Gallery of 12-tone just intonation scales: Difference between revisions

Wikispaces>spt3125
**Imported revision 499384758 - Original comment: **
Wikispaces>genewardsmith
**Imported revision 515183320 - Original comment: **
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:spt3125|spt3125]] and made on <tt>2014-03-30 16:48:42 UTC</tt>.<br>
: This revision was by author [[User:genewardsmith|genewardsmith]] and made on <tt>2014-06-28 20:31:03 UTC</tt>.<br>
: The original revision id was <tt>499384758</tt>.<br>
: The original revision id was <tt>515183320</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt></tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
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* [[domdimpajinjschis]] - superwakalix
* [[domdimpajinjschis]] - superwakalix
* [[domdimpajinjmean]] - superwakalix, same as miller7, parizek_ji1
* [[domdimpajinjmean]] - superwakalix, same as miller7, parizek_ji1
* [[duodene]] - the Ellis duodene = Dwarf(&lt;12 19 28|) = syndie3 = Euler(675)
* [[duodene]] - the Ellis duodene = Dwarf(&lt;12 19 28|) = syndie3 = Euler(675) = Gandhar tuning
* [[duodene_skew]] - rotated duodene = magsyn3
* [[duodene_skew]] - rotated duodene = magsyn3
* [[duohex]] - a scale with two hexanies
* [[duohex]] - a scale with two hexanies
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One approach to making just intonation not only practical but easy is to map an &lt;a class="wiki_link" href="/Periodic%20scale"&gt;octave-repeating&lt;/a&gt; 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a &lt;a class="wiki_link" href="/Gallery%20of%2012-tone%20Tempered%20Scales"&gt;companion page&lt;/a&gt; does the same for tempered scales.&lt;br /&gt;
One approach to making just intonation not only practical but easy is to map an &lt;a class="wiki_link" href="/Periodic%20scale"&gt;octave-repeating&lt;/a&gt; 12-tone JI scale to a standard keyboard. This page collects some of these scales, and a &lt;a class="wiki_link" href="/Gallery%20of%2012-tone%20Tempered%20Scales"&gt;companion page&lt;/a&gt; does the same for tempered scales.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool1"&gt;12highschool1&lt;/a&gt; - first 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool2"&gt;12highschool2&lt;/a&gt; - second 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/44_39-12"&gt;44_39-12&lt;/a&gt; - 12-note chromatic tuning with 352:351, 364:363 by Margo Schulter&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pre-archytas"&gt;pre-archytas&lt;/a&gt; - tuning by Gene Ward Smith&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/pre-archytas-hobbit/daily20110621_zither_ji.mp3" rel="nofollow"&gt;Just Zither Me&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=983" rel="nofollow" target="_blank"&gt;(details)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/augdommean"&gt;augdommean&lt;/a&gt; - Fokkerization of Centaur&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/barton"&gt;barton&lt;/a&gt; - Jacob Barton, tetratetradic scale on 6:7:9:11&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bicycle"&gt;bicycle&lt;/a&gt; - George Secor's (also Wilson's and Heathwaite's) 13-limit harmonic bicycle&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/biggulp"&gt;biggulp&lt;/a&gt; - Big Gulp tuning&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/tuning-survey/daily20100611-Big%20Gulp.mp3" rel="nofollow"&gt;improv&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=164" rel="nofollow"&gt;(details)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bihexany"&gt;bihexany&lt;/a&gt; - hole around [0, 1/2, 1/2, 1/2]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/blue-ji"&gt;blue-ji&lt;/a&gt; - John O'Sullivan and Carl Lumma&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3" rel="nofollow"&gt;Sweeney's Agony&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/blue-tuning/daily20110119-atonement-in-blue-JI.mp3" rel="nofollow"&gt;Atonement to a Centaur&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bluesji"&gt;bluesji&lt;/a&gt; - Graham Breed's Blues scale in a 7-limit JI