Mavila temperament modal harmony: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:~~hstraub~~|~~hstraub~~]] and made on <tt>~~2013~~-08-~~17 16~~:29:06 UTC</tt>.

: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2014-05-18 12:11:13 UTC</tt>.

: The original revision id was <tt>~~445260816~~</tt>.

: The original revision id was <tt>509642410</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=Introduction=

Mavila is the regular temperament eliminating [[135_128|135/128]]. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an "antidiatonic" 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see [[2L 5s]]) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note "superdiatonic" MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see[[7L 2s| 7L 2s]]) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].

Mavila is the regular temperament eliminating [[@135_128|135/128]]. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an "antidiatonic" 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see [[@2L 5s]]) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note "superdiatonic" MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see[[@7L 2s| 7L 2s]]) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].

===How to read these charts===

* The 6|0, 5|1, 4|2 markings are an instance of [[Modal UDP Notation]].

* The 6|0, 5|1, 4|2 markings are an instance of [[@Modal UDP Notation]].

* Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.

* Additionally, "diatonic" names make use of the following abbreviations:

Line 36:

||= 2|2 ||= sLsLs ||= dong ||= 1/1 ||= 12/11 ||= 4/3 ||= 3/2 ||= 11/6 ||

||= 1|3 ||= sLssL ||= dung ||= 1/1 ||= 12/11 ||= 4/3 ||= 3/2 ||= 8/5 ||

||= 0|0 ||= ssLsL ||= ding ||= 1/1 ||= 12/11 ||= 6/5 ||= 3/2 ||= 8/5 ||

||= 0|4 ||= ssLsL ||= ding ||= 1/1 ||= 12/11 ||= 6/5 ||= 3/2 ||= 8/5 ||

==="Diatonic" Names===

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||= 2|2 ||= sLsLs ||= dong ||= P1 ||= N2 ||= P4 ||= P5 ||= N7 ||

||= 1|3 ||= sLssL ||= dung ||= P1 ||= N2 ||= P4 ||= P5 ||= m6 ||

||= 0|0 ||= ssLsL ||= ding ||= P1 ||= N2 ||= m3 ||= P5 ||= m6 ||

||= 0|4 ||= ssLsL ||= ding ||= P1 ||= N2 ||= m3 ||= P5 ||= m6 ||

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|| 2|6 - LsLLLsLLL - (Super)Aeolian || ||

|| 1|7 - sLLLLsLLL - (Super)Phrygian || ||

|| 0|8 - sLLLsLLLL - (Super)Locrian || [[media type="file" key="MavilaSuperdiatonic16edo.mp3"]] ||

|| 0|8 - sLLLsLLLL - (Super)Locrian || [[media type="file" key="MavilaSuperdiatonic16edo.mp3" width="240" height="20"]] ||

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Mavila Temperament Modal Harmony</title></head><body><h1 id="toc0"><a name="Introduction"></a>Introduction</h1>

Mavila is the regular temperament eliminating <a class="wiki_link" href="/135_128">135/128</a>. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an &quot;antidiatonic&quot; 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see <a class="wiki_link" href="/2L%205s">2L 5s</a>) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note &quot;superdiatonic&quot; MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see<a class="wiki_link" href="/7L%202s"> 7L 2s</a>) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].

Mavila is the regular temperament eliminating <a class="wiki_link" href="/135_128" target="_blank">135/128</a>. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an &quot;antidiatonic&quot; 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see <a class="wiki_link" href="/2L%205s" target="_blank">2L 5s</a>) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note &quot;superdiatonic&quot; MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see<a class="wiki_link" href="/7L%202s" target="_blank"> 7L 2s</a>) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].

