Free style JI: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>guest **Imported revision 25255443 - Original comment: ** |
Wikispaces>guest **Imported revision 25255563 - Original comment: Added details to JI free style and history-kraig grady** |
||
| Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User:guest|guest]] and made on <tt>2008-05-27 00: | : This revision was by author [[User:guest|guest]] and made on <tt>2008-05-27 00:56:15 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>25255563</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>Added details to JI free style and history-kraig grady</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Lou Harrison invented this term from a technique he applied first in middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept instead | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;white-space: pre-wrap ! important" class="old-revision-html">Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. | ||
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. | In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. | ||
| Line 16: | Line 16: | ||
Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].</pre></div> | Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].</pre></div> | ||
<h4>Original HTML content:</h4> | <h4>Original HTML content:</h4> | ||
<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>FreeStyleJI</title></head><body>Lou Harrison invented this term from a technique he applied first in middle section of his piece &quot;At The Tomb of Charles Ives&quot;; Instead of working with a set of fixed pitches, his concept instead | <div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html"><html><head><title>FreeStyleJI</title></head><body>Lou Harrison invented this term from a technique he applied first in the middle section of his piece &quot;At The Tomb of Charles Ives&quot;; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br /> | ||
<br /> | <br /> | ||
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br /> | In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br /> | ||
Revision as of 00:56, 27 May 2008
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author guest and made on 2008-05-27 00:56:15 UTC.
- The original revision id was 25255563.
- The revision comment was: Added details to JI free style and history-kraig grady
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with. Chuckk Hubbard's [[http://www.badmuthahubbard.com/jisequencer.html|No-scale JI Sequencer]] is offered as a tool, with which Chuckk himself composed //Big Giant Worms// in 2006. Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].
Original HTML content:
<html><head><title>FreeStyleJI</title></head><body>Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br /> <br /> In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br /> <br /> Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br /> <br /> Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/jisequencer.html" rel="nofollow">No-scale JI Sequencer</a> is offered as a tool, with which Chuckk himself composed <em>Big Giant Worms</em> in 2006.<br /> <br /> Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.</body></html>