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| <h2>IMPORTED REVISION FROM WIKISPACES</h2> | | <span style="display: block; text-align: right;">[[アーブ・ウィルソン|日本語]]</span> |
| This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
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| : This revision was by author [[User:hstraub|hstraub]] and made on <tt>2016-04-19 03:57:02 UTC</tt>.<br>
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| : The original revision id was <tt>580512585</tt>.<br>
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| : The revision comment was: <tt></tt><br>
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| The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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| <h4>Original Wikitext content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html"><span style="display: block; text-align: right;">[[アーブ・ウィルソン|日本語]]
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| **Ervin Wilson** (b. 1928) was born in a remote area of northwest Chihuahua, Mexico, where he lived until the age of fifteen. His mother taught him to play the reed organ and to read musical notation. He began to compose at an early age, but immediately discovered that some of the sounds he was hearing mentally could not be reproduced by the conventional intervals of the organ. As a teenager he began to read books on Indian music, developing an interest in concepts of raga. While in the Air Force in Japan, a chance meeting with a stranger introduced him to musical harmonics, which changed the course of his life and work. Further influenced by Joseph Yasser, Wilson began to think of the musical scale as a living process, like a crystal or plant. He rediscovered base-2 logarithms and began to systematically explore equal divisions of the octave, coming up with scales of 17, 19, 22, and 31 tones that were especially pleasing. He has been mentor to many composers and instrument builders. The goal of his research is to make exotic scales musically accessible to the composer and listener. "I sculpt in the architecture of the scale. Other people come along and animate it".
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| [[http://en.wikipedia.org/wiki/Erv_Wilson|Erv Wilson on Wikipedia]]
| | '''Ervin Wilson''' (b. 1928) was born in a remote area of northwest Chihuahua, Mexico, where he lived until the age of fifteen. His mother taught him to play the reed organ and to read musical notation. He began to compose at an early age, but immediately discovered that some of the sounds he was hearing mentally could not be reproduced by the conventional intervals of the organ. As a teenager he began to read books on Indian music, developing an interest in concepts of raga. While in the Air Force in Japan, a chance meeting with a stranger introduced him to musical harmonics, which changed the course of his life and work. Further influenced by Joseph Yasser, Wilson began to think of the musical scale as a living process, like a crystal or plant. He rediscovered base-2 logarithms and began to systematically explore equal divisions of the octave, coming up with scales of 17, 19, 22, and 31 tones that were especially pleasing. He has been mentor to many composers and instrument builders. The goal of his research is to make exotic scales musically accessible to the composer and listener. "I sculpt in the architecture of the scale. Other people come along and animate it". |
| [[http://anaphoria.com/wilson.html|The Wilson Archives]] (collected papers)
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| [[http://www.thesonicsky.com/|video The Sonic Sky]]</pre></div>
| | [http://en.wikipedia.org/wiki/Erv_Wilson Erv Wilson on Wikipedia] |
| <h4>Original HTML content:</h4>
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| <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>Erv Wilson</title></head><body><span style="display: block; text-align: right;"><a class="wiki_link" href="/%E3%82%A2%E3%83%BC%E3%83%96%E3%83%BB%E3%82%A6%E3%82%A3%E3%83%AB%E3%82%BD%E3%83%B3">日本語</a><br />
| | [http://anaphoria.com/wilson.html The Wilson Archives] (collected papers) |
| </span><br />
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| <strong>Ervin Wilson</strong> (b. 1928) was born in a remote area of northwest Chihuahua, Mexico, where he lived until the age of fifteen. His mother taught him to play the reed organ and to read musical notation. He began to compose at an early age, but immediately discovered that some of the sounds he was hearing mentally could not be reproduced by the conventional intervals of the organ. As a teenager he began to read books on Indian music, developing an interest in concepts of raga. While in the Air Force in Japan, a chance meeting with a stranger introduced him to musical harmonics, which changed the course of his life and work. Further influenced by Joseph Yasser, Wilson began to think of the musical scale as a living process, like a crystal or plant. He rediscovered base-2 logarithms and began to systematically explore equal divisions of the octave, coming up with scales of 17, 19, 22, and 31 tones that were especially pleasing. He has been mentor to many composers and instrument builders. The goal of his research is to make exotic scales musically accessible to the composer and listener. &quot;I sculpt in the architecture of the scale. Other people come along and animate it&quot;.<br />
| | [http://www.thesonicsky.com/ video The Sonic Sky] |
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| <a class="wiki_link_ext" href="http://en.wikipedia.org/wiki/Erv_Wilson" rel="nofollow">Erv Wilson on Wikipedia</a><br />
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| <a class="wiki_link_ext" href="http://anaphoria.com/wilson.html" rel="nofollow">The Wilson Archives</a> (collected papers)<br />
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| <a class="wiki_link_ext" href="http://www.thesonicsky.com/" rel="nofollow">video The Sonic Sky</a></body></html></pre></div>
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日本語
Ervin Wilson (b. 1928) was born in a remote area of northwest Chihuahua, Mexico, where he lived until the age of fifteen. His mother taught him to play the reed organ and to read musical notation. He began to compose at an early age, but immediately discovered that some of the sounds he was hearing mentally could not be reproduced by the conventional intervals of the organ. As a teenager he began to read books on Indian music, developing an interest in concepts of raga. While in the Air Force in Japan, a chance meeting with a stranger introduced him to musical harmonics, which changed the course of his life and work. Further influenced by Joseph Yasser, Wilson began to think of the musical scale as a living process, like a crystal or plant. He rediscovered base-2 logarithms and began to systematically explore equal divisions of the octave, coming up with scales of 17, 19, 22, and 31 tones that were especially pleasing. He has been mentor to many composers and instrument builders. The goal of his research is to make exotic scales musically accessible to the composer and listener. "I sculpt in the architecture of the scale. Other people come along and animate it".
Erv Wilson on Wikipedia
The Wilson Archives (collected papers)
video The Sonic Sky