<h3 id="toc1"><a name="Introduction--How to read these charts"></a>How to read these charts</h3>

<ul><li>The 6|0, 5|1, 4|2 markings are an instance of <a class="wiki_link" href="/Modal%20UDP%20Notation">Modal UDP Notation</a>.</li><li>Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.</li><li>Additionally, &quot;diatonic&quot; names make use of the following abbreviations:<ul><li>SM - Supermajor</li><li>M - Major</li><li>N - Neutral</li><li>m - Minor</li><li>sm - Subminor</li></ul></li></ul>

<ul><li>The 6|0, 5|1, 4|2 markings are an instance of <a class="wiki_link" href="/Modal%20UDP%20Notation" target="_blank">Modal UDP Notation</a>.</li><li>Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.</li><li>Additionally, &quot;diatonic&quot; names make use of the following abbreviations:<ul><li>SM - Supermajor</li><li>M - Major</li><li>N - Neutral</li><li>m - Minor</li><li>sm - Subminor</li></ul></li></ul>

<h1 id="toc2"><a name="x2L3s Pentatonic MOS: Pelogic"></a>2L3s Pentatonic MOS: Pelogic</h1>

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</tr>

<tr>

<td style="text-align: center;">0|0

<td style="text-align: center;">0|4

</td>

<td style="text-align: center;">ssLsL

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</tr>

<tr>

<td style="text-align: center;">0|0

<td style="text-align: center;">0|4

</td>

<td style="text-align: center;">ssLsL

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<td>0|8 - sLLLsLLLL - (Super)Locrian