version&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/breedball3"&gt;breedball3&lt;/a&gt; - the third breed ball around 49/40-7/4&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/canton"&gt;canton&lt;/a&gt; - a 2.3.11/7.13/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/carlos_harm"&gt;carlos_harm&lt;/a&gt; - &lt;a class="wiki_link" href="/Wendy%20Carlos"&gt;Wendy Carlos&lt;/a&gt; Harmonic Scale&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/carlos-harmonic/daily20090806-piano-valles-marineris-harmonic-wah.mp3" rel="nofollow"&gt;Valles Marineris&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/centaur"&gt;centaur&lt;/a&gt; - a 7-limit tuning &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/centaur.html" rel="nofollow"&gt;discovered by Kraig Grady&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/daily20100823-centaur-ver2.mp3" rel="nofollow"&gt;Centaur’s Pasture&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/chalmers_ji1.scl"&gt;chalmers_ji1.scl&lt;/a&gt; - based loosely on Wronski's and similar JI scales&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/collapsar"&gt;collapsar&lt;/a&gt; - an 11-limit patent val superwakalix&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/cv%20scales"&gt;cv scales&lt;/a&gt; - &lt;a class="wiki_link" href="/Periodic%20scale"&gt;epimorphic scales&lt;/a&gt; with three major and two minor tetrads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dekany-cs"&gt;dekany-cs&lt;/a&gt; - &lt;a class="wiki_link" href="/Combination%20product%20sets"&gt;Cps&lt;/a&gt;({1,3,7,9,11}, 2) union {77/72, 77/64}; Grady-Narushima&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/domdimpajinjschis"&gt;domdimpajinjschis&lt;/a&gt; - superwakalix&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/domdimpajinjmean"&gt;domdimpajinjmean&lt;/a&gt; - superwakalix, same as miller7, parizek_ji1&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duodene"&gt;duodene&lt;/a&gt; - the Ellis duodene = Dwarf(&amp;lt;12 19 28|) = syndie3 = Euler(675)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duodene_skew"&gt;duodene_skew&lt;/a&gt; - rotated duodene = magsyn3&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duohex"&gt;duohex&lt;/a&gt; - a scale with two hexanies&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_7"&gt;dwarf12_7&lt;/a&gt; - the 7-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_11"&gt;dwarf12_11&lt;/a&gt; - the 11-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/genovese_12"&gt;genovese_12&lt;/a&gt; - Denny Genovese's superposition of harmonics 8-16 and subharmonics 6-12&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/glumma"&gt;glumma&lt;/a&gt; - a &amp;lt;12 19 27 34|-epimorphic rectangular scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; - Hahn-reduced 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexanys"&gt;hexanys&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hobbit_11_limit"&gt;hobbit_11_limit&lt;/a&gt; - Chris Vaisvil's 11 limit JI hobbit&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-forgotten-glory-of-wolfs-motor-court/" rel="nofollow"&gt;The Forgotten Glory of Wolf’s Motor Court&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/hobbit_scales/20130923_hobbit_11_limit.mp3" rel="nofollow"&gt;(play)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/locomotive"&gt;locomotive&lt;/a&gt; - a 2.9.11.13 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/major_clus"&gt;major_clus&lt;/a&gt; - Chalmers' Major Mode Cluster&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/major_wing"&gt;major_wing&lt;/a&gt; - Chalmers' Major Wing with 7 major and 6 minor triads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/minor_clus"&gt;minor_clus&lt;/a&gt; - Chalmers' Minor Mode Cluster, Genus [333335]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/minor_wing"&gt;minor_wing&lt;/a&gt; - Chalmers' Minor Wing with 7 minor and 6 major triads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/max%20scales"&gt;max scales&lt;/a&gt; - 31 dyads 26 triads 6 tetrads 2 pentads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mdevelde"&gt;mdevelde&lt;/a&gt; - a 2.3.5.19 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/nofives"&gt;nofives&lt;/a&gt; - a 3 &amp;amp; 7 scale discovered by Gene Ward Smith&lt;ul&gt;&lt;li&gt;Aaron Krister Johnson, &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=n7mxHWdkV04" rel="nofollow"&gt;piano improvisation&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/omaha"&gt;omaha&lt;/a&gt; - a 2.3.