John Moriarty: Difference between revisions

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<h2>IMPORTED REVISION FROM WIKISPACES</h2>

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

: This revision was by author [[User:JlMoriart|JlMoriart]] and made on <tt>2016-01-24 23:40:52 UTC</tt>.

: This revision was by author [[User:JlMoriart|JlMoriart]] and made on <tt>2016-05-26 23:38:29 UTC</tt>.

: The original revision id was <tt>~~572819541~~</tt>.

: The original revision id was <tt>584194207</tt>.

: The revision comment was: <tt></tt>

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**John Lank Moriarty** (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.

He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]].</pre></div>

He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]].

Some of my crazy ramblings:

__________________________________________________________________________________________

Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.

With a Tonic C, then, the “diatonic” notes are:

C Db D Eb E F F# Gb G Ab A Bb B

So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!

Let’s name those notes diatonic to C as follows:

Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti

Where one sized generic intervals (unisons and octaves) and their chroma shifts are named

diminished, perfect, or augmented

and have the endings

-e, -o, and -u, respectively

And then two sized generic intervals and their chroma shifts are named

diminished, minor, major, or augmented

and have the endings

-e, -a, -i, and -u, respectively

Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)

Ionian- Do Ri Mi Fa Si Li Ti Do

Mixolydian- Do Ri Mi Fa Si Li Ta Do

Dorian- Do Ri Ma Fa Si Li Ta Do

Aolean- Do Ri Ma Fa Si La Ta Do

Phrygian- Do Ra Ma Fa Si La Ta Do

Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)

Harmonic Minor- Do Ri Ma Fa Si La Ti Do

Melodic major- Do Ri Mi Fa Si La Ta Do

Harmonic Major- Do Ri Mi Fa Si La Ti Do

Double Harmonic- Do Ra Mi Fa Si La Ti Do

Lydian aug2- Do Ru Mi Fi Si Li Ti Do

Aolean dim6- Do Ra Ma Fa Sa La Te

__________________________________________________________________________________________ </pre></div>

<h4>Original HTML content:</h4>

<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>John Moriarty</title></head><body>John Lank Moriarty (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.

He releases most of his tuning-related material on his <a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow">youtube page</a> and his <a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow">soundcloud page</a>.</body></html></pre></div>

He releases most of his tuning-related material on his <a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow">youtube page</a> and his <a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow">soundcloud page</a>.

Some of my crazy ramblings:

Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.

With a Tonic C, then, the “diatonic” notes are:

C Db D Eb E F F# Gb G Ab A Bb B

So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!

Let’s name those notes diatonic to C as follows:

Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti

Where one sized generic intervals (unisons and octaves) and their chroma shifts are named

diminished, perfect, or augmented

and have the endings

-e, -o, and -u, respectively

And then two sized generic intervals and their chroma shifts are named

diminished, minor, major, or augmented

and have the endings

-e, -a, -i, and -u, respectively

Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)

Ionian- Do Ri Mi Fa Si Li Ti Do

Mixolydian- Do Ri Mi Fa Si Li Ta Do

Dorian- Do Ri Ma Fa Si Li Ta Do

Aolean- Do Ri Ma Fa Si La Ta Do

Phrygian- Do Ra Ma Fa Si La Ta Do

Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)

