 80%; vertical-align: super;"&gt;&lt;a class="wiki_link" href="/microtonal%20horn#note2"&gt;(2)&lt;/a&gt;&lt;/span&gt;&lt;span style="line-height: 1.5;"&gt; think&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="line-height: 1.5;"&gt;&lt;!-- ws:start:WikiTextAnchorRule:15:&amp;lt;img src=&amp;quot;/i/anchor.gif&amp;quot; class=&amp;quot;WikiAnchor&amp;quot; alt=&amp;quot;Anchor&amp;quot; id=&amp;quot;wikitext@@anchor@@note2&amp;quot; title=&amp;quot;Anchor: note2&amp;quot;/&amp;gt; --&gt;&lt;a name="note2"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextAnchorRule:15 --&gt;Mike Battaglia&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>