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/otones12-24"&gt;otones12-24&lt;/a&gt; - a.k.a. Mode 12 of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/part12"&gt;part12&lt;/a&gt; - 9+3=12 partition scale &amp;lt;12 19 27| epimorphic&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/portsmouth"&gt;portsmouth&lt;/a&gt; - a 2.3.7.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prentwind"&gt;prentwind&lt;/a&gt; - &lt;a class="wiki_link" href="/Prent%20Rodgers"&gt;Prent Rodgers&lt;/a&gt;' scale for &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Rodgers/prentrodgers+dryholecanyonforwoodwindquintet.mp3" rel="nofollow"&gt;Dry Hole Canyon for Woodwind Quintet&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prism"&gt;prism&lt;/a&gt; - &lt;a class="wiki_link" href="/Carl%20Lumma"&gt;Carl Lumma&lt;/a&gt; scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pris"&gt;pris&lt;/a&gt; - optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ptolex"&gt;ptolex&lt;/a&gt; - &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;'s extended septimal Ptolemy&lt;ul&gt;&lt;li&gt;Jon Lyle Smith, &lt;a class="wiki_link_ext" href="http://www.notonlymusic.com/board/download/file.php?id=1993" rel="nofollow"&gt;Te Deum Laudamus&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; - &lt;a class="wiki_link" href="/Hahn-reduced"&gt;Hahn-reduced&lt;/a&gt; 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn_7"&gt;hahn_7&lt;/a&gt; - &lt;a class="wiki_link" href="/Paul%20Hahn"&gt;Paul Hahn&lt;/a&gt;'s scale with 32 consonant 7-limit dyads. TL '99&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrison_cinna"&gt;harrison_cinna&lt;/a&gt; - &lt;a class="wiki_link" href="/Lou%20Harrison"&gt;Lou Harrison&lt;/a&gt;, &amp;quot;Incidental Music for Corneille's Cinna&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrisonm_rev"&gt;harrisonm_rev&lt;/a&gt; - Michael Harrison's &lt;a class="wiki_link_ext" href="http://www.michaelharrison.com/harmonic-tunings.html" rel="nofollow"&gt;Revelation Tuning&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexy"&gt;hexy&lt;/a&gt; - maximized 9-limit harmony containing a hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/johnston"&gt;johnston&lt;/a&gt; - Ben Johnston's combined otonal-utonal 11-limit Fokker block&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm"&gt;malcolm&lt;/a&gt; - Alexander Malcolm's Monochord (1721)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm2"&gt;malcolm2&lt;/a&gt; - Alexander Malcolm's 1721 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mohajira-to-slendro"&gt;mohajira-to-slendro&lt;/a&gt; - Dudon's &amp;quot;From Mohajira to Aeolian and Slendros&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/oljare"&gt;oljare&lt;/a&gt; - Mats Öljare, scale for &amp;quot;Tampere&amp;quot; (2001)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ramis"&gt;ramis&lt;/a&gt; - monochord of Ramos de Pareja (Ramis de Pareia), Musica practica (1482)&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Curley/Zach%20Curley%20-%20Impromptu%20in%20F%20Minor.mp3" rel="nofollow"&gt;Impromptu in F Minor&lt;/a&gt; by &lt;a class="wiki_link" href="/Zach%20Curley"&gt;Zach Curley&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/rectoo"&gt;rectoo&lt;/a&gt; - Hahn reduced circle of fifths via &amp;lt;12 19 27 34|&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/riley_rosary"&gt;riley_rosary&lt;/a&gt; - Terry Riley, tuning for Cactus Rosary (1993)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Secor5_23TX"&gt;Secor5_23TX&lt;/a&gt; - George Secor's synchronous 5/23-comma temperament extraordinaire&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/serafini-11"&gt;serafini-11&lt;/a&gt; - Serafini's &lt;a