Harmonic Minor- Do Ri Ma Fa Si La Ti Do

Melodic major- Do Ri Mi Fa Si La Ta Do

Harmonic Major- Do Ri Mi Fa Si La Ti Do

Double Harmonic- Do Ra Mi Fa Si La Ti Do

Lydian aug2- Do Ru Mi Fi Si Li Ti Do

Aolean dim6- Do Ra Ma Fa Sa La Te

</body></html></pre></div>

@@ Line 1: / Line 1: @@
 <h2>IMPORTED REVISION FROM WIKISPACES</h2>
 This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
-: This revision was by author [[User:JlMoriart|JlMoriart]] and made on <tt>2016-01-24 23:40:52 UTC</tt>.<br>
+: This revision was by author [[User:JlMoriart|JlMoriart]] and made on <tt>2016-05-26 23:38:29 UTC</tt>.<br>
-: The original revision id was <tt>572819541</tt>.<br>
+: The original revision id was <tt>584194207</tt>.<br>
 : The revision comment was: <tt></tt><br>
 The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
@@ Line 8: / Line 8: @@
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**John Lank Moriarty** (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.
-He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]].</pre></div>
+He releases most of his tuning-related material on his [[https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ|youtube page]] and his [[https://soundcloud.com/john-lank1|soundcloud page]].
+Some of my crazy ramblings:
+__________________________________________________________________________________________
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;With a Tonic C, then, the “diatonic” notes are:&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;C Db D Eb E F F# Gb G Ab A Bb B&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Let’s name those notes diatonic to C as follows:&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Where one sized generic intervals (unisons and octaves) and their chroma shifts are named&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;diminished, perfect, or augmented&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;and have the endings &lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;-e, -o, and -u, respectively&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;And then two sized generic intervals and their chroma shifts are named&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;diminished, minor, major, or augmented &lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;and have the endings &lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;-e, -a, -i, and -u, respectively&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Ionian- Do Ri Mi Fa Si Li Ti Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Mixolydian- Do Ri Mi Fa Si Li Ta Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Dorian- Do Ri Ma Fa Si Li Ta Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Aolean- Do Ri Ma Fa Si La Ta Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Phrygian- Do Ra Ma Fa Si La Ta Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Harmonic Minor- Do Ri Ma Fa Si La Ti Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Melodic major- Do Ri Mi Fa Si La Ta Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Harmonic Major- Do Ri Mi Fa Si La Ti Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Double Harmonic- Do Ra Mi Fa Si La Ti Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Lydian aug2- Do Ru Mi Fi Si Li Ti Do&lt;/span&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Aolean dim6- Do Ra Ma Fa Sa La Te&lt;/span&gt;
+__________________________________________________________________________________________ </pre></div>
 <h4>Original HTML content:</h4>
 <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;John Moriarty&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;John Lank Moriarty&lt;/strong&gt; (Born the 25th of March, 1992) is a student and composer of mircrotonal music, presently teaching voice in eastern Pennsylvania.&lt;br /&gt;
 &lt;br /&gt;
-He releases most of his tuning-related material on his &lt;a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow"&gt;youtube page&lt;/a&gt; and his &lt;a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow"&gt;soundcloud page&lt;/a&gt;.&lt;/body&gt;&lt;/html&gt;</pre></div>
+He releases most of his tuning-related material on his &lt;a class="wiki_link_ext" href="https://www.youtube.com/channel/UCEK-SM-KV_DJdijO3RboxBQ" rel="nofollow"&gt;youtube page&lt;/a&gt; and his &lt;a class="wiki_link_ext" href="https://soundcloud.com/john-lank1" rel="nofollow"&gt;soundcloud page&lt;/a&gt;.&lt;br /&gt;
+&lt;br /&gt;
+&lt;br /&gt;
+Some of my crazy ramblings:&lt;br /&gt;
+&lt;u&gt; &lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Inspiration: What notes are diatonic to C as a tonic? Does it depend on the mode? I don’t think so. I think that twelve notes, the six fifths above and below, are all “diatonically” related to C, which I think lines up with the description of “mode mixture”.&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;With a Tonic C, then, the “diatonic” notes are:&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;C Db D Eb E F F# Gb G Ab A Bb B&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;So let’s make our solfeggio all about whether we’re using the major or minor interval above the tonic instead of all about a single important mode and modifications thereof!&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Let’s name those notes diatonic to C as follows:&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Do Ra Ri Ma Mi Fa Fi Sa Si La Li Ta Ti&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Where one sized generic intervals (unisons and octaves) and their chroma shifts are named&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;diminished, perfect, or augmented&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;and have the endings &lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;-e, -o, and -u, respectively&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;And then two sized generic intervals and their chroma shifts are named&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;diminished, minor, major, or augmented &lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;and have the endings &lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;-e, -a, -i, and -u, respectively&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Lydian- Do Ri Mi Fi Si Li Ti Do (All -i endings because they’re all major to the tonic.)&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Ionian- Do Ri Mi Fa Si Li Ti Do&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Mixolydian- Do Ri Mi Fa Si Li Ta Do&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Dorian- Do Ri Ma Fa Si Li Ta Do&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Aolean- Do Ri Ma Fa Si La Ta Do&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Phrygian- Do Ra Ma Fa Si La Ta Do&lt;/span&gt;&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Locrain- Do Ra Ma Fa Sa La Ta Do (All -a endings because they are all minor to the tonic.)&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Harmonic Minor- Do Ri Ma Fa Si La Ti Do&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Melodic major- Do Ri Mi Fa Si La Ta Do&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Harmonic Major- Do Ri Mi Fa Si La Ti Do&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Double Harmonic- Do Ra Mi Fa Si La Ti Do&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Lydian aug2- Do Ru Mi Fi Si Li Ti Do&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;span style="font-family: Arial; font-size: 14.6667px; vertical-align: baseline;"&gt;Aolean dim6- Do Ra Ma Fa Sa La Te&lt;/span&gt;&lt;br /&gt;
+&lt;br /&gt;
+&lt;br /&gt;
+&lt;/u&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>