</td>

</td>

</tr>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:hstraub|hstraub]] and made on <tt>2013-08-17 16:29:06 UTC</tt>.<br>
+: This revision was by author [[User:JosephRuhf|JosephRuhf]] and made on <tt>2014-05-18 12:11:13 UTC</tt>.<br>
-: The original revision id was <tt>445260816</tt>.<br>
+: The original revision id was <tt>509642410</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">=Introduction=
-Mavila is the regular temperament eliminating [[135_128|135/128]]. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an "antidiatonic" 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see [[2L 5s]]) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note "superdiatonic" MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see[[7L 2s| 7L 2s]]) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].
+Mavila is the regular temperament eliminating [[@135_128|135/128]]. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an "antidiatonic" 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see [[@2L 5s]]) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note "superdiatonic" MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see[[@7L 2s| 7L 2s]]) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].
 ===How to read these charts===
-* The 6|0, 5|1, 4|2 markings are an instance of [[Modal UDP Notation]].
+* The 6|0, 5|1, 4|2 markings are an instance of [[@Modal UDP Notation]].
 * Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.
 * Additionally, "diatonic" names make use of the following abbreviations:
@@ Line 36: / Line 36: @@
 ||= 2|2 ||= sLsLs ||= dong ||= 1/1 ||= &lt;span style="color: #ff0000;"&gt;12/11&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;4/3&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;3/2&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;11/6&lt;/span&gt; ||
 ||= 1|3 ||= sLssL ||= dung ||= 1/1 ||= &lt;span style="color: #ff0000;"&gt;12/11&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;4/3&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;3/2&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;8/5&lt;/span&gt; ||
-||= 0|0 ||= ssLsL ||= ding ||= 1/1 ||= &lt;span style="color: #ff0000;"&gt;12/11&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;6/5&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;3/2&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;8/5&lt;/span&gt; ||
+||= 0|4 ||= ssLsL ||= ding ||= 1/1 ||= &lt;span style="color: #ff0000;"&gt;12/11&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;6/5&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;3/2&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;8/5&lt;/span&gt; ||
 ==="Diatonic" Names===
@@ Line 44: / Line 44: @@
 ||= 2|2 ||= sLsLs ||= dong ||= P1 ||= &lt;span style="color: #ff0000;"&gt;N2&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;P4&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;P5&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;N7&lt;/span&gt; ||
 ||= 1|3 ||= sLssL ||= dung ||= P1 ||= &lt;span style="color: #ff0000;"&gt;N2&lt;/span&gt; ||= &lt;span style="color: #0000ff;"&gt;P4&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;P5&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;m6&lt;/span&gt; ||
-||= 0|0 ||= ssLsL ||= ding ||= P1 ||= &lt;span style="color: #ff0000;"&gt;N2&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;m3&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;P5&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;m6&lt;/span&gt; ||
+||= 0|4 ||= ssLsL ||= ding ||= P1 ||= &lt;span style="color: #ff0000;"&gt;N2&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;m3&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;P5&lt;/span&gt; ||= &lt;span style="color: #ff0000;"&gt;m6&lt;/span&gt; ||
@@ Line 87: / Line 87: @@
 || 2|6 - LsLLLsLLL - (Super)Aeolian ||   ||
 || 1|7 - sLLLLsLLL - (Super)Phrygian ||   ||
-|| 0|8 - sLLLsLLLL - (Super)Locrian || [[media type="file" key="MavilaSuperdiatonic16edo.mp3"]] ||
+|| 0|8 - sLLLsLLLL - (Super)Locrian || [[media type="file" key="MavilaSuperdiatonic16edo.mp3" width="240" height="20"]] ||
 In cyclic permutational order: Ionian | Corinthian | Dorian | Phrygian | Lydian | Mixolydian | Olympian | Aeolian | Locrian
@@ Line 127: / Line 127: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Mavila Temperament Modal Harmony&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;!-- ws:start:WikiTextHeadingRule:2:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc0"&gt;&lt;a name="Introduction"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:2 --&gt;Introduction&lt;/h1&gt;
   &lt;br /&gt;
-Mavila is the regular temperament eliminating &lt;a class="wiki_link" href="/135_128"&gt;135/128&lt;/a&gt;. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an &amp;quot;antidiatonic&amp;quot; 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see &lt;a class="wiki_link" href="/2L%205s"&gt;2L 5s&lt;/a&gt;) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note &amp;quot;superdiatonic&amp;quot; MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see&lt;a class="wiki_link" href="/7L%202s"&gt; 7L 2s&lt;/a&gt;) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].&lt;br /&gt;
