Clarinet: Difference between revisions

Wikispaces>guest
**Imported revision 27707729 - Original comment: **
Wikispaces>xenjacob
**Imported revision 27743511 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2008-07-05 19:20:23 UTC</tt>.<br>
: This revision was by author [[User:xenjacob|xenjacob]] and made on <tt>2008-07-07 00:03:35 UTC</tt>.<br>
: The original revision id was <tt>27707729</tt>.<br>
: The original revision id was <tt>27743511</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">===Microtonal fingerings for normal clarinet===  
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">==Microtonal fingerings for normal clarinet==  
Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.
Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.


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Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.
Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.


===Actual microtonal clarinets===  
==Actual microtonal clarinets==
All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as 19ED3 (19 equal divisions of 3/1), since they overblow at the twelfth.
All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as 19ED3 (19 equal divisions of 3/1), since they overblow at the twelfth.


[[http://nl.wikipedia.org/wiki/Kwarttoonklarinet|This quartertone clarinet]] apparently uses parallel tubes of 12, with a single key to switch between them.
[[http://nl.wikipedia.org/wiki/Kwarttoonklarinet|This quartertone clarinet]] apparently uses parallel tubes of 12, with a single key to switch between them.


===Bohlen-Pierce clarinets===
The [[http://www.sfoxclarinets.com/bpclar.html|Bohlen-Pierce clarinet project]] by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the [[BP|BP scale (13ED3)]]; the scale seems ideal for clarinet in particular.
The [[http://www.sfoxclarinets.com/bpclar.html|Bohlen-Pierce clarinet project]] by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the [[BP|BP scale (13ED3)]]; the scale seems ideal for clarinet in particular.


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</pre></div>
</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;microtonal clarinet&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc0"&gt;&lt;a name="x--Microtonal fingerings for normal clarinet"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Microtonal fingerings for normal clarinet&lt;/h3&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;microtonal clarinet&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:0:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc0"&gt;&lt;a name="x-Microtonal fingerings for normal clarinet"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:0 --&gt;Microtonal fingerings for normal clarinet&lt;/h2&gt;
  Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.&lt;br /&gt;
  Quartertone cross fingerings are widespread (and apparently standard technique in French orchestral playing today), but certain pitches right above the break have no fingerings.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
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Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.&lt;br /&gt;
Also worth mentioning is the scheme for making a small xenharmonic clarinet by connecting the mouthpiece directly to the lower joint. This fits only on certain clarinets, and it produces a macrotonal scale with no high register.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="x--Actual microtonal clarinets"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Actual microtonal clarinets&lt;/h3&gt;
&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h2&amp;gt; --&gt;&lt;h2 id="toc1"&gt;&lt;a name="x-Actual microtonal clarinets"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Actual microtonal clarinets&lt;/h2&gt;
All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as 19ED3 (19 equal divisions of 3/1), since they overblow at the twelfth.&lt;br /&gt;
All clarinets are tuned to an inexact 12tEDO. It might be more accurate to describe them as 19ED3 (19 equal divisions of 3/1), since they overblow at the twelfth.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://nl.wikipedia.org/wiki/Kwarttoonklarinet" rel="nofollow"&gt;This quartertone clarinet&lt;/a&gt; apparently uses parallel tubes of 12, with a single key to switch between them.&lt;br /&gt;
&lt;a class="wiki_link_ext" href="http://nl.wikipedia.org/wiki/Kwarttoonklarinet" rel="nofollow"&gt;This quartertone clarinet&lt;/a&gt; apparently uses parallel tubes of 12, with a single key to switch between them.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc2"&gt;&lt;a name="x-Actual microtonal clarinets-Bohlen-Pierce clarinets"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;Bohlen-Pierce clarinets&lt;/h3&gt;
The &lt;a class="wiki_link_ext" href="http://www.sfoxclarinets.com/bpclar.html" rel="nofollow"&gt;Bohlen-Pierce clarinet project&lt;/a&gt; by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the &lt;a class="wiki_link" href="/BP"&gt;BP scale (13ED3)&lt;/a&gt;; the scale seems ideal for clarinet in particular.&lt;br /&gt;
The &lt;a class="wiki_link_ext" href="http://www.sfoxclarinets.com/bpclar.html" rel="nofollow"&gt;Bohlen-Pierce clarinet project&lt;/a&gt; by Stephen Fox (instigated by Georg Hajdu) has so far resulted in the building of a soprano clarinet in the &lt;a class="wiki_link" href="/BP"&gt;BP scale (13ED3)&lt;/a&gt;; the scale seems ideal for clarinet in particular.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Several compositions have been written for Bohlen-Pierce clarinets by Canadian composers Owen Bloomfield and Todd Harrop as well as by German composers Georg Hajdu, Peter Michael Hamel, Sascha Lino Lemke, Fredrik Schwenk and Manfred Stahnke. Links to the latter composers' audio streams can be found on &lt;!-- ws:start:WikiTextUrlRule:23:http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008 --&gt;&lt;a class="wiki_link_ext" href="http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008" rel="nofollow"&gt;http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:23 --&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>
Several compositions have been written for Bohlen-Pierce clarinets by Canadian composers Owen Bloomfield and Todd Harrop as well as by German composers Georg Hajdu, Peter Michael Hamel, Sascha Lino Lemke, Fredrik Schwenk and Manfred Stahnke. Links to the latter composers' audio streams can be found on &lt;!-- ws:start:WikiTextUrlRule:25:http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008 --&gt;&lt;a class="wiki_link_ext" href="http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008" rel="nofollow"&gt;http://mmm.hfmt-hamburg.de/index.php?id=konzert-programm_1362008&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:25 --&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>