class="wiki_link_ext" href="http://electro-music.com/forum/topic-14631.html" rel="nofollow"&gt;11's chromatic scale&lt;/a&gt;, an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sevish"&gt;sevish&lt;/a&gt; - Sean &amp;quot;Sevish&amp;quot; Archibald's scale for &lt;a class="wiki_link_ext" href="http://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3" rel="nofollow"&gt;Trapped in a Cycle&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/simp12"&gt;simp12&lt;/a&gt; - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/JI/simpl10plus13.mp3" rel="nofollow"&gt;Simpl10plus13&lt;/a&gt; by Chris Vaisvil&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sonbirkezsorted"&gt;sonbirkezsorted&lt;/a&gt; Sonbirkez Huzzam scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/steel"&gt;steel&lt;/a&gt; - an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Lou%20Harrison"&gt;Lou Harrison&lt;/a&gt; and Bill Slye&lt;ul&gt;&lt;li&gt;see David B. Doty's &lt;a class="wiki_link_ext" href="http://www.dbdoty.com/SteelSuiteIntro.html" rel="nofollow"&gt;Steel Suite&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex"&gt;stelhex&lt;/a&gt; - stellated two out of 1 3 5 7 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex2"&gt;stelhex2&lt;/a&gt; - stellated two out of 1 3 5 9 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stexhex5"&gt;stexhex5&lt;/a&gt; - stellated two out of 1 3 7 9 hexany, stellation is degenerate&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/terrain"&gt;terrain&lt;/a&gt; - in effect a generated scale in 2.9/5.9/7 subgroup&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/thirteendene"&gt;thirteendene&lt;/a&gt; - 2.3.5.7.13 marveldene transversal&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/unimajor"&gt;unimajor&lt;/a&gt; - a 2.3.11/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilson_class"&gt;wilson_class&lt;/a&gt; - &lt;a class="wiki_link" href="/Erv%20Wilson"&gt;Erv Wilson&lt;/a&gt;'s class&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilsonistic"&gt;wilsonistic&lt;/a&gt; - &lt;a class="wiki_link" href="/Margo%20Schulter"&gt;Margo Schulter&lt;/a&gt;'s Wilsonistic Pivot on C&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/wilson/daily20101225--wilsonistic_pivot_C-ji.mp3" rel="nofollow"&gt;A Blue Christmas for Erv&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/yekta"&gt;yekta&lt;/a&gt; - Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/young-lm_piano"&gt;young-lm_piano&lt;/a&gt;- La Monte Young's scale from &amp;quot;The Well-Tuned Piano&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/zeta12"&gt;zeta12&lt;/a&gt; - Margo Schulter's Zeta Centauri tuning, inspired by Kraig Grady's Centaur&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool1"&gt;12highschool1&lt;/a&gt; - first 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/12highschool2"&gt;12highschool2&lt;/a&gt; - second 12-note highschool scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/44_39-12"&gt;44_39-12&lt;/a&gt; - 12-note chromatic tuning with 352:351, 364:363 by Margo Schulter&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pre-archytas"&gt;pre-archytas&lt;/a&gt; - tuning by Gene Ward Smith&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/pre-archytas-hobbit/daily20110621_zither_ji.mp3" rel="nofollow"&gt;Just Zither Me&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=983" rel="nofollow" target="_blank"&gt;(details)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/augdommean"&gt;augdommean&lt;/a&gt; - Fokkerization of Centaur&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/barton"&gt;barton&lt;/a&gt; - Jacob Barton, tetratetradic scale on 6:7:9:11&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bicycle"&gt;bicycle&lt;/a&gt; - George Secor's (also Wilson's and Heathwaite's) 13-limit harmonic bicycle&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/biggulp"&gt;biggulp&lt;/a&gt; - Big Gulp tuning&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/tuning-survey/daily20100611-Big%20Gulp.mp3" rel="nofollow"&gt;improv&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/?p=164" rel="nofollow"&gt;(details)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bihexany"&gt;bihexany&lt;/a&gt; - hole