Free style JI: Difference between revisions

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Wikispaces>xenwolf
**Imported revision 150606841 - Original comment: **
Wikispaces>badmuthahubbard
**Imported revision 188038003 - Original comment: The software mentioned here has been replaced, and I just updated the link and info.**
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<h2>IMPORTED REVISION FROM WIKISPACES</h2>
<h2>IMPORTED REVISION FROM WIKISPACES</h2>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
This is an imported revision from Wikispaces. The revision metadata is included below for reference:<br>
: This revision was by author [[User:xenwolf|xenwolf]] and made on <tt>2010-06-26 08:08:33 UTC</tt>.<br>
: This revision was by author [[User:badmuthahubbard|badmuthahubbard]] and made on <tt>2010-12-14 10:32:16 UTC</tt>.<br>
: The original revision id was <tt>150606841</tt>.<br>
: The original revision id was <tt>188038003</tt>.<br>
: The revision comment was: <tt></tt><br>
: The revision comment was: <tt>The software mentioned here has been replaced, and I just updated the link and info.</tt><br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.<br>
<h4>Original Wikitext content:</h4>
<h4>Original Wikitext content:</h4>
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Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.
Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.


Chuckk Hubbard's [[http://www.badmuthahubbard.com/jisequencer.html|No-scale JI Sequencer]] is offered as a tool, with which Chuckk himself composed //Big Giant Worms// in 2006.
Chuckk Hubbard's [[http://www.badmuthahubbard.com/rationaleinfo|Rationale]] is offered as a tool, with which Chuckk himself has composed several works.


Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].
Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].
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Toby Twining's &lt;em&gt;Chrysalid Requiem&lt;/em&gt; makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.&lt;br /&gt;
Toby Twining's &lt;em&gt;Chrysalid Requiem&lt;/em&gt; makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Chuckk Hubbard's &lt;a class="wiki_link_ext" href="http://www.badmuthahubbard.com/jisequencer.html" rel="nofollow"&gt;No-scale JI Sequencer&lt;/a&gt; is offered as a tool, with which Chuckk himself composed &lt;em&gt;Big Giant Worms&lt;/em&gt; in 2006.&lt;br /&gt;
Chuckk Hubbard's &lt;a class="wiki_link_ext" href="http://www.badmuthahubbard.com/rationaleinfo" rel="nofollow"&gt;Rationale&lt;/a&gt; is offered as a tool, with which Chuckk himself has composed several works.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Two pitch calculators which could also be helpful: &lt;a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow"&gt;JJICalc&lt;/a&gt; and jim altieri's &lt;a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow"&gt;interval calculator&lt;/a&gt;.&lt;br /&gt;
Two pitch calculators which could also be helpful: &lt;a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow"&gt;JJICalc&lt;/a&gt; and jim altieri's &lt;a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow"&gt;interval calculator&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --&gt;&lt;a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow"&gt;http://www.justintonation.net/&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:17 --&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>
&lt;ul&gt;&lt;li&gt;&lt;!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --&gt;&lt;a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow"&gt;http://www.justintonation.net/&lt;/a&gt;&lt;!-- ws:end:WikiTextUrlRule:17 --&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/body&gt;&lt;/html&gt;</pre></div>

Revision as of 10:32, 14 December 2010

IMPORTED REVISION FROM WIKISPACES

This is an imported revision from Wikispaces. The revision metadata is included below for reference:

This revision was by author badmuthahubbard and made on 2010-12-14 10:32:16 UTC.
The original revision id was 188038003.
The revision comment was: The software mentioned here has been replaced, and I just updated the link and info.

The revision contents are below, presented both in the original Wikispaces Wikitext format, and in HTML exactly as Wikispaces rendered it.

Original Wikitext content:

Lou Harrison invented this term from a technique he applied first in the middle section of his piece "At The Tomb of Charles Ives"; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.

In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.

Toby Twining's //Chrysalid Requiem// makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.

Chuckk Hubbard's [[http://www.badmuthahubbard.com/rationaleinfo|Rationale]] is offered as a tool, with which Chuckk himself has composed several works.

Two pitch calculators which could also be helpful: [[http://jjicalc.sourceforge.net/|JJICalc]] and jim altieri's [[http://tweeg.net/software.html|interval calculator]].

* http://www.justintonation.net/

Original HTML content:

<html><head><title>FreeStyleJI</title></head><body>Lou Harrison invented this term from a technique he applied first in the middle section of his piece &quot;At The Tomb of Charles Ives&quot;; Instead of working with a set of fixed pitches, his concept was instead to use a set of fixed intervals regardless where this lead one. David Doty realized a midi version of a Symphony in Free Style That Mr. Harrison wrote.<br />
<br />
In adding freedom you may be sacrificing a 'safety' of familiarity, tonality, simplicity of materials, etc. It is a dangerous and rewarding world out there.<br />
<br />
Toby Twining's <em>Chrysalid Requiem</em> makes local use of subharmonic, harmonic, 3s-and-7s, and other subsets of JI; however its large-scale modulations wander far and never return precisely to the 1/1 begun with.<br />
<br />
Chuckk Hubbard's <a class="wiki_link_ext" href="http://www.badmuthahubbard.com/rationaleinfo" rel="nofollow">Rationale</a> is offered as a tool, with which Chuckk himself has composed several works.<br />
<br />
Two pitch calculators which could also be helpful: <a class="wiki_link_ext" href="http://jjicalc.sourceforge.net/" rel="nofollow">JJICalc</a> and jim altieri's <a class="wiki_link_ext" href="http://tweeg.net/software.html" rel="nofollow">interval calculator</a>.<br />
<br />
<ul><li><!-- ws:start:WikiTextUrlRule:17:http://www.justintonation.net/ --><a class="wiki_link_ext" href="http://www.justintonation.net/" rel="nofollow">http://www.justintonation.net/</a><!-- ws:end:WikiTextUrlRule:17 --></li></ul></body></html>