13-limit: Difference between revisions
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The '''13-limit''' or 13-prime-limit consists of [[just intonation]] [[interval]]s such that the highest [[prime factor]] in all [[ratio]]s is 13. Thus, [[40/39]] would be within the 13-limit, since 40 is {{nowrap|2 × 2 × 2 × 5}} and 39 is {{nowrap|3 × 13}}, but [[34/33]] would not, since 34 is {{nowrap|2 × 17}}, and [[17-limit|17]] is a prime number higher than 13. The 13-limit is the 6th [[prime limit]] and is thus a superset of the [[11-limit]] and a subset of the [[17-limit]]. | The '''13-limit''' or 13-prime-limit consists of [[just intonation]] [[interval]]s such that the highest [[prime factor]] in all [[ratio]]s is 13. Thus, [[40/39]] would be within the 13-limit, since 40 is {{nowrap|2 × 2 × 2 × 5}} and 39 is {{nowrap|3 × 13}}, but [[34/33]] would not, since 34 is {{nowrap|2 × 17}}, and [[17-limit|17]] is a prime number higher than 13. The 13-limit is the 6th [[prime limit]] and is thus a superset of the [[11-limit]] and a subset of the [[17-limit]]. | ||
The 13-limit is a [[ | The 13-limit is a [[rank and codimension|rank-6]] system, and can be modeled in a 5-dimensional [[lattice]], with the primes 3, 5, 7, 11, and 13 represented by each dimension. The prime 2 does not appear in the typical 13-limit lattice because [[octave equivalence]] is presumed. If octave equivalence is not presumed, a sixth dimension is needed. | ||
== | == Edo approximation == | ||
[[ | [[Edo]]s which represent 13-limit intervals better (with decreasing [[TE error]]): {{EDOs| 26, 27e, 29, 31, 41, 46, 53, 58, 72, 87, 103, 111, 121, 130, 183, 190, 198, 224, 270, 494 }} and so on. | ||
Here is a list of edos which tunes the 13-limit well relative to their size ({{nowrap|[[TE relative error]] | Here is a list of edos which tunes the 13-limit well relative to their size ({{nowrap|[[TE relative error]] < 5.5%}}): {{EDOs| 31, 41, 46, 53, 58, 72, 87, 94, 103, 111, 121, 130, 140, 152f, 159, 183, 190, 198, 212, 217, 224, 270, 282, 296, 301, 311, 320, 328, 342f, 354, 364, 369f, 373, 383, 400, 414, 422, 431, 441, 460, 472, 494 }}, and so on. | ||
'''Note | '''Note''': [[Wart notation]] is used to specify the [[val]] chosen for the edo. In the above list, "27e" means taking the second closest approximation of harmonic 11. | ||
== Intervals == | == Intervals == | ||
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|- | |- | ||
! Ratio | ! Ratio | ||
! Cents | ! Cents value | ||
! colspan="2" | [[Color name | ! colspan="2" | [[Color name]] | ||
! Name | ! Name | ||
|- | |- | ||
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; [[Claudi Meneghin]] | ; [[Claudi Meneghin]] | ||
* [http://web.archive.org/web/20160412025512/http://soonlabel.com/xenharmonic/archives/2089 ''Canon on a ground''] – in 2.11.13 subgroup | * [http://web.archive.org/web/20160412025512/http://soonlabel.com/xenharmonic/archives/2089 ''Canon on a ground''] – in 2.11.13 subgroup | ||
; [[Gene Ward Smith]] | |||
* [https://archive.org/details/ThrenodyForTheVictimsOfWolfgangAmadeusMozart ''Threnody for the Victims of Wolfgang Amadeus Mozart''] (archived 2010) – 13-limit JI in [[6079edo]] tuning | |||
* [https://archive.org/details/RoughDiamond ''Rough Diamond''] (archived 2010) a.k.a. ''Diamond in the Rough''<ref>[http://lumma.org/tuning/gws/gene.html xenharmony.org mirror | ''Gene's Music'']</ref> – symphonic con brio using the Partch 13-odd-limit tonality diamond as a scale. | |||
; [[User:Tristanbay|Tristan Bay]] | ; [[User:Tristanbay|Tristan Bay]] | ||
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* [[Gallery of just intervals]] | * [[Gallery of just intervals]] | ||
* [[Tridecimal neutral seventh chord]] | * [[Tridecimal neutral seventh chord]] | ||
== Notes == | |||
[[Category:13-limit| ]] <!-- main article --> | [[Category:13-limit| ]] <!-- main article --> |