around [0, 1/2, 1/2, 1/2]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/blue-ji"&gt;blue-ji&lt;/a&gt; - John O'Sullivan and Carl Lumma&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://alonetone.com/vaisvil/tracks/sweeneys-agony-remix-by-johnny-pumphandle.mp3" rel="nofollow"&gt;Sweeney's Agony&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/blue-tuning/daily20110119-atonement-in-blue-JI.mp3" rel="nofollow"&gt;Atonement to a Centaur&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/bluesji"&gt;bluesji&lt;/a&gt; - Graham Breed's Blues scale in a 7-limit JI version&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/breedball3"&gt;breedball3&lt;/a&gt; - the third breed ball around 49/40-7/4&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/canton"&gt;canton&lt;/a&gt; - a 2.3.11/7.13/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/carlos_harm"&gt;carlos_harm&lt;/a&gt; - &lt;a class="wiki_link" href="/Wendy%20Carlos"&gt;Wendy Carlos&lt;/a&gt; Harmonic Scale&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/carlos-harmonic/daily20090806-piano-valles-marineris-harmonic-wah.mp3" rel="nofollow"&gt;Valles Marineris&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/centaur"&gt;centaur&lt;/a&gt; - a 7-limit tuning &lt;a class="wiki_link_ext" href="http://www.anaphoria.com/centaur.html" rel="nofollow"&gt;discovered by Kraig Grady&lt;/a&gt;&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/centaur_tuning/daily20100823-centaur-ver2.mp3" rel="nofollow"&gt;Centaur’s Pasture&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/chalmers_ji1.scl"&gt;chalmers_ji1.scl&lt;/a&gt; - based loosely on Wronski's and similar JI scales&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/collapsar"&gt;collapsar&lt;/a&gt; - an 11-limit patent val superwakalix&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/cv%20scales"&gt;cv scales&lt;/a&gt; - &lt;a class="wiki_link" href="/Periodic%20scale"&gt;epimorphic scales&lt;/a&gt; with three major and two minor tetrads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dekany-cs"&gt;dekany-cs&lt;/a&gt; - &lt;a class="wiki_link" href="/Combination%20product%20sets"&gt;Cps&lt;/a&gt;({1,3,7,9,11}, 2) union {77/72, 77/64}; Grady-Narushima&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/domdimpajinjschis"&gt;domdimpajinjschis&lt;/a&gt; - superwakalix&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/domdimpajinjmean"&gt;domdimpajinjmean&lt;/a&gt; - superwakalix, same as miller7, parizek_ji1&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duodene"&gt;duodene&lt;/a&gt; - the Ellis duodene = Dwarf(&amp;lt;12 19 28|) = syndie3 = Euler(675) = Gandhar tuning&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duodene_skew"&gt;duodene_skew&lt;/a&gt; - rotated duodene = magsyn3&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/duohex"&gt;duohex&lt;/a&gt; - a scale with two hexanies&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_7"&gt;dwarf12_7&lt;/a&gt; - the 7-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/dwarf12_11"&gt;dwarf12_11&lt;/a&gt; - the 11-limit 12-note dwarf&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/genovese_12"&gt;genovese_12&lt;/a&gt; - Denny Genovese's superposition of harmonics 8-16 and subharmonics 6-12&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/glumma"&gt;glumma&lt;/a&gt; - a &amp;lt;12 19 27 34|-epimorphic rectangular scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; - Hahn-reduced 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexanys"&gt;hexanys&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hobbit_11_limit"&gt;hobbit_11_limit&lt;/a&gt; - Chris Vaisvil's 11 limit JI hobbit&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://chrisvaisvil.com/the-forgotten-glory-of-wolfs-motor-court/" rel="nofollow"&gt;The Forgotten Glory of Wolf’s Motor Court&lt;/a&gt; &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/hobbit_scales/20130923_hobbit_11_limit.mp3" rel="nofollow"&gt;(play)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/locomotive"&gt;locomotive&lt;/a&gt; - a 