Harmonic: Difference between revisions

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Wikispaces>Sarzadoce
**Imported revision 362668078 - Original comment: **
Wikispaces>guest
**Imported revision 363693274 - Original comment: highlighted lemma**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:Sarzadoce|Sarzadoce]] and made on <tt>2012-09-06 19:03:18 UTC</tt>.<br>
: This revision was by author [[User:guest|guest]] and made on <tt>2012-09-11 03:49:32 UTC</tt>.<br>
: The original revision id was <tt>362668078</tt>.<br>
: The original revision id was <tt>363693274</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>highlighted lemma</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Harmonics are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. //Harmonic// usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). //Overtones// consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, //Partials// do not need to be related by whole-number multiples, but may instead be completely inharmonic.
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">**Harmonics** are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. //Harmonic// usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). //Overtones// consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, //Partials// do not need to be related by whole-number multiples, but may instead be completely inharmonic.


Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a [[Gallery of Just Intervals|just interval]].
Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a [[Gallery of Just Intervals|just interval]].
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http://en.wikipedia.org/wiki/Harmonic</pre></div>
http://en.wikipedia.org/wiki/Harmonic</pre></div>
<h4>Original HTML content:</h4>
<h4>Original HTML content:</h4>
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Harmonic&lt;/title&gt;&lt;/head&gt;&lt;body&gt;Harmonics are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. &lt;em&gt;Harmonic&lt;/em&gt; usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). &lt;em&gt;Overtones&lt;/em&gt; consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, &lt;em&gt;Partials&lt;/em&gt; do not need to be related by whole-number multiples, but may instead be completely inharmonic.&lt;br /&gt;
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;Harmonic&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;strong&gt;Harmonics&lt;/strong&gt; are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. &lt;em&gt;Harmonic&lt;/em&gt; usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). &lt;em&gt;Overtones&lt;/em&gt; consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, &lt;em&gt;Partials&lt;/em&gt; do not need to be related by whole-number multiples, but may instead be completely inharmonic.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;just interval&lt;/a&gt;.&lt;br /&gt;
Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a &lt;a class="wiki_link" href="/Gallery%20of%20Just%20Intervals"&gt;just interval&lt;/a&gt;.&lt;br /&gt;

Revision as of 03:49, 11 September 2012

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author guest and made on 2012-09-11 03:49:32 UTC.
The original revision id was 363693274.
The revision comment was: highlighted lemma

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

**Harmonics** are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. //Harmonic// usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). //Overtones// consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, //Partials// do not need to be related by whole-number multiples, but may instead be completely inharmonic.

Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a [[Gallery of Just Intervals|just interval]].

The ancient Greeks called these harmonics "multiples," and considered them to be a unique interval class separate from [[superparticular]] and [[Superpartient|superpartient]] intervals.


http://en.wikipedia.org/wiki/Harmonic

Original HTML content:

<html><head><title>Harmonic</title></head><body><strong>Harmonics</strong> are the basic building blocks of periodic sounds. They may also be referred to as partials or overtones, but these words can have different meanings in the same context. <em>Harmonic</em> usually refers to the sine wave components which make up a sound, which are whole-number multiples of the fundamental frequency (lowest tone). <em>Overtones</em> consist of all harmonics except for the fundamental; thus the 1st overtone is actually the 2nd harmonic, and so on. Unlike harmonics, <em>Partials</em> do not need to be related by whole-number multiples, but may instead be completely inharmonic.<br />
<br />
Harmonic oscillators such as a bowed violin or the human voice contains a nearly-infinite amount of harmonics, starting with 1f, 2f, 3f, 4f... where f is the fundamental frequency. Each of these harmonics has a distinct amplitude, generally decreasing as the 'height' of the harmonic increases. The span between any two of these harmonics is called a <a class="wiki_link" href="/Gallery%20of%20Just%20Intervals">just interval</a>.<br />
<br />
The ancient Greeks called these harmonics &quot;multiples,&quot; and considered them to be a unique interval class separate from <a class="wiki_link" href="/superparticular">superparticular</a> and <a class="wiki_link" href="/Superpartient">superpartient</a> intervals.<br />
<br />
<br />
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