Free style JI: Difference between revisions
Jump to navigation
Jump to search
Wikispaces>xenwolf **Imported revision 150606841 - Original comment: ** |
Wikispaces>badmuthahubbard **Imported revision 188038003 - Original comment: The software mentioned here has been replaced, and I just updated the link and info.** |
||
Line 1: | Line 1: | ||
<h2>IMPORTED REVISION FROM WIKISPACES</h2> | <h2>IMPORTED REVISION FROM WIKISPACES</h2> | ||
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br> | ||
: This revision was by author [[User: | : This revision was by author [[User:badmuthahubbard|badmuthahubbard]] and made on <tt>2010-12-14 10:32:16 UTC</tt>.<br> | ||
: The original revision id was <tt> | : The original revision id was <tt>188038003</tt>.<br> | ||
: The revision comment was: <tt></tt><br> | : The revision comment was: <tt>The software mentioned here has been replaced, and I just updated the link and info.</tt><br> | ||
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br> | ||
<h4>Original Wikitext content:</h4> | <h4>Original Wikitext content:</h4> | ||
Line 12: | Line 12: | ||
Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with. | Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with. | ||
Chuckk Hubbard's [[http://www.badmuthahubbard.com/ | Chuckk Hubbard's [[http://www.badmuthahubbard.com/rationaleinfo|Rationale]] is offered as a tool, with which Chuckk himself has composed several works. | ||
Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]]. | Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]]. | ||
Line 24: | Line 24: | ||
Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br /> | Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br /> | ||
<br /> | <br /> | ||
Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/ | Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/rationaleinfo" rel="nofollow">Rationale</a> is offered as a tool, with which Chuckk himself has composed several works.<br /> | ||
<br /> | <br /> | ||
Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br /> | Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br /> | ||
<br /> | <br /> | ||
<ul><li><!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --><a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow">http://www.justintonation.net/</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html></pre></div> | <ul><li><!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --><a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow">http://www.justintonation.net/</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html></pre></div> |
Revision as of 10:32, 14 December 2010
IMPORTED REVISION FROM WIKISPACES
This is an imported revision from Wikispaces. The revision metadata is included below for reference:
- This revision was by author badmuthahubbard and made on 2010-12-14 10:32:16 UTC.
- The original revision id was 188038003.
- The revision comment was: The software mentioned here has been replaced, and I just updated the link and info.
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.
Original Wikitext content:
Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote. In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there. Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with. Chuckk Hubbard's [[http://www.badmuthahubbard.com/rationaleinfo|Rationale]] is offered as a tool, with which Chuckk himself has composed several works. Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]]. * http://www.justintonation.net/
Original HTML content:
<html><head><title>FreeStyleJI</title></head><body>Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br /> <br /> In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br /> <br /> Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br /> <br /> Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/rationaleinfo" rel="nofollow">Rationale</a> is offered as a tool, with which Chuckk himself has composed several works.<br /> <br /> Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br /> <br /> <ul><li><!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --><a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow">http://www.justintonation.net/</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html>