2.9.11.13 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/major_clus"&gt;major_clus&lt;/a&gt; - Chalmers' Major Mode Cluster&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/major_wing"&gt;major_wing&lt;/a&gt; - Chalmers' Major Wing with 7 major and 6 minor triads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/minor_clus"&gt;minor_clus&lt;/a&gt; - Chalmers' Minor Mode Cluster, Genus [333335]&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/minor_wing"&gt;minor_wing&lt;/a&gt; - Chalmers' Minor Wing with 7 minor and 6 major triads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/max%20scales"&gt;max scales&lt;/a&gt; - 31 dyads 26 triads 6 tetrads 2 pentads&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mdevelde"&gt;mdevelde&lt;/a&gt; - a 2.3.5.19 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/nofives"&gt;nofives&lt;/a&gt; - a 3 &amp;amp; 7 scale discovered by Gene Ward Smith&lt;ul&gt;&lt;li&gt;Aaron Krister Johnson, &lt;a class="wiki_link_ext" href="http://www.youtube.com/watch?v=n7mxHWdkV04" rel="nofollow"&gt;piano improvisation&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/omaha"&gt;omaha&lt;/a&gt; - a 2.3.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/otones12-24"&gt;otones12-24&lt;/a&gt; - a.k.a. Mode 12 of the &lt;a class="wiki_link" href="/OverToneSeries"&gt;Harmonic Series&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/part12"&gt;part12&lt;/a&gt; - 9+3=12 partition scale &amp;lt;12 19 27| epimorphic&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/portsmouth"&gt;portsmouth&lt;/a&gt; - a 2.3.7.11 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prentwind"&gt;prentwind&lt;/a&gt; - &lt;a class="wiki_link" href="/Prent%20Rodgers"&gt;Prent Rodgers&lt;/a&gt;' scale for &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Rodgers/prentrodgers+dryholecanyonforwoodwindquintet.mp3" rel="nofollow"&gt;Dry Hole Canyon for Woodwind Quintet&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/prism"&gt;prism&lt;/a&gt; - &lt;a class="wiki_link" href="/Carl%20Lumma"&gt;Carl Lumma&lt;/a&gt; scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/pris"&gt;pris&lt;/a&gt; - optimized (15/14)^3 (16/15)^4 (21/20)^3 (25/24)^2 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ptolex"&gt;ptolex&lt;/a&gt; - &lt;a class="wiki_link" href="/Jon%20Lyle%20Smith"&gt;Jon Lyle Smith&lt;/a&gt;'s extended septimal Ptolemy&lt;ul&gt;&lt;li&gt;Jon Lyle Smith, &lt;a class="wiki_link_ext" href="http://www.notonlymusic.com/board/download/file.php?id=1993" rel="nofollow"&gt;Te Deum Laudamus&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn12"&gt;hahn12&lt;/a&gt; - &lt;a class="wiki_link" href="/Hahn-reduced"&gt;Hahn-reduced&lt;/a&gt; 12 note scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hahn_7"&gt;hahn_7&lt;/a&gt; - &lt;a class="wiki_link" href="/Paul%20Hahn"&gt;Paul Hahn&lt;/a&gt;'s scale with 32 consonant 7-limit dyads. TL '99&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrison_cinna"&gt;harrison_cinna&lt;/a&gt; - &lt;a class="wiki_link" href="/Lou%20Harrison"&gt;Lou Harrison&lt;/a&gt;, &amp;quot;Incidental Music for Corneille's Cinna&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/harrisonm_rev"&gt;harrisonm_rev&lt;/a&gt; - Michael Harrison's &lt;a class="wiki_link_ext" href="http://www.michaelharrison.com/harmonic-tunings.html" rel="nofollow"&gt;Revelation Tuning&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/hexy"&gt;hexy&lt;/a&gt; - maximized 9-limit harmony containing a hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/johnston"&gt;johnston&lt;/a&gt; - Ben Johnston's combined otonal-utonal 11-limit Fokker block&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm"&gt;malcolm&lt;/a&gt; - Alexander Malcolm's Monochord (1721)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/malcolm2"&gt;malcolm2&lt;/a&gt; - Alexander Malcolm's 1721 scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/mohajira-to-slendro"&gt;mohajira-to-slendro&lt;/a&gt; - Dudon's &amp;quot;From Mohajira to Aeolian and Slendros&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/oljare"&gt;oljare&lt;/a&gt; - Mats