61edo: Difference between revisions
Move this poem up again or there's little information about the edo. |
→Theory: +some basic information |
||
Line 3: | Line 3: | ||
== Theory == | == Theory == | ||
As an equal temperament, 61et is characterized by [[tempering out]] 20000/19683 ([[tetracot comma]]) and 262144/253125 ([[passion comma]]) in the 5-limit. In the 7-limit, the [[patent val]] {{val| 61 97 142 '''171''' }} [[support]]s [[valentine]] (15 & 46), and is the [[optimal patent val]] for [[freivald]] (24 & 37) in the 7-, 11- and 13-limit. The 61d [[val]] {{val| 61 97 142 '''172''' }} is a great tuning for [[modus]] and [[quasisuper]], and is a simple but out-of-tune edo tuning for [[parakleismic]]. [[Peter Kosmorsky]] has an interesting poem about its tuning profile, as follows. | |||
=== Introductory poem === | === Introductory poem === | ||
Line 25: | Line 25: | ||
and the 21st and 23rd are but a cent or two sharp! | and the 21st and 23rd are but a cent or two sharp! | ||
=== Odd harmonics === | === Odd harmonics === | ||
Line 32: | Line 30: | ||
=== Subsets and supersets === | === Subsets and supersets === | ||
61edo is the 18th [[prime edo]], after [[59edo]] and before [[67edo]]. | 61edo is the 18th [[prime edo]], after [[59edo]] and before [[67edo]]. | ||
== Intervals == | == Intervals == | ||
{{Interval table}} | {{Interval table}} |
Revision as of 07:38, 8 August 2024
← 60edo | 61edo | 62edo → |
Theory
As an equal temperament, 61et is characterized by tempering out 20000/19683 (tetracot comma) and 262144/253125 (passion comma) in the 5-limit. In the 7-limit, the patent val ⟨61 97 142 171] supports valentine (15 & 46), and is the optimal patent val for freivald (24 & 37) in the 7-, 11- and 13-limit. The 61d val ⟨61 97 142 172] is a great tuning for modus and quasisuper, and is a simple but out-of-tune edo tuning for parakleismic. Peter Kosmorsky has an interesting poem about its tuning profile, as follows.
Introductory poem
These 61 equal divisions of the octave,
though rare are assuredly a ROCK-tave (har har),
while the 3rd and 5th harmonics are about six cents sharp,
(and the flattish 15th poised differently on the harp),
the 7th and 11th err by less, around three,
and thus mayhap, a good orgone tuning found to be;
slightly sharp as well, is the 13th harmonic's place,
but the 9th and 17th lack near so much grace,
interestingly the 19th is good but a couple cents flat,
and the 21st and 23rd are but a cent or two sharp!
Odd harmonics
Harmonic | 3 | 5 | 7 | 9 | 11 | 13 | 15 | 17 | 19 | 21 | 23 | |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Error | Absolute (¢) | +6.24 | +7.13 | -4.89 | -7.19 | -0.50 | +5.37 | -6.30 | -6.59 | -2.43 | +1.35 | +1.23 |
Relative (%) | +31.7 | +36.2 | -24.9 | -36.5 | -2.5 | +27.3 | -32.0 | -33.5 | -12.4 | +6.9 | +6.3 | |
Steps (reduced) |
97 (36) |
142 (20) |
171 (49) |
193 (10) |
211 (28) |
226 (43) |
238 (55) |
249 (5) |
259 (15) |
268 (24) |
276 (32) |
Subsets and supersets
61edo is the 18th prime edo, after 59edo and before 67edo.
Intervals
Steps | Cents | Approximate ratios | Ups and downs notation |
---|---|---|---|
0 | 0 | 1/1 | D |
1 | 19.7 | ^D, vvE♭ | |
2 | 39.3 | ^^D, vE♭ | |
3 | 59 | 29/28, 32/31 | ^3D, E♭ |
4 | 78.7 | 22/21, 23/22 | ^4D, ^E♭ |
5 | 98.4 | 35/33 | v3D♯, ^^E♭ |
6 | 118 | 31/29 | vvD♯, ^3E♭ |
7 | 137.7 | 13/12 | vD♯, v4E |
8 | 157.4 | 23/21, 34/31, 35/32 | D♯, v3E |
9 | 177 | 21/19, 31/28 | ^D♯, vvE |
10 | 196.7 | 19/17 | ^^D♯, vE |
11 | 216.4 | 26/23 | E |
12 | 236.1 | ^E, vvF | |
13 | 255.7 | 22/19 | ^^E, vF |
14 | 275.4 | 34/29 | F |
15 | 295.1 | 19/16 | ^F, vvG♭ |
16 | 314.8 | 6/5 | ^^F, vG♭ |
17 | 334.4 | 17/14, 23/19 | ^3F, G♭ |
18 | 354.1 | ^4F, ^G♭ | |
19 | 373.8 | 26/21 | v3F♯, ^^G♭ |
20 | 393.4 | vvF♯, ^3G♭ | |
21 | 413.1 | 14/11, 33/26 | vF♯, v4G |
22 | 432.8 | F♯, v3G | |
23 | 452.5 | 13/10 | ^F♯, vvG |
24 | 472.1 | 21/16 | ^^F♯, vG |
25 | 491.8 | G | |
26 | 511.5 | 35/26 | ^G, vvA♭ |
27 | 531.1 | 19/14 | ^^G, vA♭ |
28 | 550.8 | 11/8 | ^3G, A♭ |
29 | 570.5 | 25/18, 32/23 | ^4G, ^A♭ |
30 | 590.2 | 31/22 | v3G♯, ^^A♭ |
31 | 609.8 | vvG♯, ^3A♭ | |
32 | 629.5 | 23/16 | vG♯, v4A |
33 | 649.2 | 16/11, 35/24 | G♯, v3A |
34 | 668.9 | 28/19 | ^G♯, vvA |
35 | 688.5 | ^^G♯, vA | |
36 | 708.2 | A | |
37 | 727.9 | 29/19, 32/21, 35/23 | ^A, vvB♭ |
38 | 747.5 | 20/13 | ^^A, vB♭ |
39 | 767.2 | ^3A, B♭ | |
40 | 786.9 | 11/7 | ^4A, ^B♭ |
41 | 806.6 | 35/22 | v3A♯, ^^B♭ |
42 | 826.2 | 21/13 | vvA♯, ^3B♭ |
43 | 845.9 | 31/19 | vA♯, v4B |
44 | 865.6 | 28/17, 33/20 | A♯, v3B |
45 | 885.2 | 5/3 | ^A♯, vvB |
46 | 904.9 | 32/19 | ^^A♯, vB |
47 | 924.6 | 29/17 | B |
48 | 944.3 | 19/11 | ^B, vvC |
49 | 963.9 | ^^B, vC | |
50 | 983.6 | 23/13 | C |
51 | 1003.3 | 34/19 | ^C, vvD♭ |
52 | 1023 | ^^C, vD♭ | |
53 | 1042.6 | 31/17 | ^3C, D♭ |
54 | 1062.3 | 24/13 | ^4C, ^D♭ |
55 | 1082 | v3C♯, ^^D♭ | |
56 | 1101.6 | vvC♯, ^3D♭ | |
57 | 1121.3 | 21/11 | vC♯, v4D |
58 | 1141 | 31/16 | C♯, v3D |
59 | 1160.7 | ^C♯, vvD | |
60 | 1180.3 | ^^C♯, vD | |
61 | 1200 | 2/1 | D |