ET survey: Difference between revisions

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[[Daniel Wolf]] has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. [[Jacob Barton]]'s //Moods// and //Xenharmonic Variations on a Theme by [[Mozart]]// from 2004 progress sequentially in sections (ET's 1-13 and 12-19). [[Igliashon Jones]], under the name "City of the Asleep" on his album //Map of an Internal Landscape//, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from [[Hans Straub]], who has written such works in [[5EDO|5-]] and [[17EDO|17-EDO]]).

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<div style="width:100%; max-height:400pt; overflow:auto; background-color:#f8f9fa; border: 1px solid #eaecf0; padding:0em"><pre style="margin:0px;border:none;background:none;word-wrap:break-word;width:200%;white-space: pre-wrap ! important" class="old-revision-html">&lt;html&gt;&lt;head&gt;&lt;title&gt;ET surveys&lt;/title&gt;&lt;/head&gt;&lt;body&gt;A rather strange emerging genre. Some curious composers, wishing to test the &lt;a class="wiki_link" href="/Ivor%20Darreg"&gt;Darregian&lt;/a&gt; notion that each &lt;a class="wiki_link" href="/Equal%20Temperaments"&gt;equal temperament&lt;/a&gt;, to a certain extent, possesses a certain quality or mood to it, endeavor to compose entire series of pieces which sample the field, often sequentially. Easley Blackwood's rather neoclassical &lt;em&gt;Microtonal Etudes&lt;/em&gt; (1980-1), in EDO's 13 through 24, was one of the first such surveys. &lt;a class="wiki_link" href="/McLaren"&gt;Brian McLaren&lt;/a&gt;'s idiosyncratic &lt;em&gt;240 Piano Pieces&lt;/em&gt; from the 90's, with 5 pieces in each tuning from 5/oct to 53/oct (excepting 12!), might be the most extensive, so much that each set of 5 pieces might be thought of as a whole. &lt;a class="wiki_link" href="/Warren%20Burt"&gt;Warren Burt&lt;/a&gt;'s &lt;em&gt;39 Dissonant Etudes&lt;/em&gt; (1992-8) (5/oct to 43/oct) all use the same type of technique to generate &amp;quot;dissonance.&amp;quot;&lt;br /&gt;

&lt;a class="wiki_link" href="/Daniel%20Wolf"&gt;Daniel Wolf&lt;/a&gt; has a series of etudes from ET's 8 through 23, excepting 10, 12, and 20, written between 1994 and 2004. &lt;a class="wiki_link" href="/Jacob%20Barton"&gt;Jacob Barton&lt;/a&gt;'s &lt;em&gt;Moods&lt;/em&gt; and &lt;em&gt;Xenharmonic Variations on a Theme by &lt;a class="wiki_link" href="/Mozart"&gt;Mozart&lt;/a&gt;&lt;/em&gt; from 2004 progress sequentially in sections (ET's 1-13 and 12-19). &lt;a class="wiki_link" href="/Igliashon%20Jones"&gt;Igliashon Jones&lt;/a&gt;, under the name &amp;quot;City of the Asleep&amp;quot; on his album &lt;em&gt;Map of an Internal Landscape&lt;/em&gt;, wrote pop songs in EDOs 9 through 28 (excluding 12 and 24 EDOs), where the time-signature matches the EDO cardinality (an idea from &lt;a class="wiki_link" href="/Hans%20Straub"&gt;Hans Straub&lt;/a&gt;, who has written such works in &lt;a class="wiki_link" href="/5EDO"&gt;5-&lt;/a&gt; and &lt;a class="wiki_link" href="/17EDO"&gt;17-EDO&lt;/a&gt;).&lt;br /&gt;

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