+Mavila is the regular temperament eliminating &lt;a class="wiki_link" href="/135_128" target="_blank"&gt;135/128&lt;/a&gt;. As a consequence, this means that it will have a generator significantly flat of 3/2 so that 4 of them add up to a minor third. For any decent tuning of mavila, another consequence of this tempering is that we end up with an &amp;quot;antidiatonic&amp;quot; 7-note MOS, such that the LLsLLLs melodic pattern becomes inverted into the ssLsssL pattern. (see &lt;a class="wiki_link" href="/2L%205s" target="_blank"&gt;2L 5s&lt;/a&gt;) Additionally, while mavila supports 5-note and 7-note MOS's like meantone, it has an additional 9-note &amp;quot;superdiatonic&amp;quot; MOS scale as well, in which the LLsLLLs melodic pattern becomes extended into the LLLsLLLLs pattern. (see&lt;a class="wiki_link" href="/7L%202s" target="_blank"&gt; 7L 2s&lt;/a&gt;) These correspondences can be harnessed to create an intuitive naming system for the modes of mavila[7] and mavila[9] which reference the names of the existing familiar modes of meantone[7].&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:4:&amp;lt;h3&amp;gt; --&gt;&lt;h3 id="toc1"&gt;&lt;a name="Introduction--How to read these charts"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:4 --&gt;How to read these charts&lt;/h3&gt;
-  &lt;ul&gt;&lt;li&gt;The 6|0, 5|1, 4|2 markings are an instance of &lt;a class="wiki_link" href="/Modal%20UDP%20Notation"&gt;Modal UDP Notation&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.&lt;/li&gt;&lt;li&gt;Additionally, &amp;quot;diatonic&amp;quot; names make use of the following abbreviations:&lt;ul&gt;&lt;li&gt;SM - Supermajor&lt;/li&gt;&lt;li&gt;M - Major&lt;/li&gt;&lt;li&gt;N - Neutral&lt;/li&gt;&lt;li&gt;m - Minor&lt;/li&gt;&lt;li&gt;sm - Subminor&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
+  &lt;ul&gt;&lt;li&gt;The 6|0, 5|1, 4|2 markings are an instance of &lt;a class="wiki_link" href="/Modal%20UDP%20Notation" target="_blank"&gt;Modal UDP Notation&lt;/a&gt;.&lt;/li&gt;&lt;li&gt;Unless otherwise specified, all transversals occur in the 2.3.5.7.11 extension of Mavila which tempers out 135/128, 36/35, 45/44, 33/32, called 11-limit Armodue temperament.&lt;/li&gt;&lt;li&gt;Additionally, &amp;quot;diatonic&amp;quot; names make use of the following abbreviations:&lt;ul&gt;&lt;li&gt;SM - Supermajor&lt;/li&gt;&lt;li&gt;M - Major&lt;/li&gt;&lt;li&gt;N - Neutral&lt;/li&gt;&lt;li&gt;m - Minor&lt;/li&gt;&lt;li&gt;sm - Subminor&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;
 &lt;br /&gt;
 &lt;!-- ws:start:WikiTextHeadingRule:6:&amp;lt;h1&amp;gt; --&gt;&lt;h1 id="toc2"&gt;&lt;a name="x2L3s Pentatonic MOS: Pelogic"&gt;&lt;/a&gt;&lt;!-- ws:end:WikiTextHeadingRule:6 --&gt;2L3s Pentatonic MOS: Pelogic&lt;/h1&gt;
@@ Line 236: / Line 236: @@
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td style="text-align: center;"&gt;0|0&lt;br /&gt;
+         &lt;td style="text-align: center;"&gt;0|4&lt;br /&gt;
 &lt;/td&gt;
          &lt;td style="text-align: center;"&gt;ssLsL&lt;br /&gt;
@@ Line 351: / Line 351: @@
      &lt;/tr&gt;
      &lt;tr&gt;
-         &lt;td style="text-align: center;"&gt;0|0&lt;br /&gt;
+         &lt;td style="text-align: center;"&gt;0|4&lt;br /&gt;
 &lt;/td&gt;
          &lt;td style="text-align: center;"&gt;ssLsL&lt;br /&gt;
@@ Line 844: / Line 844: @@
          &lt;td&gt;0|8 - sLLLsLLLL - (Super)Locrian&lt;br /&gt;
 &lt;/td&gt;
-         &lt;td&gt;&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/MavilaSuperdiatonic16edo.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;MavilaSuperdiatonic16edo.mp3&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FMavilaSuperdiatonic16edo.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;br /&gt;
+         &lt;td&gt;&lt;!-- ws:start:WikiTextMediaRule:1:&amp;lt;img src=&amp;quot;http://www.wikispaces.com/site/embedthumbnail/file-audio/MavilaSuperdiatonic16edo.mp3?h=20&amp;amp;w=240&amp;quot; class=&amp;quot;WikiMedia WikiMediaFile&amp;quot; id=&amp;quot;wikitext@@media@@type=&amp;amp;quot;file&amp;amp;quot; key=&amp;amp;quot;MavilaSuperdiatonic16edo.mp3&amp;amp;quot; width=&amp;amp;quot;240&amp;amp;quot; height=&amp;amp;quot;20&amp;amp;quot;&amp;quot; title=&amp;quot;Local Media File&amp;quot;height=&amp;quot;20&amp;quot; width=&amp;quot;240&amp;quot;/&amp;gt; --&gt;&lt;embed src="/s/mediaplayer.swf" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" quality="high" width="240" height="20" wmode="transparent" flashvars="file=http%253A%252F%252Fxenharmonic.wikispaces.com%252Ffile%252Fview%252FMavilaSuperdiatonic16edo.mp3?file_extension=mp3&amp;autostart=false&amp;repeat=false&amp;showdigits=true&amp;showfsbutton=false&amp;width=240&amp;height=20"&gt;&lt;/embed&gt;&lt;!-- ws:end:WikiTextMediaRule:1 --&gt;&lt;br /&gt;
 &lt;/td&gt;
      &lt;/tr&gt;