Öljare, scale for &amp;quot;Tampere&amp;quot; (2001)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/ramis"&gt;ramis&lt;/a&gt; - monochord of Ramos de Pareja (Ramis de Pareia), Musica practica (1482)&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/gene_ward_smith/Others/Curley/Zach%20Curley%20-%20Impromptu%20in%20F%20Minor.mp3" rel="nofollow"&gt;Impromptu in F Minor&lt;/a&gt; by &lt;a class="wiki_link" href="/Zach%20Curley"&gt;Zach Curley&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/rectoo"&gt;rectoo&lt;/a&gt; - Hahn reduced circle of fifths via &amp;lt;12 19 27 34|&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/riley_rosary"&gt;riley_rosary&lt;/a&gt; - Terry Riley, tuning for Cactus Rosary (1993)&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/Secor5_23TX"&gt;Secor5_23TX&lt;/a&gt; - George Secor's synchronous 5/23-comma temperament extraordinaire&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/serafini-11"&gt;serafini-11&lt;/a&gt; - Serafini's &lt;a class="wiki_link_ext" href="http://electro-music.com/forum/topic-14631.html" rel="nofollow"&gt;11's chromatic scale&lt;/a&gt;, an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Carlo%20Serafini"&gt;Carlo Serafini&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sevish"&gt;sevish&lt;/a&gt; - Sean &amp;quot;Sevish&amp;quot; Archibald's scale for &lt;a class="wiki_link_ext" href="http://www.archive.org/download/FNet021/02.Sevish-Trapped_in_a_Cycle.mp3" rel="nofollow"&gt;Trapped in a Cycle&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/simp12"&gt;simp12&lt;/a&gt; - Stiltner-Vaisvil 12 note 2.3.5.7.13 scale&lt;ul&gt;&lt;li&gt;&lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/JI/simpl10plus13.mp3" rel="nofollow"&gt;Simpl10plus13&lt;/a&gt; by Chris Vaisvil&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/sonbirkezsorted"&gt;sonbirkezsorted&lt;/a&gt; Sonbirkez Huzzam scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/steel"&gt;steel&lt;/a&gt; - an 11-limit tuning discovered by &lt;a class="wiki_link" href="/Lou%20Harrison"&gt;Lou Harrison&lt;/a&gt; and Bill Slye&lt;ul&gt;&lt;li&gt;see David B. Doty's &lt;a class="wiki_link_ext" href="http://www.dbdoty.com/SteelSuiteIntro.html" rel="nofollow"&gt;Steel Suite&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex"&gt;stelhex&lt;/a&gt; - stellated two out of 1 3 5 7 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stelhex2"&gt;stelhex2&lt;/a&gt; - stellated two out of 1 3 5 9 hexany&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/stexhex5"&gt;stexhex5&lt;/a&gt; - stellated two out of 1 3 7 9 hexany, stellation is degenerate&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/terrain"&gt;terrain&lt;/a&gt; - in effect a generated scale in 2.9/5.9/7 subgroup&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/thirteendene"&gt;thirteendene&lt;/a&gt; - 2.3.5.7.13 marveldene transversal&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/unimajor"&gt;unimajor&lt;/a&gt; - a 2.3.11/7 subgroup scale&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilson_class"&gt;wilson_class&lt;/a&gt; - &lt;a class="wiki_link" href="/Erv%20Wilson"&gt;Erv Wilson&lt;/a&gt;'s class&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/wilsonistic"&gt;wilsonistic&lt;/a&gt; - &lt;a class="wiki_link" href="/Margo%20Schulter"&gt;Margo Schulter&lt;/a&gt;'s Wilsonistic Pivot on C&lt;ul&gt;&lt;li&gt;Chris Vaisvil, &lt;a class="wiki_link_ext" href="http://micro.soonlabel.com/just/wilson/daily20101225--wilsonistic_pivot_C-ji.mp3" rel="nofollow"&gt;A Blue Christmas for Erv&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/yekta"&gt;yekta&lt;/a&gt; - Rauf Yekta's 12-tone tuning suggested in 1922 Lavignac Music Encyclopedia&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/young-lm_piano"&gt;young-lm_piano&lt;/a&gt;- La Monte Young's scale from &amp;quot;The Well-Tuned Piano&amp;quot;&lt;/li&gt;&lt;li&gt;&lt;a class="wiki_link" href="/zeta12"&gt;zeta12&lt;/a&gt; - Margo Schulter's Zeta Centauri tuning, inspired by Kraig Grady's Centaur&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>